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![Entradas, fechas de la gira y Conciertos de Ray Chenez, Countertenor](https://photos.bandsintown.com/thumb/13260865.jpeg)
Ray Chenez, Countertenor
L'Incoronazione di Poppea (Nerone) / Opéra de Rouen
Opéra de Rouen Haute-Normandie - Théâtre des Arts
7 Rue du Dr Robert Rambert
![Entradas, fechas de la gira y Conciertos de Ray Chenez, Countertenor](https://photos.bandsintown.com/thumb/13260865.jpeg)
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About this concert
Poppée - Catherine Trottmann
Néron - Ray Chenez
Octavie / la Vertu - Victoire Bunel
Sénèque - Adrien Mathonat
Arnalta / la Nourrice - Paul Figuier
La Fortune / Drusilla / La Demoiselle - Maïlys de Villoutreys
L’Amour / le Valet - Camille Poul
Lucain / le Soldat n°1 - Sebastian Monti
Libertus / le Soldat n°2 - Thibault Givaja
Le Licteur / Mercure - Yannis François
Le Banquet Céleste
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Ray Chenez, Countertenor Biography
American countertenor Ray Chenez is redefining his fach, with a voice that possesses a rare combination of beauty, power, and flexibility. He has the capacity to sing a range of repertoire unheard of for a countertenor, and mesmerizes audiences with his embodiment of male and female roles.
He was featured in Opera News as one of the next generation’s rising stars of opera, stating “Ray Chenez’s countertenor is bold and assertive but also warm-toned and luxurious. He has a naturally electric presence, and his diction is precise no matter how high he sings.” Winner of the 2014 George London Award, and has been called “luxury casting” by the New York Times, having “excellent connection to text, superb vocal control and spotless diction” by Opera News, and having a “dramatic soprano voice which oozes potential” by Opera Britannia.
Leer másHe was featured in Opera News as one of the next generation’s rising stars of opera, stating “Ray Chenez’s countertenor is bold and assertive but also warm-toned and luxurious. He has a naturally electric presence, and his diction is precise no matter how high he sings.” Winner of the 2014 George London Award, and has been called “luxury casting” by the New York Times, having “excellent connection to text, superb vocal control and spotless diction” by Opera News, and having a “dramatic soprano voice which oozes potential” by Opera Britannia.
Opera
Classical
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