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About this concert
Victory Pool and Midnight Agency have teamed up for a can't-miss Canadian Music Week showcase, featuring six of the country's most exciting emerging artists.
Presented with support from Exclaim! and Collective Arts Brewing, the event sees the two music companies bring their six-act bill to the latter's Toronto taproom and cafe, located at 777 Dundas Street West.
Taking place June 6 from 2 p.m. to 5 p.m., the afternoon of live music includes performances by singer-songwriter and Islands member Geordie Gordon, Alberta alt-country artiste Shaela Miller, Anishinaabe singer-songwriter Evan Redsky, Kid Cudi-approved MC DijahSB, prolific Prairie folk artist Ellen Froese and some Exclaim! New Faves alums in the Free Label.
Entry to Victory Pool and Midnight Agency's CMW showcase is free of charge with RSVP, and you can secure your spot via Eventbrite.
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Shaela Miller Biography
Shaela Miller’s years spent doing good country music work are safely etched into public consciousness. A turn at this point is by no means an undoing, but a welcome lead into new waters. Miller’s rising profile is being amplified by a sonic reintroduction to one of Canada’s best voices and most sincere stage personalities. On the heels of exploring a new sound, years of top-tier festival circuiting, TV placements like HBO’s True Blood, and many other accomplishments, Shaela sets aside (at least for now) her Loretta Lynn likeness in favour of the synth laden corridors of a new sonic pathway. Shaela's After the Masquerade Tour is a self-indulgent trip back to a world of music she’s been patiently waiting to explore. The record was produced by Graham Lessard (Stars, Timbre Timbre) and recorded at Studio Bell in Calgary’s National Music Centre. Released on Canadian upstart Neon Moon Records, it’s a binary of “country and new wave that sees the two contrasting styles collide in dazzling fashion” (Plastic Mag) – a collision of genres that helped rear a young songwriter years ago.
Shaela Miller’s years spent doing good country music work are safely etched into public consciousness. A turn at this point is by no means an undoing, but a welcome lead into new waters. Miller’s rising profile is being amplified by a sonic reintroduction to one of Canada’s best voices and most sincere stage personalities. On the heels of exploring a new sound, years of top-tier festival circuiting, TV placements like HBO’s True Blood, and many other accomplishments, Shaela sets aside (at least for now) her Loretta Lynn likeness in favour of the synth laden corridors of a new sonic pathway. Shaela's After the Masquerade Tour is a self-indulgent trip back to a world of music she’s been patiently waiting to explore. The record was produced by Graham Lessard (Stars, Timbre Timbre) and recorded at Studio Bell in Calgary’s National Music Centre. Released on Canadian upstart Neon Moon Records, it’s a binary of “country and new wave that sees the two contrasting styles collide in dazzling fashion” (Plastic Mag) – a collision of genres that helped rear a young songwriter years ago.
Shaela Miller’s years spent doing good country music work are safely etched into public consciousness. A turn at this point is by no means an undoing, but a welcome lead into new waters. Miller’s rising profile is being amplified by a sonic reintroduction to one of Canada’s best voices and most sincere stage personalities. On the heels of exploring a new sound, years of top-tier festival circuiting, TV placements like HBO’s True Blood, and many other accomplishments, Shaela sets aside (at least for now) her Loretta Lynn likeness in favour of the synth laden corridors of a new sonic pathway. Shaela's After the Masquerade Tour is a self-indulgent trip back to a world of music she’s been patiently waiting to explore. The record was produced by Graham Lessard (Stars, Timbre Timbre) and recorded at Studio Bell in Calgary’s National Music Centre. Released on Canadian upstart Neon Moon Records, it’s a binary of “country and new wave that sees the two contrasting styles collide in dazzling fashion” (Plastic Mag) – a collision of genres that helped rear a young songwriter years ago.
Shaela Miller’s years spent doing good country music work are safely etched into public consciousness. A turn at this point is by no means an undoing, but a welcome lead into new waters. Miller’s rising profile is being amplified by a sonic reintroduction to one of Canada’s best voices and most sincere stage personalities. On the heels of exploring a new sound, years of top-tier festival circuiting, TV placements like HBO’s True Blood, and many other accomplishments, Shaela sets aside (at least for now) her Loretta Lynn likeness in favour of the synth laden corridors of a new sonic pathway. Shaela's After the Masquerade Tour is a self-indulgent trip back to a world of music she’s been patiently waiting to explore. The record was produced by Graham Lessard (Stars, Timbre Timbre) and recorded at Studio Bell in Calgary’s National Music Centre. Released on Canadian upstart Neon Moon Records, it’s a binary of “country and new wave that sees the two contrasting styles collide in dazzling fashion” (Plastic Mag) – a collision of genres that helped rear a young songwriter years ago.
