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Kayo Dot
10.470 Seguidores
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Fotos en vivo de Kayo Dot
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concerts and tour dates
Anteriores
MAR.
09
2024
San Francisco, CA
Neck Of the Woods
Estuve allí
MAR.
07
2024
Los Angeles, CA
The Moroccan Lounge
Estuve allí
MAR.
04
2024
Boise, ID
Treefort Music Hall
Estuve allí
MAR.
03
2024
Seattle, WA
The Crocodile
Estuve allí
MAR.
02
2024
Portland, OR
Aladdin Theater
Estuve allí
MAR.
01
2024
Eugene, OR
Wow Hall
Estuve allí
Mostrar más eventos
Opiniones de seguidores
Eric
2 de octubre de 2019
Double drummers never complimented nor cut through such intense dual 6 string delayed chorus so purposefully. Made King Crimson seem like a nice try. Once in a lifetime experience.
San Diego, CA@SPACE
brian
2 de octubre de 2019
Awesome performance ! Tbh the guitar mix was a little washed out and the vocal was way under everything else. However, the dual drumming is always more appreciated in a live setting, truly epic / mesmerizing. Hope they come back soon !
San Diego, CA@SPACE
Shravan
2 de marzo de 2017
Good set, first song was weak though. Very experimental and creative
Chicago, IL@Thalia Hall
Acerca De Kayo Dot
Kayo Dot has never made the same record twice. To read various descriptions from magazines and reviews, you might feel like you couldn't be reading about the same band. From chamber music to black metal to goth to jazz and avant-garde classical -- nothing really fits. Is Hubardo the "true" Kayo Dot? Is Coffins on Io? Choirs of the Eye? Does the question need an answer?
Toby Driver, the primary composer and frontman for the band, has been fiercely productive over the years, and while that usually refers to how many songs or albums an artist has made, with Driver the productivity is in the realm of ideas as much as music itself. In the course of a single Kayo Dot song, the amount of risks and liberties taken with form and convention usually outnumbers what other artists cover in a full album. That's not to say Kayo Dot doesn't have an impressive catalog. Neither is the band jarring the listener from one absurd extreme to another just to prove a point. For as much ground as they cover, it's always in the service of a carefully curated mood.
The core of Kayo Dot might be that mood, one that lies at the crossroads of darkness and mystery. In films, the music that accompanies mystery is almost always nocturnal, probably playing on some primal relation in our brains between the unknown and the night time. It's at this intersection that one is most likely to nail down what Kayo Dot is all about. Driver still collaborates with former maudlin of the Well bandmate Jason Byron, with Jason handling lyrical duties. Byron, who is a lifelong student of the occult, gives the listener a feast of words to unpack that are as elusively satisfying as the labyrinths of sound they travel through. Whether by way of menacing guitars, ethereal woodwinds, or alien electronics, there's always a sense that a new passage could open, that around the next corner could be anything: a beast or some figure of erotic desire.
Kayo Dot have played the stages of Roadburn and SXSW. In 2015, Driver organized and played a 12-concert, career-spanning residency at The Stone in New York. Kayo Dot records have appeared on labels as diverse and distinguished as Hydra Head, The Flenser, and John Zorn's Tzadik. With the release of 2016's Plastic House on Base of Sky, they take a decidedly electronic turn, incorporating a variety of synthesizers (many of them vintage analog) to create another work of ambition and magnitude that fuses the explosive musical imagination of a band like Magma with the forward-thinking experimentalism of Conrad Schnitzler or Morton Subotnick.
Everything is fluid. The only constant is change. You can't step in the same river twice. Many people hold these truths to be self-evident. As these ideas become even more more commonplace, it only makes sense that musicians should defy the demand to answer the question "Who are you?" The refusal to answer is, in a way, the best answer possible. Kayo Dot is what that refusal sounds like.
– Joshua Strawn
Toby Driver, the primary composer and frontman for the band, has been fiercely productive over the years, and while that usually refers to how many songs or albums an artist has made, with Driver the productivity is in the realm of ideas as much as music itself. In the course of a single Kayo Dot song, the amount of risks and liberties taken with form and convention usually outnumbers what other artists cover in a full album. That's not to say Kayo Dot doesn't have an impressive catalog. Neither is the band jarring the listener from one absurd extreme to another just to prove a point. For as much ground as they cover, it's always in the service of a carefully curated mood.
