Like an illusionist straight out of a Borges novella, Melingo is back, with his voice, his clarinet and his sense of drama. Listening to ‘Anda’ is like enjoying a Fellini film with your eyes closed, losing yourself in a display of sound designed as a suite of baroque scenes in which each piece pulsates and destabilises us. In it, the original tango is reborn, a little as if Carlos Gardel was at the centre of a form of arty neo-rock fiction, with a gallery of characters featuring Erik Satie and Serge Gainsbourg among the spectres the Argentinian actor and poet conjures forth.