Shaela Miller’s years spent doing good country music work are safely etched into public consciousness. A turn at this point is by no means an undoing, but a welcome lead into new waters. Miller’s rising profile is being amplified by a sonic reintroduction to one of Canada’s best voices and most sincere stage personalities. On the heels of exploring a new sound, years of top-tier festival circuiting, TV placements like HBO’s True Blood, and many other accomplishments, Shaela sets aside (at least for now) her Loretta Lynn likeness in favour of the synth laden corridors of a new sonic pathway. Shaela's After the Masquerade Tour is a self-indulgent trip back to a world of music she’s been patiently waiting to explore. The record was produced by Graham Lessard (Stars, Timbre Timbre) and recorded at Studio Bell in Calgary’s National Music Centre. Released on Canadian upstart Neon Moon Records, it’s a binary of “country and new wave that sees the two contrasting styles collide in dazzling fashion” (Plastic Mag) – a collision of genres that helped rear a young songwriter years ago.
Leer másShaela Miller’s years spent doing good country music work are safely etched into public consciousness. A turn at this point is by no means an undoing, but a welcome lead into new waters. Miller’s rising profile is being amplified by a sonic reintroduction to one of Canada’s best voices and most sincere stage personalities. On the heels of exploring a new sound, years of top-tier festival circuiting, TV placements like HBO’s True Blood, and many other accomplishments, Shaela sets aside (at least for now) her Loretta Lynn likeness in favour of the synth laden corridors of a new sonic pathway. Shaela's After the Masquerade Tour is a self-indulgent trip back to a world of music she’s been patiently waiting to explore. The record was produced by Graham Lessard (Stars, Timbre Timbre) and recorded at Studio Bell in Calgary’s National Music Centre. Released on Canadian upstart Neon Moon Records, it’s a binary of “country and new wave that sees the two contrasting styles collide in dazzling fashion” (Plastic Mag) – a collision of genres that helped rear a young songwriter years ago.
Shaela Miller’s years spent doing good country music work are safely etched into public consciousness. A turn at this point is by no means an undoing, but a welcome lead into new waters. Miller’s rising profile is being amplified by a sonic reintroduction to one of Canada’s best voices and most sincere stage personalities. On the heels of exploring a new sound, years of top-tier festival circuiting, TV placements like HBO’s True Blood, and many other accomplishments, Shaela sets aside (at least for now) her Loretta Lynn likeness in favour of the synth laden corridors of a new sonic pathway. Shaela's After the Masquerade Tour is a self-indulgent trip back to a world of music she’s been patiently waiting to explore. The record was produced by Graham Lessard (Stars, Timbre Timbre) and recorded at Studio Bell in Calgary’s National Music Centre. Released on Canadian upstart Neon Moon Records, it’s a binary of “country and new wave that sees the two contrasting styles collide in dazzling fashion” (Plastic Mag) – a collision of genres that helped rear a young songwriter years ago.
Shaela Miller’s years spent doing good country music work are safely etched into public consciousness. A turn at this point is by no means an undoing, but a welcome lead into new waters. Miller’s rising profile is being amplified by a sonic reintroduction to one of Canada’s best voices and most sincere stage personalities. On the heels of exploring a new sound, years of top-tier festival circuiting, TV placements like HBO’s True Blood, and many other accomplishments, Shaela sets aside (at least for now) her Loretta Lynn likeness in favour of the synth laden corridors of a new sonic pathway. Shaela's After the Masquerade Tour is a self-indulgent trip back to a world of music she’s been patiently waiting to explore. The record was produced by Graham Lessard (Stars, Timbre Timbre) and recorded at Studio Bell in Calgary’s National Music Centre. Released on Canadian upstart Neon Moon Records, it’s a binary of “country and new wave that sees the two contrasting styles collide in dazzling fashion” (Plastic Mag) – a collision of genres that helped rear a young songwriter years ago.
Shaela Miller’s years spent doing good country music work are safely etched into public consciousness. A turn at this point is by no means an undoing, but a welcome lead into new waters. Miller’s rising profile is being amplified by a sonic reintroduction to one of Canada’s best voices and most sincere stage personalities. On the heels of exploring a new sound, years of top-tier festival circuiting, TV placements like HBO’s True Blood, and many other accomplishments, Shaela sets aside (at least for now) her Loretta Lynn likeness in favour of the synth laden corridors of a new sonic pathway. Shaela's After the Masquerade Tour is a self-indulgent trip back to a world of music she’s been patiently waiting to explore. The record was produced by Graham Lessard (Stars, Timbre Timbre) and recorded at Studio Bell in Calgary’s National Music Centre. Released on Canadian upstart Neon Moon Records, it’s a binary of “country and new wave that sees the two contrasting styles collide in dazzling fashion” (Plastic Mag) – a collision of genres that helped rear a young songwriter years ago.
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