The core of Kayo Dot might be that mood, one that lies at the crossroads of darkness and mystery. In films, the music that accompanies mystery is almost always nocturnal, probably playing on some primal relation in our brains between the unknown and the night time. It's at this intersection that one is most likely to nail down what Kayo Dot is all about. Driver still collaborates with former maudlin of the Well bandmate Jason Byron, with Jason handling lyrical duties. Byron, who is a lifelong student of the occult, gives the listener a feast of words to unpack that are as elusively satisfying as the labyrinths of sound they travel through. Whether by way of menacing guitars, ethereal woodwinds, or alien electronics, there's always a sense that a new passage could open, that around the next corner could be anything: a beast or some figure of erotic desire.
Kayo Dot have played the stages of Roadburn and SXSW. In 2015, Driver organized and played a 12-concert, career-spanning residency at The Stone in New York. Kayo Dot records have appeared on labels as diverse and distinguished as Hydra Head, The Flenser, and John Zorn's Tzadik. With the release of 2016's Plastic House on Base of Sky, they take a decidedly electronic turn, incorporating a variety of synthesizers (many of them vintage analog) to create another work of ambition and magnitude that fuses the explosive musical imagination of a band like Magma with the forward-thinking experimentalism of Conrad Schnitzler or Morton Subotnick.
Everything is fluid. The only constant is change. You can't step in the same river twice. Many people hold these truths to be self-evident. As these ideas become even more more commonplace, it only makes sense that musicians should defy the demand to answer the question "Who are you?" The refusal to answer is, in a way, the best answer possible. Kayo Dot is what that refusal sounds like.
– Joshua Strawn
Mostrar más
Géneros:
Abstract Electroacoustic, Avant Goth, Modern Composition, Progressive Experimental Doom
Miembros de la banda:
Toby Driver
Ciudad de Origen:
New York, New York
No hay próximos espectáculos
Envía una solicitud a Kayo Dot para que dé un concierto en tu ciudad
Solicitar un espectáculo
Artistas similares de gira
Fotos en vivo de Kayo Dot
Ver todas las fotos
Bandsintown Merch
Circle Hat
$25.0 USD
Live Collage Sweatshirt
$45.0 USD
Rainbow T-Shirt
$30.0 USD
Circle Beanie
$20.0 USD
concerts and tour dates
Anteriores
MAR.
09
2024
San Francisco, CA
Neck Of the Woods
Estuve allí
MAR.
07
2024
Los Angeles, CA
The Moroccan Lounge
Estuve allí
MAR.
04
2024
Boise, ID
Treefort Music Hall
Estuve allí
MAR.
03
2024
Seattle, WA
The Crocodile
Estuve allí
MAR.
02
2024
Portland, OR
Aladdin Theater
Estuve allí
MAR.
01
2024
Eugene, OR
Wow Hall
Estuve allí
Mostrar más eventos
Opiniones de seguidores
Eric
2 de octubre de 2019
Double drummers never complimented nor cut through such intense dual 6 string delayed chorus so purposefully. Made King Crimson seem like a nice try. Once in a lifetime experience.
San Diego, CA@SPACE
brian
2 de octubre de 2019
Awesome performance ! Tbh the guitar mix was a little washed out and the vocal was way under everything else. However, the dual drumming is always more appreciated in a live setting, truly epic / mesmerizing. Hope they come back soon !
San Diego, CA@SPACE
Shravan
2 de marzo de 2017
Good set, first song was weak though. Very experimental and creative
Chicago, IL@Thalia Hall
Acerca De Kayo Dot
Kayo Dot has never made the same record twice. To read various descriptions from magazines and reviews, you might feel like you couldn't be reading about the same band. From chamber music to black metal to goth to jazz and avant-garde classical -- nothing really fits. Is Hubardo the "true" Kayo Dot? Is Coffins on Io? Choirs of the Eye? Does the question need an answer?
