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Jim Moray
5 704 Fans
• 10 Spectacles à venir
10 Spectacles à venir
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Tournée de Jim Moray
Dernière publication
Jim Moray
il y a 6 mois
My April tour is on sale now! The show in Birmingham is sold out, but there's still tickets for Brighton, London and Chester and I'll be joined by Frankie Archer in suppoplus
Commentaires des fans
Dave
26 mai 2018
Jim just gets better and better
London, United Kingdom of Great Britain and Northern Ireland@The Ivy House - Nunhead
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A propos de Jim Moray
Should you care to look back over the past two decades of British folk music, one musician in particular stands out for having a singular, idiosyncratic vision that has rarely wavered in style and substance. Jim Moray may have garnered initial attention for his digitally-driven approach to traditional music, but reflecting on his seven albums and numerous production credits it’s clear that imagination and invention are the real cornerstones of his work. The cinematic vision of albums such as Skulk (2012), Upcetera (2016), and his game-changing debut Sweet England (2003) show just how far the old songs can be taken. His arrangements of traditional songs such as ‘Gilderoy’, ‘Horkstow Grange’ and ‘Fair Margaret and Sweet William’ are regarded as amongst the classics of the folk genre, while his treatment of the ballad ‘Lord Douglas’ has become a must-learn for fingerstyle guitarists.
As Moray embarks on his third decade as a professional musician, he can count career-defining performances at Glastonbury, The Royal Albert Hall, and WOMAD, and has caught the attention of those in the know along the way. “I love this singer of old ballads”, enthused none other than Iggy Pop, no stranger to songs of love, life and loss. 20 years in the business also means that his influence is being felt among a younger generation of folk musicians, especially those who explore the wider canon and ways in which traditional music can be stretched. Frankie Archer recently spoke about how Moray’s work on Low Culture (2008) blew her mind. “It showed me for the first time what UK folk music could be”.
Never satisfied with staying still, the artist is still moving after shaking the folk world to its foundations twenty years ago. And in a genre where musicians reach their peak the older they get, there’s a sense that he has only just begun.
As Moray embarks on his third decade as a professional musician, he can count career-defining performances at Glastonbury, The Royal Albert Hall, and WOMAD, and has caught the attention of those in the know along the way. “I love this singer of old ballads”, enthused none other than Iggy Pop, no stranger to songs of love, life and loss. 20 years in the business also means that his influence is being felt among a younger generation of folk musicians, especially those who explore the wider canon and ways in which traditional music can be stretched. Frankie Archer recently spoke about how Moray’s work on Low Culture (2008) blew her mind. “It showed me for the first time what UK folk music could be”.
Never satisfied with staying still, the artist is still moving after shaking the folk world to its foundations twenty years ago. And in a genre where musicians reach their peak the older they get, there’s a sense that he has only just begun.
Afficher plus
Genres:
Folk
Aucun événement à venir dans votre ville
Demandez à Jim Moray de venir jouer dans votre ville
Envoyer une demande
concerts et dates de tournée
À venir
Passés
tous les concerts et diffusions live
Afficher plus d’événements (10)
Dernière publication
Jim Moray
il y a 6 mois
My April tour is on sale now! The show in Birmingham is sold out, but there's still tickets for Brighton, London and Chester and I'll be joined by Frankie Archer in suppoplus
Tournée de Jim Moray
Commentaires des fans
Dave
26 mai 2018
Jim just gets better and better
London, United Kingdom of Great Britain and Northern Ireland@The Ivy House - Nunhead
A propos de Jim Moray
Should you care to look back over the past two decades of British folk music, one musician in particular stands out for having a singular, idiosyncratic vision that has rarely wavered in style and substance. Jim Moray may have garnered initial attention for his digitally-driven approach to traditional music, but reflecting on his seven albums and numerous production credits it’s clear that imagination and invention are the real cornerstones of his work. The cinematic vision of albums such as Skulk (2012), Upcetera (2016), and his game-changing debut Sweet England (2003) show just how far the old songs can be taken. His arrangements of traditional songs such as ‘Gilderoy’, ‘Horkstow Grange’ and ‘Fair Margaret and Sweet William’ are regarded as amongst the classics of the folk genre, while his treatment of the ballad ‘Lord Douglas’ has become a must-learn for fingerstyle guitarists.
As Moray embarks on his third decade as a professional musician, he can count career-defining performances at Glastonbury, The Royal Albert Hall, and WOMAD, and has caught the attention of those in the know along the way. “I love this singer of old ballads”, enthused none other than Iggy Pop, no stranger to songs of love, life and loss. 20 years in the business also means that his influence is being felt among a younger generation of folk musicians, especially those who explore the wider canon and ways in which traditional music can be stretched. Frankie Archer recently spoke about how Moray’s work on Low Culture (2008) blew her mind. “It showed me for the first time what UK folk music could be”.
Never satisfied with staying still, the artist is still moving after shaking the folk world to its foundations twenty years ago. And in a genre where musicians reach their peak the older they get, there’s a sense that he has only just begun.
As Moray embarks on his third decade as a professional musician, he can count career-defining performances at Glastonbury, The Royal Albert Hall, and WOMAD, and has caught the attention of those in the know along the way. “I love this singer of old ballads”, enthused none other than Iggy Pop, no stranger to songs of love, life and loss. 20 years in the business also means that his influence is being felt among a younger generation of folk musicians, especially those who explore the wider canon and ways in which traditional music can be stretched. Frankie Archer recently spoke about how Moray’s work on Low Culture (2008) blew her mind. “It showed me for the first time what UK folk music could be”.
Never satisfied with staying still, the artist is still moving after shaking the folk world to its foundations twenty years ago. And in a genre where musicians reach their peak the older they get, there’s a sense that he has only just begun.
Afficher plus
Genres:
Folk
Les fans suivent aussi
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S'abonner
Seth Lakeman
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S'abonner
Kate Rusby
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S'abonner
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17K Fans
S'abonner
Karine Polwart
17K Fans
S'abonner
Lau
27K Fans
S'abonner
Jon Boden
6K Fans
S'abonner
Jackie Oates
3K Fans
S'abonner
The Unthanks
15K Fans
S'abonner
Steve Knightley
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S'abonner
Kathryn Roberts…
7K Fans
S'abonner
Richard Thompson
105K Fans
S'abonner
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