Bandsintown
get app
Regístrate
Iniciar sesión
Regístrate
Iniciar sesión

Industry
ArtistasEvent Pros
AyudaPrivacidadTérminos
Entradas, fechas de la gira y Conciertos de Peel Dream Magazine

Peel Dream Magazine

Thalia Hall
1227 W 18th St

5 ago 2024

20:00 GMT-5
Estuve allí
Deja un comentario
Entradas, fechas de la gira y Conciertos de Peel Dream Magazine
About this concert
Because Hold, Jack Tatums fifth album under the moniker Wild Nothing, was written in the aftermath of new parenthood during the pandemic, it was probably inevitable that it would be searching and existential music. But during the recording process, the artist known for synth-pop tastefulness took it as an opportunity to reach for a new sonic maximalism and wider set of influences.With contributions from longtime collaborator Jorge Elbrecht, Tommy Davidson of Beach Fossils and Hatchies Harriette Pilbeam, first single Headlights On features an acid house-worthy bass groove and breakbeat that prove Tatum is playing for the rafters.But that club ambiance is misdirection. Its a fun song, but lyrically, its about my wife and I going through one of the worst times in our relationship, Tatum said. I dont know why, but Ive always been so drawn to these kinds of juxtapositions and striking these balances.Tatum produced the rest of the record on his own, partially out of necessity, due to the challenges of the pandemic. More than anything, this record reminded me of working on my first LP. Just truly being holed up in this room, alone with no input for such a long time, he said. The songs were eventually brought to Adrian Olsen at Montrose Recording in Richmond to begin recording drums and filling in the gaps. While largely a product of isolation, Hold also reflects the things Tatum has learned from collaborators, both on previous records and during his acclaimed work with Japanese Breakfast and Molly Burch.The rest of the record was mixed by Geoff Swan, who listeners might know for his work with Caroline Polachek and Charli XCX. I reached out to Geoff because I wanted to find someone that could help me make this sound as big as possible, he said. Ive always been very inspired by and attracted to big tent 80s acts. Peter Gabriel and Kate Bush are two of my biggest influences ever because they clearly never shied away from that kind of ambition. Swan put Tatums vocals high in the mix, and throughout the album, he embraces playful vocal processing like never before.
Mostrar más

Busca alojamiento

Cartel del evento
Wild Nothing
210 mil Seguidores
Seguir
Peel Dream Magazine
2,82 mil Seguidores
Seguir

Artículos de promoción oficiales

Ratboys - AOID LP
$24.0 USD
Ratboys - GN LP
$24.0 USD
Ratboys - Printer's Devil LP
$24.0 USD
toe - For Long Tomorrow LP
$26.0 USD
toe - the future is now 10" vinyl
$22.0 USD
toe - Our Latest Number LP
$22.0 USD
toe - Original logo shirt
$25.0 USD
toe - HEAR YOU CD
$15.0 USD
toe - Our Latest Number CD
$12.0 USD
toe - Our Latest Number cassette
$12.0 USD
Descubre más artistas que puedes seguir y sincroniza tu música
Encuentra tus favoritos
musicSyncBanner

Compartir evento

Peel Dream Magazine Biography

Rose Main Reading Room, the fourth full length by Peel Dream Magazine, is a lush, inviting headphones record; the kind of album made to accompany city bus rides and rainy-day solo trips to accidental destinations. The band, whose name nods to the BBC Radio 1 legend John Peel — arbiter of all things underground, quality, and (it must be said) "cool" — has since its inception been a genre-hopping experiment, jumping from motorik krautrock to shoegaze and space age pop, and their newest work is a perfect starting point for the uninitiated, beckoning toward a newfound romance and nostalgia with their catchiest collection of songs to date.

Set to the backdrop of New York City and its towering landmarks — The American Museum of Natural History, Grand Central Station, and the like — songwriter Joseph Stevens weaves personal stories into the wider fabric of the natural world, touching on themes of instinct, animality, and evolution. On tracks such as “Central Park West” and “Migratory Patterns,” Stevens and his principal contributors, vocalist Olivia Babuka Black and multi-instrumentalist Ian Gibbs, evoke a woodland sound palette juxtaposed against drones and various electronics, like on side one closer “Gems and Minerals.”

Pre-release singles “Wish You Well” and “Lie In the Gutter” conjure the driving feel of the band’s earlier output, which often draws comparisons to Stereolab and Yo La Tengo, while songs like “Dawn” revel in arpeggiating woodwinds and mallets, recalling the wide-eyed contemporary classical of Steve Reich and Sufjan Stevens. Rose Main Reading Room also touches on Y2K indie pop nostalgia by incorporating breakbeats and acoustic guitar-driven ear candy, as heard on tracks like “Counting Sheep” and “Four Leaf Clover”.

Across its fifteen songs, Rose Main Reading Room ultimately proposes a world of marvels and compelling complexity: “Oblast” cheekily prods at mutually assured destruction; “Ocean Life” explores the infiniteness within ourselves; while “R.I.P. (Running in Place)” unpacks an all too familiar stagnation. It’s all part of, and crucial to, Rose Main Reading Room’s transportive power, ever reaching for the wonder and magic of the world we live in.
Leer más
Indie Rock
Avant-pop
Kraut Rock
Space Pop
Avant-folk
Shoegaze
Seguir artista