Toby Driver, the primary composer and frontman for the band, has been fiercely productive over the years, and while that usually refers to how many songs or albums an artist has made, with Driver the productivity is in the realm of ideas as much as music itself. In the course of a single Kayo Dot song, the amount of risks and liberties taken with form and convention usually outnumbers what other artists cover in a full album. That's not to say Kayo Dot doesn't have an impressive catalog. Neither is the band jarring the listener from one absurd extreme to another just to prove a point. For as much ground as they cover, it's always in the service of a carefully curated mood.
The core of Kayo Dot might be that mood, one that lies at the crossroads of darkness and mystery. In films, the music that accompanies mystery is almost always nocturnal, probably playing on some primal relation in our brains between the unknown and the night time. It's at this intersection that one is most likely to nail down what Kayo Dot is all about. Driver still collaborates with former maudlin of the Well bandmate Jason Byron, with Jason handling lyrical duties. Byron, who is a lifelong student of the occult, gives the listener a feast of words to unpack that are as elusively satisfying as the labyrinths of sound they travel through. Whether by way of menacing guitars, ethereal woodwinds, or alien electronics, there's always a sense that a new passage could open, that around the next corner could be anything: a beast or some figure of erotic desire.
Kayo Dot have played the stages of Roadburn and SXSW. In 2015, Driver organized and played a 12-concert, career-spanning residency at The Stone in New York. Kayo Dot records have appeared on labels as diverse and distinguished as Hydra Head, The Flenser, and John Zorn's Tzadik. With the release of 2016's Plastic House on Base of Sky, they take a decidedly electronic turn, incorporating a variety of synthesizers (many of them vintage analog) to create another work of ambition and magnitude that fuses the explosive musical imagination of a band like Magma with the forward-thinking experimentalism of Conrad Schnitzler or Morton Subotnick.
Everything is fluid. The only constant is change. You can't step in the same river twice. Many people hold these truths to be self-evident. As these ideas become even more more commonplace, it only makes sense that musicians should defy the demand to answer the question "Who are you?" The refusal to answer is, in a way, the best answer possible. Kayo Dot is what that refusal sounds like.
– Joshua Strawn
Toby Driver, the primary composer and frontman for the band, has been fiercely productive over the years, and while that usually refers to how many songs or albums an artist has made, with Driver the productivity is in the realm of ideas as much as music itself. In the course of a single Kayo Dot song, the amount of risks and liberties taken with form and convention usually outnumbers what other artists cover in a full album. That's not to say Kayo Dot doesn't have an impressive catalog. Neither is the band jarring the listener from one absurd extreme to another just to prove a point. For as much ground as they cover, it's always in the service of a carefully curated mood.
The core of Kayo Dot might be that mood, one that lies at the crossroads of darkness and mystery. In films, the music that accompanies mystery is almost always nocturnal, probably playing on some primal relation in our brains between the unknown and the night time. It's at this intersection that one is most likely to nail down what Kayo Dot is all about. Driver still collaborates with former maudlin of the Well bandmate Jason Byron, with Jason handling lyrical duties. Byron, who is a lifelong student of the occult, gives the listener a feast of words to unpack that are as elusively satisfying as the labyrinths of sound they travel through. Whether by way of menacing guitars, ethereal woodwinds, or alien electronics, there's always a sense that a new passage could open, that around the next corner could be anything: a beast or some figure of erotic desire.
Kayo Dot have played the stages of Roadburn and SXSW. In 2015, Driver organized and played a 12-concert, career-spanning residency at The Stone in New York. Kayo Dot records have appeared on labels as diverse and distinguished as Hydra Head, The Flenser, and John Zorn's Tzadik. With the release of 2016's Plastic House on Base of Sky, they take a decidedly electronic turn, incorporating a variety of synthesizers (many of them vintage analog) to create another work of ambition and magnitude that fuses the explosive musical imagination of a band like Magma with the forward-thinking experimentalism of Conrad Schnitzler or Morton Subotnick.
Everything is fluid. The only constant is change. You can't step in the same river twice. Many people hold these truths to be self-evident. As these ideas become even more more commonplace, it only makes sense that musicians should defy the demand to answer the question "Who are you?" The refusal to answer is, in a way, the best answer possible. Kayo Dot is what that refusal sounds like.
– Joshua Strawn
Mostrar más
Géneros:
Abstract Electroacoustic, Avant Goth, Modern Composition, Progressive Experimental Doom
Miembros de la banda:
Toby Driver
Ciudad de Origen:
New York, New York
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