LSB’s first forays into Drum & Bass came in the early 2000’s as the co-promoter of the hugely
successful ‘Bounce’ nights in Norwich. Cutting his teeth behind the decks as one of the
resident DJ’s, he had already turned his hand to production by the time the team behind
Bounce called it a day in 2007. His first productions surfaced on the now defunct imprints
Bingo Beats (run by the legendary DJ Zinc) & Deep Soul Music in 2007-08. After a small hiatus
spent honing his craft, he returned with fresh music in 2011 and his stock has been rising ever
since.
‘All Of My Love’ / ‘Rolling Sideways’, released on BCee’s Spearhead Records, was the first of
this new wave of productions and exhibited his new prowess in the studio and a more
expressive, melodic sound that quickly became his trademark. Further releases on Spearhead
quickly followed in the shape of the ‘Overthinking EP’, ‘The Hurting’ and more, as well as making
a choice appearance on Artificial Intelligence’s Integral label with the hugely popular ‘Rotary
Motion’ / ‘Serendipity’ 12” in collaboration with Technicolour & Komatic (now Technimatic of
Shogun Audio).
By now, his blend of soulful musicality with dancefloor weight had won him a myriad of fans
across the globe. Gigging across the UK and Europe to captivated audiences in 2014, he still
found the time to remix ‘Serendipity’ for Integral, drop ‘XLRS’ on Shogun Audio as part of their
10 year compilation album as well as feature on Tokyo Prose’s hugely popular ‘Presence’ LP. A
remix of London Elektricity’s ‘Vapour Trails’ followed as part of the Hospitality 2015 album before
he featured on the sophomore DRS album ‘Mid Mic Crisis’.
‘The View’ was the stand-out track from a stand-out album, with his delicate instrumentation &
arrangement perfectly complimenting Tyler Daley’s haunting vocals and DRS’ insightful lyricism.
Having already impressed Soul:r boss Marcus Intalex with his music, a solo EP for the label
came in the shape of volume 3 of the popular ‘Four:Fit’ series. The EP’s 4 tracks found their way
into the sets of countless A-List Dj’s and showed a diversity in style, approach and a confidence
gained from the ease with which his music fitted into the discography of one of the most
respected labels in D&B.
Now working on follow up projects for Soul:r, producing remixes for some of the biggest labels
in bass music, in addition to playing an ever expanding number of DJ dates across the world,
the man simply known as Beavon to his friends is assured of his status as one of the brightest
up & coming talents in Drum & Bass.