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Kacy & Clayton
8 839 Fans
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Artistes similaires en tournée
Photos live de Kacy & Clayton
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Dernière publication
Kacy & Clayton
il y a 9 mois
KACY & CLAYTON - UPCOMING U.S. DATES
September 8 - Union Pool, BROOKLYN, NY
September 9 - Parlor Room, NORTHAMPTON, MA
September 10 - Meadow Lark Festival, STONE RIDGE,plus
September 8 - Union Pool, BROOKLYN, NY
September 9 - Parlor Room, NORTHAMPTON, MA
September 10 - Meadow Lark Festival, STONE RIDGE,plus
concerts et dates de tournée
Passés
MAI
11
2024
Dartmouth, Canada
The Sanctuary Arts Centre
J'y étais
MARS
21
2024
Québec, Canada
Palais Montcalm
J'y étais
MARS
20
2024
Montreal, Canada
Le Studio TD
J'y étais
MARS
18
2024
Charlottetown, Canada
Confederation Centre of the Arts
J'y étais
MARS
17
2024
Moncton, Canada
Capitol Theatre
J'y étais
MARS
16
2024
Saint John, Canada
Imperial Theatre
J'y étais
Afficher plus d’événements
Commentaires des fans
justfrog
6 mars 2024
There was an empty microphone for Dallas :,)
(Until Kacy & Clayton joined for a couple songs)
Regina, SK@Artesian
justfrog
6 mars 2024
For some reason I can only find Kacy & Clayton's performance on here which is weird considering they opened, but I’d give the Sadies performance a 4/5.
Saskatoon, SK@Capitol Music Club
Voir plus d'avis de fans
A propos de Kacy & Clayton
“We were raised on cattle ranches where we learned how to play traditional country music because that’s what everyone wanted to hear.”
The music Kacy and Clayton make is inextricable from where they grew up. They sing about the kind of people you’d find in Wood Mountain, Saskatchewan (population very few). The hills, barns and remoteness of the area are in these songs, with a bittersweet acknowledgement that this music has taken them far from home.
Kacy Anderson and Clayton Linthicum’s new album Carrying On follows the international acclaim for their previous records Strange Country (which Q magazine called, “A beautiful album that nudges a classic past into a brave future.”) and 2017’s The Siren’s Song (described by Uncut as “Ageless and beguiling. A classic record for this or any other time.”)
Their sound is equal parts homespun, coming from a family and community where playing music is an ever present part of social gatherings, and the rare country, blues and English folk rock these second cousins obsess over and collect. For Carrying On, Clayton cites as influences: Bobbie Gentry’s The Delta Sweete, Hoyt Axton's My Griffin Is Gone, Cajun fiddle music, and the steel guitar of Ralph Mooney who played on many of the records that defined the Bakersfield country music scene of the 1950s. Sixties psych has also woven its way into these new songs; Kacy enjoys telling people that they live 250km from the mental hospital that coined the term ‘psychedelic’.
Having toured almost nonstop for the last two years, Carrying On was conceived and honed on the road and recorded immediately after a jaunt across Western Canada, mostly as live takes with the minimum of overdubs – the songs having been tried and tested before audiences each night. The album was produced once again by Jeff Tweedy of Wilco and Uncle Tupelo fame, at his Loft studio in Chicago.
The result is a sharpening of what Mojo magazine summed up as “A beautiful mix of Kacy's crystalline vocals and Clayton's inventive, deep-groove country guitar.” And a greater attention to detail in their songwriting; with narrative tales of loss, regret and yearning alongside vivid portraits of the Northern Great Plains and its isolated inhabitants. The songs “The Forty-Ninth Parallel,” “The South Saskatchewan River,” “Providence Place” and “That Sweet Orchestra Sound” were all written with local settings in mind - with the latter a tribute to the rural dance bands of the area, who referred to themselves as ‘orchestras.’ One such band, the Romansky Orchestra from Fir Mountain featured Kacy’s Grandpa Carl in their line-up when he was in his teens.
Of Carrying On, Jeff Tweedy said "When I first heard Kacy and Clayton, I was struck by how much detail and nuance they had absorbed from what sounded like a large swath of my record collection. When I told them that they were as good as the artists they were drawing from, I’m not sure they believed me. On this record I don’t hear those influences as much as I hear them taking the things they love so intimately and telling their own story. I think they’re a truly great band.”
“Our songs for this album are inspired by rural living of the past and present, highlighting the toll that urban dwelling can take on first generation kids moving out of the country into the city.”
The music Kacy and Clayton make is inextricable from where they grew up. They sing about the kind of people you’d find in Wood Mountain, Saskatchewan (population very few). The hills, barns and remoteness of the area are in these songs, with a bittersweet acknowledgement that this music has taken them far from home.
Kacy Anderson and Clayton Linthicum’s new album Carrying On follows the international acclaim for their previous records Strange Country (which Q magazine called, “A beautiful album that nudges a classic past into a brave future.”) and 2017’s The Siren’s Song (described by Uncut as “Ageless and beguiling. A classic record for this or any other time.”)
