Trouvez des dates de tournée et des événements musicaux live pour tous vos groupes et artistes préférés dans votre ville. Obtenez des billets de concert et des actualités, et envoyez des RSVP aux concerts avec Bandsintown.
Marc-Antoine Charpentier
1 449 Fans
Ne ratez plus jamais un concert de Marc-Antoine Charpentier. Recevez des alertes sur les annonces de tournée, les billets de concert et les spectacles près de chez vous avec un compte Bandsintown gratuit.
S'abonner
Aucun événement à venir
Demandez à Marc-Antoine Charpentier de venir jouer dans votre ville
Envoyer une demande
Artistes similaires en tournée
concerts et dates de tournée
Passés
AVR.
04
2024
Boulogne Billancourt, France
La Seine Musicale
J'y étais
JUIN
17
2023
Boulogne Billancourt, France
La Seine Musicale
J'y étais
MARS
31
2023
Paris 19 Buttes-Chaumont, France
Salle des concerts - Cité de la Musique-Philharmonie
J'y étais
MARS
27
2023
Paris, France
THEATRE DES CHAMPS-ELYSEES
J'y étais
DÉC.
17
2022
Paris, France
PHILHARMONIE DE PARIS
J'y étais
DÉC.
16
2022
Versailles, France
CHAPELLE ROYALE
J'y étais
Afficher plus d’événements
A propos de Marc-Antoine Charpentier
Marc-Antoine Charpentier (1643 - 24 February 1704) was a French composer of the Baroque era.
He was a prolific and versatile composer, producing music of the highest quality in several genres. His mastery in the composition of sacred vocal music was recognized and acknowledged by his contemporaries.
Charpentier was born in or near Paris, the son of a master scribe who had very good connections to influential families in the Parlement of Paris. Marc-Antoine received a very good education, perhaps with the help of the Jesuits, and registered for law school in Paris when he was eighteen.
He was in Rome, probably between 1667 and 1669, and studied with Giacomo Carissimi. A certain legend claims that Charpentier initially traveled to Rome to study painting before he was discovered by Carissimi. This story is undocumented and possibly untrue. Regardless, he acquired a solid knowledge of the contemporary Italian practice that he brought to France upon his return.
Most likely he worked for Marie de Lorraine, duchesse de Guise on his return to France, as her house composer, until her death in 1688. During this time he composed a considerable quantity of dramatic secular vocal works, as well as Psalm settings, hymns, a Magnificat setting, a mass, and motets, which he called stories and canticum.
Beginning around 1672, he worked with Molière, after Molière's falling out with Jean-Baptiste Lully. During the 1680s Charpentier served as maître de musique at the Jesuits' Paris church of St. Louis. In addition, Charpentier served as the music teacher to Philippe, Duke of Chartres. Charpentier was appointed maître de musique à la Sainte Chapelle in 1698, a post he held until his death in 1704. One of his most famous compositions during his tenure was the Mass "Assumpta Est Maria" (H.11).
His compositions include oratorios, masses, operas, and numerous smaller pieces that are difficult to categorize. Many of his smaller works for one or two voices and instruments resemble the Italian cantata of the time, and share most features except for the name: Charpentier calls them air sérieux or air à boire if they are in French, but cantata if they are in Italian.
The prelude to his Te Deum, H. 146, a rondeau, is well-known as the signature tune for the European Broadcasting Union, heard in the opening credits of the Vienna New Year's Concert and the Eurovision Song Contest.
He was a prolific and versatile composer, producing music of the highest quality in several genres. His mastery in the composition of sacred vocal music was recognized and acknowledged by his contemporaries.
Charpentier was born in or near Paris, the son of a master scribe who had very good connections to influential families in the Parlement of Paris. Marc-Antoine received a very good education, perhaps with the help of the Jesuits, and registered for law school in Paris when he was eighteen.
He was in Rome, probably between 1667 and 1669, and studied with Giacomo Carissimi. A certain legend claims that Charpentier initially traveled to Rome to study painting before he was discovered by Carissimi. This story is undocumented and possibly untrue. Regardless, he acquired a solid knowledge of the contemporary Italian practice that he brought to France upon his return.
Most likely he worked for Marie de Lorraine, duchesse de Guise on his return to France, as her house composer, until her death in 1688. During this time he composed a considerable quantity of dramatic secular vocal works, as well as Psalm settings, hymns, a Magnificat setting, a mass, and motets, which he called stories and canticum.
Beginning around 1672, he worked with Molière, after Molière's falling out with Jean-Baptiste Lully. During the 1680s Charpentier served as maître de musique at the Jesuits' Paris church of St. Louis. In addition, Charpentier served as the music teacher to Philippe, Duke of Chartres. Charpentier was appointed maître de musique à la Sainte Chapelle in 1698, a post he held until his death in 1704. One of his most famous compositions during his tenure was the Mass "Assumpta Est Maria" (H.11).
His compositions include oratorios, masses, operas, and numerous smaller pieces that are difficult to categorize. Many of his smaller works for one or two voices and instruments resemble the Italian cantata of the time, and share most features except for the name: Charpentier calls them air sérieux or air à boire if they are in French, but cantata if they are in Italian.
