Originally from Casablanca, Oum El Ghaït Ben Essahraoui seemed destined to become an architect but then decided to embrace a career in music. She quickly drew the attention of the media, who identified her with the Nayda, a movement of young Moroccans attracted by more urban sounds. The albums Lik’Oum (2009) and Sweerty (2012), which were only released in Morocco, made her a star in her own country. Then she had a crucial brainwave. She began to write in darija, the everyday dialect of Moroccan Arabic. This offered her the possibility of exploiting a new musicality in her lyrics, as well as new combinations of meaning – an entire poetry of assonances. In 2013, she surrounded herself with musical luminaries to release her first international album, Soul of Morocco. European audiences discovered an artist full of generosity who offered a new kind of fusion combined with great authenticity. Concerts followed each other in quick succession, allowing her well-honed group to achieve even greater cohesion. Two years later, Zarabi, recorded at the gates of the Sahara, deepened the aesthetic direction that Oum has chosen to pursue, whilst offering a discourse on the need to preserve nature and traditional micro-societies.