Their sound is equal parts homespun, coming from a family and community where playing music is an ever present part of social gatherings, and the rare country, blues and English folk rock these second cousins obsess over and collect. For Carrying On, Clayton cites as influences: Bobbie Gentry’s The Delta Sweete, Hoyt Axton's My Griffin Is Gone, Cajun fiddle music, and the steel guitar of Ralph Mooney who played on many of the records that defined the Bakersfield country music scene of the 1950s. Sixties psych has also woven its way into these new songs; Kacy enjoys telling people that they live 250km from the mental hospital that coined the term ‘psychedelic’.
Having toured almost nonstop for the last two years, Carrying On was conceived and honed on the road and recorded immediately after a jaunt across Western Canada, mostly as live takes with the minimum of overdubs – the songs having been tried and tested before audiences each night. The album was produced once again by Jeff Tweedy of Wilco and Uncle Tupelo fame, at his Loft studio in Chicago.
The result is a sharpening of what Mojo magazine summed up as “A beautiful mix of Kacy's crystalline vocals and Clayton's inventive, deep-groove country guitar.” And a greater attention to detail in their songwriting; with narrative tales of loss, regret and yearning alongside vivid portraits of the Northern Great Plains and its isolated inhabitants. The songs “The Forty-Ninth Parallel,” “The South Saskatchewan River,” “Providence Place” and “That Sweet Orchestra Sound” were all written with local settings in mind - with the latter a tribute to the rural dance bands of the area, who referred to themselves as ‘orchestras.’ One such band, the Romansky Orchestra from Fir Mountain featured Kacy’s Grandpa Carl in their line-up when he was in his teens.
Of Carrying On, Jeff Tweedy said "When I first heard Kacy and Clayton, I was struck by how much detail and nuance they had absorbed from what sounded like a large swath of my record collection. When I told them that they were as good as the artists they were drawing from, I’m not sure they believed me. On this record I don’t hear those influences as much as I hear them taking the things they love so intimately and telling their own story. I think they’re a truly great band.”
“Our songs for this album are inspired by rural living of the past and present, highlighting the toll that urban dwelling can take on first generation kids moving out of the country into the city.”
Afficher plus
Genres:
British Folk, British Folk-rock, Groovy Folk, Groovy Woovy, Heavy Mellow, Boogie Folk, Folk Blues, Folk Rock, Rock Folk, Traditional Folk, Folk, Psych Folk, Trad Folk
Membres du groupe:
Kacy Anderson and Clayton Linthicum
Ville:
Glentworth, Canada
Aucun événement à venir
Demandez à Kacy & Clayton de venir jouer dans votre ville
Envoyer une demande
Artistes similaires en tournée
Photos live de Kacy & Clayton
Voir toutes les Photos
Dernière publication
Kacy & Clayton
il y a 9 mois
KACY & CLAYTON - UPCOMING U.S. DATES
September 8 - Union Pool, BROOKLYN, NY
September 9 - Parlor Room, NORTHAMPTON, MA
September 10 - Meadow Lark Festival, STONE RIDGE,plus
September 8 - Union Pool, BROOKLYN, NY
September 9 - Parlor Room, NORTHAMPTON, MA
September 10 - Meadow Lark Festival, STONE RIDGE,plus
concerts et dates de tournée
Passés
MAI
11
2024
Dartmouth, Canada
The Sanctuary Arts Centre
J'y étais
MARS
21
2024
Québec, Canada
Palais Montcalm
J'y étais
MARS
20
2024
Montreal, Canada
Le Studio TD
J'y étais
MARS
18
2024
Charlottetown, Canada
Confederation Centre of the Arts
J'y étais
MARS
17
2024
Moncton, Canada
Capitol Theatre
J'y étais
MARS
16
2024
Saint John, Canada
Imperial Theatre
J'y étais
Afficher plus d’événements
Commentaires des fans
justfrog
6 mars 2024
There was an empty microphone for Dallas :,)
(Until Kacy & Clayton joined for a couple songs)
Regina, SK@Artesian
justfrog
6 mars 2024
For some reason I can only find Kacy & Clayton's performance on here which is weird considering they opened, but I’d give the Sadies performance a 4/5.
Saskatoon, SK@Capitol Music Club
Voir plus d'avis de fans
A propos de Kacy & Clayton
“We were raised on cattle ranches where we learned how to play traditional country music because that’s what everyone wanted to hear.”
The music Kacy and Clayton make is inextricable from where they grew up. They sing about the kind of people you’d find in Wood Mountain, Saskatchewan (population very few). The hills, barns and remoteness of the area are in these songs, with a bittersweet acknowledgement that this music has taken them far from home.
Kacy Anderson and Clayton Linthicum’s new album Carrying On follows the international acclaim for their previous records Strange Country (which Q magazine called, “A beautiful album that nudges a classic past into a brave future.”) and 2017’s The Siren’s Song (described by Uncut as “Ageless and beguiling. A classic record for this or any other time.”)