The prelude to his Te Deum, H. 146, a rondeau, is well-known as the signature tune for the European Broadcasting Union, heard in the opening credits of the Vienna New Year's Concert and the Eurovision Song Contest.
Afficher plus
Aucun événement à venir
Demandez à Marc-Antoine Charpentier de venir jouer dans votre ville
Envoyer une demande
Artistes similaires en tournée
concerts et dates de tournée
Passés
AVR.
04
2024
Boulogne Billancourt, France
La Seine Musicale
J'y étais
JUIN
17
2023
Boulogne Billancourt, France
La Seine Musicale
J'y étais
MARS
31
2023
Paris 19 Buttes-Chaumont, France
Salle des concerts - Cité de la Musique-Philharmonie
J'y étais
MARS
27
2023
Paris, France
THEATRE DES CHAMPS-ELYSEES
J'y étais
DÉC.
17
2022
Paris, France
PHILHARMONIE DE PARIS
J'y étais
DÉC.
16
2022
Versailles, France
CHAPELLE ROYALE
J'y étais
Afficher plus d’événements
A propos de Marc-Antoine Charpentier
Marc-Antoine Charpentier (1643 - 24 February 1704) was a French composer of the Baroque era.
He was a prolific and versatile composer, producing music of the highest quality in several genres. His mastery in the composition of sacred vocal music was recognized and acknowledged by his contemporaries.
Charpentier was born in or near Paris, the son of a master scribe who had very good connections to influential families in the Parlement of Paris. Marc-Antoine received a very good education, perhaps with the help of the Jesuits, and registered for law school in Paris when he was eighteen.
He was in Rome, probably between 1667 and 1669, and studied with Giacomo Carissimi. A certain legend claims that Charpentier initially traveled to Rome to study painting before he was discovered by Carissimi. This story is undocumented and possibly untrue. Regardless, he acquired a solid knowledge of the contemporary Italian practice that he brought to France upon his return.
Most likely he worked for Marie de Lorraine, duchesse de Guise on his return to France, as her house composer, until her death in 1688. During this time he composed a considerable quantity of dramatic secular vocal works, as well as Psalm settings, hymns, a Magnificat setting, a mass, and motets, which he called stories and canticum.
Beginning around 1672, he worked with Molière, after Molière's falling out with Jean-Baptiste Lully. During the 1680s Charpentier served as maître de musique at the Jesuits' Paris church of St. Louis. In addition, Charpentier served as the music teacher to Philippe, Duke of Chartres. Charpentier was appointed maître de musique à la Sainte Chapelle in 1698, a post he held until his death in 1704. One of his most famous compositions during his tenure was the Mass "Assumpta Est Maria" (H.11).
His compositions include oratorios, masses, operas, and numerous smaller pieces that are difficult to categorize. Many of his smaller works for one or two voices and instruments resemble the Italian cantata of the time, and share most features except for the name: Charpentier calls them air sérieux or air à boire if they are in French, but cantata if they are in Italian.
The prelude to his Te Deum, H. 146, a rondeau, is well-known as the signature tune for the European Broadcasting Union, heard in the opening credits of the Vienna New Year's Concert and the Eurovision Song Contest.
He was a prolific and versatile composer, producing music of the highest quality in several genres. His mastery in the composition of sacred vocal music was recognized and acknowledged by his contemporaries.
Charpentier was born in or near Paris, the son of a master scribe who had very good connections to influential families in the Parlement of Paris. Marc-Antoine received a very good education, perhaps with the help of the Jesuits, and registered for law school in Paris when he was eighteen.
He was in Rome, probably between 1667 and 1669, and studied with Giacomo Carissimi. A certain legend claims that Charpentier initially traveled to Rome to study painting before he was discovered by Carissimi. This story is undocumented and possibly untrue. Regardless, he acquired a solid knowledge of the contemporary Italian practice that he brought to France upon his return.
Most likely he worked for Marie de Lorraine, duchesse de Guise on his return to France, as her house composer, until her death in 1688. During this time he composed a considerable quantity of dramatic secular vocal works, as well as Psalm settings, hymns, a Magnificat setting, a mass, and motets, which he called stories and canticum.
Beginning around 1672, he worked with Molière, after Molière's falling out with Jean-Baptiste Lully. During the 1680s Charpentier served as maître de musique at the Jesuits' Paris church of St. Louis. In addition, Charpentier served as the music teacher to Philippe, Duke of Chartres. Charpentier was appointed maître de musique à la Sainte Chapelle in 1698, a post he held until his death in 1704. One of his most famous compositions during his tenure was the Mass "Assumpta Est Maria" (H.11).
His compositions include oratorios, masses, operas, and numerous smaller pieces that are difficult to categorize. Many of his smaller works for one or two voices and instruments resemble the Italian cantata of the time, and share most features except for the name: Charpentier calls them air sérieux or air à boire if they are in French, but cantata if they are in Italian.
The prelude to his Te Deum, H. 146, a rondeau, is well-known as the signature tune for the European Broadcasting Union, heard in the opening credits of the Vienna New Year's Concert and the Eurovision Song Contest.
Afficher plus
Bénéficiez de l'expérience complète avec l’application mobile Bandsintown.