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Dale Crover
Metro Music Hall
615 W 100 S
Salt Lake City, UT 84101
12 jul 2024
19:00 GMT-6
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Walden
10 de julio de 2024
Dale did a 25 minute dj set from his phone sitting at the drums. Then did a 25 minute solo acoustic set. He played "The Bit" (melvins) because he wrote the guitar for it. Then he played drums for Redd Kross. #legend
Vancouver, BC@Biltmore Cabaret
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About the venue
Metro Music Hall (formerly Metro Bar) is a mid-size concert venue in downtown Salt Lake City which hosts a diverse selection of live music, dance parties, alternative lif...
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Dale Crover Biography
As he began plotting his new solo album, Dale Crover — world-renowned drummer for the Melvins, Nirvana and Redd Kross, and singer-guitarist for Altamont — realized that, unlike with his prior two full-lengths, he was starting from scratch. “I didn’t have any songs,” he says, “so I just went on this writing spree.”
The result is Glossolalia, Crover’s third LP under his own name and arguably his most focused statement yet as a solo artist: 11 catchy yet eccentric tracks that move from Nuggets-y garage rock to crafty proto-metal riffage and gorgeously hazy psych-pop, touching on everything from a bad teenage trip to the charms of the late, great Jane Birkin, and featuring input by illustrious guests including Ty Segall, Soundgarden’s Kim Thayil and none other than Tom Waits.
What stands out across the record is the sturdiness of Crover’s vision. He’s modest about his ambitions — “It’s just kind of like extra credit,” he says, about having a solo outlet apart from his main band — but as this record shows, his overall aesthetic hits just as hard as his legendary drum thunder.
Leer másThe result is Glossolalia, Crover’s third LP under his own name and arguably his most focused statement yet as a solo artist: 11 catchy yet eccentric tracks that move from Nuggets-y garage rock to crafty proto-metal riffage and gorgeously hazy psych-pop, touching on everything from a bad teenage trip to the charms of the late, great Jane Birkin, and featuring input by illustrious guests including Ty Segall, Soundgarden’s Kim Thayil and none other than Tom Waits.
What stands out across the record is the sturdiness of Crover’s vision. He’s modest about his ambitions — “It’s just kind of like extra credit,” he says, about having a solo outlet apart from his main band — but as this record shows, his overall aesthetic hits just as hard as his legendary drum thunder.
Rock
Punk
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