Their sound is equal parts homespun, coming from a family and community where playing music is an ever present part of social gatherings, and the rare country, blues and English folk rock these second cousins obsess over and collect. For Carrying On, Clayton cites as influences: Bobbie Gentry’s The Delta Sweete, Hoyt Axton's My Griffin Is Gone, Cajun fiddle music, and the steel guitar of Ralph Mooney who played on many of the records that defined the Bakersfield country music scene of the 1950s. Sixties psych has also woven its way into these new songs; Kacy enjoys telling people that they live 250km from the mental hospital that coined the term ‘psychedelic’.
Having toured almost nonstop for the last two years, Carrying On was conceived and honed on the road and recorded immediately after a jaunt across Western Canada, mostly as live takes with the minimum of overdubs – the songs having been tried and tested before audiences each night. The album was produced once again by Jeff Tweedy of Wilco and Uncle Tupelo fame, at his Loft studio in Chicago.
The result is a sharpening of what Mojo magazine summed up as “A beautiful mix of Kacy's crystalline vocals and Clayton's inventive, deep-groove country guitar.” And a greater attention to detail in their songwriting; with narrative tales of loss, regret and yearning alongside vivid portraits of the Northern Great Plains and its isolated inhabitants. The songs “The Forty-Ninth Parallel,” “The South Saskatchewan River,” “Providence Place” and “That Sweet Orchestra Sound” were all written with local settings in mind - with the latter a tribute to the rural dance bands of the area, who referred to themselves as ‘orchestras.’ One such band, the Romansky Orchestra from Fir Mountain featured Kacy’s Grandpa Carl in their line-up when he was in his teens.
Of Carrying On, Jeff Tweedy said "When I first heard Kacy and Clayton, I was struck by how much detail and nuance they had absorbed from what sounded like a large swath of my record collection. When I told them that they were as good as the artists they were drawing from, I’m not sure they believed me. On this record I don’t hear those influences as much as I hear them taking the things they love so intimately and telling their own story. I think they’re a truly great band.”
“Our songs for this album are inspired by rural living of the past and present, highlighting the toll that urban dwelling can take on first generation kids moving out of the country into the city.”
The music Kacy and Clayton make is inextricable from where they grew up. They sing about the kind of people you’d find in Wood Mountain, Saskatchewan (population very few). The hills, barns and remoteness of the area are in these songs, with a bittersweet acknowledgement that this music has taken them far from home.
Kacy Anderson and Clayton Linthicum’s new album Carrying On follows the international acclaim for their previous records Strange Country (which Q magazine called, “A beautiful album that nudges a classic past into a brave future.”) and 2017’s The Siren’s Song (described by Uncut as “Ageless and beguiling. A classic record for this or any other time.”)
Their sound is equal parts homespun, coming from a family and community where playing music is an ever present part of social gatherings, and the rare country, blues and English folk rock these second cousins obsess over and collect. For Carrying On, Clayton cites as influences: Bobbie Gentry’s The Delta Sweete, Hoyt Axton's My Griffin Is Gone, Cajun fiddle music, and the steel guitar of Ralph Mooney who played on many of the records that defined the Bakersfield country music scene of the 1950s. Sixties psych has also woven its way into these new songs; Kacy enjoys telling people that they live 250km from the mental hospital that coined the term ‘psychedelic’.
Having toured almost nonstop for the last two years, Carrying On was conceived and honed on the road and recorded immediately after a jaunt across Western Canada, mostly as live takes with the minimum of overdubs – the songs having been tried and tested before audiences each night. The album was produced once again by Jeff Tweedy of Wilco and Uncle Tupelo fame, at his Loft studio in Chicago.
The result is a sharpening of what Mojo magazine summed up as “A beautiful mix of Kacy's crystalline vocals and Clayton's inventive, deep-groove country guitar.” And a greater attention to detail in their songwriting; with narrative tales of loss, regret and yearning alongside vivid portraits of the Northern Great Plains and its isolated inhabitants. The songs “The Forty-Ninth Parallel,” “The South Saskatchewan River,” “Providence Place” and “That Sweet Orchestra Sound” were all written with local settings in mind - with the latter a tribute to the rural dance bands of the area, who referred to themselves as ‘orchestras.’ One such band, the Romansky Orchestra from Fir Mountain featured Kacy’s Grandpa Carl in their line-up when he was in his teens.
Of Carrying On, Jeff Tweedy said "When I first heard Kacy and Clayton, I was struck by how much detail and nuance they had absorbed from what sounded like a large swath of my record collection. When I told them that they were as good as the artists they were drawing from, I’m not sure they believed me. On this record I don’t hear those influences as much as I hear them taking the things they love so intimately and telling their own story. I think they’re a truly great band.”
“Our songs for this album are inspired by rural living of the past and present, highlighting the toll that urban dwelling can take on first generation kids moving out of the country into the city.”
Afficher plus
Genres:
British Folk, British Folk-rock, Groovy Folk, Groovy Woovy, Heavy Mellow, Boogie Folk, Folk Blues, Folk Rock, Rock Folk, Traditional Folk, Folk, Psych Folk, Trad Folk
Membres du groupe:
Kacy Anderson and Clayton Linthicum
Ville:
Glentworth, Canada
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