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About this concert
Chris Barron is best known as the lead singer of the Grammy nominated, Rolling Stone cover, hit band Spin Doctors. He wrote the Billboard top tens, “Two Princes” and “Little Miss Can’t Be Wrong”. Spin Doctors just recorded a new record in February and hope to have it out summer of 2023. Chris is also working on a solo record. Chris Barron plays nifty chords on a vintage Gibson, getting songs across with a mastery that comes from a lifetime starting on street corners and journeying through the alleyways of stardom to the largest stages is in the world. His solo acoustic interpretations of Spin Doctors hits combine with a diversity of songwriting, accomplished guitar playing, and quirky solo material to make a compelling show full of storytelling and raw musical power that is compelling, poignant, extremely amusing, and utterly satisfying. “Chris Barron is the best songwriter of his generation. Think Robert Johnson meets Paul Simon with the epic lyric sensibility of Bob Dylan.” -Charles Kirby “Chris Barron is such a good guitar player it makes me angry.” -Blake Morgan
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What fans are saying
Stephanie
12 de febrero de 2023
Great intimate venue! Chris put on a fantastic show, and was gracious in meeting his fans afterwards as well.
Wilmington, NC@Reel Cafe
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About the venue
Elkton Music Hall is a live music venue that hosts concerts by national touring artists, as well as the area’s talented local musicians. From Grammy winners to some of to...
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Chris Barron Biography
“A full-throttle blast.” ––Billboard Magazine
“Irrepressible…Chris Barron is a showman. ––Rolling Stone
“A visceral, instinctive and accomplished musician.” ––Guitar World
“A frontman with the temperament of a golden retriever.” ––The New York Times
The zeitgeist is a moving target, and Chris Barron has always been a crack shot. The New York songwriter is no longer the debutant who set out on the circuit’s sharp end in 1988 with $100, a battered acoustic and a headful of the alt-rock anthems that would elevate Spin Doctors to global stardom. He’s a veteran, living in a world changed beyond recognition, compelled to write the music that chronicles the here-and-now. As far back as he can remember, he’s had a hunger driving him onward, towards something just out of reach. In 2017, it propelled his new record, Angels and One-Armed Jugglers, the culmination of a lifetime’s craft and a record both contemporary and classic.
Ask Barron for a pivotal moment from his journey and he’ll rewind the reels to a high-school music theory class, where a cherished teacher advised him to “learn the rules so that you can break them.” Almost four decades later, that same irreverent wisdom hangs over Angels and One-Armed Jugglers. In a cynical era of songwriting by committee, these eleven songs rip up the verse/chorus template, eschew the stock lyrical themes and crash thrillingly among genres, as this fascinating songwriter acts entirely on instinct.
“I’ve taken stock of everything I’ve learned about music,” says Barron, “and I’ve got to a point now where I’m just following my nose. These songs range from old jazz standards to funky beer-hall folk tunes. But I’ve never really been that interested in genres. I’m just interested in songs. I think the reason it’s so eclectic is because the songs were chosen more thematically than based on genre.”
You suspect there’s no canvas large enough to capture the endless light bulbs pinging above the head of Chris Barron––but the thrilling Angels and One-Armed Jugglers is the closest we’ll get to a portrait of this visionary songwriter as a mature artist. “I got lucky with this one. It’s better than I could have imagined or hoped for.”
Leer más“Irrepressible…Chris Barron is a showman. ––Rolling Stone
“A visceral, instinctive and accomplished musician.” ––Guitar World
“A frontman with the temperament of a golden retriever.” ––The New York Times
The zeitgeist is a moving target, and Chris Barron has always been a crack shot. The New York songwriter is no longer the debutant who set out on the circuit’s sharp end in 1988 with $100, a battered acoustic and a headful of the alt-rock anthems that would elevate Spin Doctors to global stardom. He’s a veteran, living in a world changed beyond recognition, compelled to write the music that chronicles the here-and-now. As far back as he can remember, he’s had a hunger driving him onward, towards something just out of reach. In 2017, it propelled his new record, Angels and One-Armed Jugglers, the culmination of a lifetime’s craft and a record both contemporary and classic.
Ask Barron for a pivotal moment from his journey and he’ll rewind the reels to a high-school music theory class, where a cherished teacher advised him to “learn the rules so that you can break them.” Almost four decades later, that same irreverent wisdom hangs over Angels and One-Armed Jugglers. In a cynical era of songwriting by committee, these eleven songs rip up the verse/chorus template, eschew the stock lyrical themes and crash thrillingly among genres, as this fascinating songwriter acts entirely on instinct.
“I’ve taken stock of everything I’ve learned about music,” says Barron, “and I’ve got to a point now where I’m just following my nose. These songs range from old jazz standards to funky beer-hall folk tunes. But I’ve never really been that interested in genres. I’m just interested in songs. I think the reason it’s so eclectic is because the songs were chosen more thematically than based on genre.”
You suspect there’s no canvas large enough to capture the endless light bulbs pinging above the head of Chris Barron––but the thrilling Angels and One-Armed Jugglers is the closest we’ll get to a portrait of this visionary songwriter as a mature artist. “I got lucky with this one. It’s better than I could have imagined or hoped for.”
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