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Concierto

David Wilcox Annual Thanksgiving Homecoming Concert

David Wilcox
The Grey Eagle
185 Clingman Ave, Asheville, NC 28801

Vie, 27 nov 2026

19:00 GMT-5
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Entradas, fechas de la gira y Conciertos de David Wilcox
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19:00 EST3 Iré
ALL AGES FULLY SEATED SHOW LIMITED NUMBER OF PREMIUM SEATING TICKETS AVAILABLEDAVID WILCOX There are songwriters who chronicle life, and then there’s David Wilcox—an artist who metabolizes it. He has long been a quiet force in American folk music; a musician’s musician, a writer’s writer, and a seeker whose gift lies in making the personal feel universal. With the upcoming release of The Way I Tell the Story (2025), Wilcox proves, yet again, that resilience isn’t just a survival skill—it’s an art form. The record shimmers with musical sophistication but leaves just enough space for the listener to feel what Wilcox has always done best: tell the truth, gently but without apology. The music he’s creating now comes from a place that can’t be faked. In recent years, Wilcox’s life has been shaped by his wife’s Parkinson’s diagnosis—a shift that reordered his priorities and redefined his sense of time, love, and presence. But rather than retreat, Wilcox leaned in. “Times get tough, and music gets good,” he says, and means it. These songs don’t dramatize. They don’t resolve neatly. They sit in the complexity of living—open-eyed, unafraid, quietly brave. Wilcox’s career began in earnest in the late 1980s, when his self-released debut The Nightshift Watchman caught the attention of A&M Records. His major-label debut, How Did You Find Me Here (1989), became an unexpected hit, selling over 100,000 copies largely by word of mouth and live shows alone—an unheard-of feat for a debut folk record. Critics took note of his deft guitar work and emotional clarity, but it was the unassuming wisdom threaded through his lyrics that truly set him apart. Rolling Stone praised his “soulful insight,” while The New York Times called his music “a kind of open-hearted therapy.” Wilcox’s music still resonates, especially now, because it doesn’t try to outpace the moment. It meets it. In his world, craft is a form of care. Introspection is a public offering. And staying soft in a hard world isn’t a liability—it’s a kind of leadership. For audiences seeking something more than noise, more than nostalgia, Wilcox’s songs remain a rare kind of company. Not flashy. Not loud. Just deeply, generously alive.
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Artist bio
David Wilcox is a penetrating storyteller. The revered folk musician has an effortless talent for spinning lyrics that quietly cut deep, and crafting melodies that seamlessly ride the plot twists and turns. Wilcox handily exemplifies the power of lyrical and musical catharsis

Pick any song from Wilcox’s new acoustic album, My Good Friends, and you will find yourself instantly immersed. Sometimes you’ll see yourself in the lyrics, other times you’ll marvel at the four-minute mini-movie. My Good Friends is a stripped-down, acoustic collection of ten songs, a fan-requested creative respite for Wilcox as he also continues to work on a full band album coming in 2024.

Of special note on the new recording is “Jolt,” with its jittery rhythm playing perfect backdrop to lyrics about today’s obsession with online fear mongering and internet disinformation. The title track is a folk-blues number about living a life filled with close calls and surviving them all. Then there’s a trio of story songs – “Dead Man’s Phone,” “This Is How It Ends,” and “Lost Man” – that are as cinematic as they are charismatic. Wilcox says those last three songs “create a whole movie in my imagination.”

In fact, the way Wilcox feels about every tune on My Good Friends proves this is indeed a fan-requested labor of love. “I am grateful for the community that sustains me – my good friends,” he says. “These are the kind of friends that get you through difficult times. The kind of friends that you go to for a fresh perspective when the future looks grim. These songs grew out of conversations with friends, and they hold ideas that I like to have around.”

Such dedication to honoring personal and heartfelt music has been the backbone of David Wilcox’s entire career. The Ohio native with the warm baritone found his artistic muse in North Carolina during the mid-1980s. In 1987, he released his debut album, The Nightshift Watchman, which led to winning the prestigious Kerrville Folk Festival in 1988. That translated to a four-album stint with A&M Records starting with 1989’s How Did You Find Me Here, which sold 100,000 copies by word of mouth. Thirty-plus years and twenty-plus albums later, Wilcox won top honors in the 23rd annual USA Songwriting Competition in 2018 for his effervescent “We Make the Way by Walking” from his album, The View From the Edge. Wilcox has deservedly earned praise over the years in The New York Times, The Boston Globe, The Los Angeles Times, and Rolling Stone, to name a few. He also has a dedicated and vocal core of fans who regularly write to thank him for his work and the impact his songs have had on their lives.

Today, Wilcox is still earning his admirers with storytelling that cuts deep into the soul and observes the human condition from both the nerve center and the outside looking in. That kind of storytelling is certain to become a good friend.
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Genres:Contemporary Acoustic Folk
Ciudad de Origen: Asheville, North Carolina
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The Grey Eagle
185 Clingman Ave, Asheville, NC
The Grey Eagle
The Grey Eagle is Asheville’s longest-running all-ages venue and has hosted over 10,000 different bands and artists including Ralph Stanley, Avett Brothers, Band of Horse...
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