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artista
Béla Fleck
De giraVerificado
133 mil Seguidores•18 próximos espectáculos
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Artículos de promoción de Béla Fleck

BEATrio
$22.07

Rhapsody in Blue
$12.15

As We Speak
$12.15

My Bluegrass Heart
$17.76
Ver TodoGira de Béla Fleck
Latest Posts
Béla Fleck
hace 10 meses
Today is Giving Tuesday! Donate and win my show played & signed Gold Tone Mastertone “Bluegrass Heart” Signature Banjo + support We Are Family Foundation.
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As a thank youLeer más

Ver más publicaciones
Los fans también siguen
Nunca te pierdas otro concierto de Béla Fleck.
Recibe alertas sobre anuncios de giras, entradas para concierto y espectáculos cerca de ti con una cuenta gratuita de Bandsintown.
Acerca De Béla Fleck

Béla Fleck
Béla Fleck (born July 10, 1958 in New York City, New York) is an American virtuoso banjo player. He is most well known for his work with the band Béla Fleck and the Flecktones, which he has described as "a mixture of acoustic and electronic music with a lot of roots in folk and bluegrass as well as funk and jazz."
Fleck, who is named after famous Hungarian composer Béla Bartók, was drawn to the banjo when he first heard Earl Scruggs play the theme song for the television show Beverly Hillbillies. He received his first banjo at age fifteen from his grandfather (1973). Later, Fleck would enroll in New York City's High School of Music and Art where he studied French horn. Almost immediately after high school, Fleck traveled to Boston to play with Jack Tottle and Mark Schatz in Tasty Licks. It is with Tasty Licks that Fleck played on his first major album. During this period, Fleck released his first solo album (1979) "Crossing the Tracks". It was Fleck's first foray into progressive bluegrass composition.
Fleck would play on the streets of Boston with bassist Mark Schatz until the two formed Spectrum: the Band in 1981. Fleck toured with Spectrum until 1981. That year, Fleck was asked by Sam Bush and company to join New Grass Revival. Fleck performed with New Grass Revival for nine years. During this time, Fleck recorded another solo album, "Drive." It was nominated for a Grammy Award in the then first-time category of Best Bluegrass Album (1988).
After a 1988 phone call with bassist Victor Wooten, Fleck and Wooten formed Béla Fleck and the Flecktones, rounded out with harmonica player Howard Levy and Wooten's percussionist brother Roy "Future Man" Wooten, who plays synthesizer-based percussion. Saxophonist Jeff Coffin joined the group with the album "Left of Cool".
With the Flecktones, Fleck has been nominated for and won several Grammy awards. Fleck has shared Grammy wins with Asleep at the Wheel, Alison Brown, and Edgar Meyer. He has been nominated in more categories than any other musician, namely country, pop, jazz, bluegrass, classical, folk, and spoken word, as well as composition and arranging.
Fleck, who is named after famous Hungarian composer Béla Bartók, was drawn to the banjo when he first heard Earl Scruggs play the theme song for the television show Beverly Hillbillies. He received his first banjo at age fifteen from his grandfather (1973). Later, Fleck would enroll in New York City's High School of Music and Art where he studied French horn. Almost immediately after high school, Fleck traveled to Boston to play with Jack Tottle and Mark Schatz in Tasty Licks. It is with Tasty Licks that Fleck played on his first major album. During this period, Fleck released his first solo album (1979) "Crossing the Tracks". It was Fleck's first foray into progressive bluegrass composition.
Fleck would play on the streets of Boston with bassist Mark Schatz until the two formed Spectrum: the Band in 1981. Fleck toured with Spectrum until 1981. That year, Fleck was asked by Sam Bush and company to join New Grass Revival. Fleck performed with New Grass Revival for nine years. During this time, Fleck recorded another solo album, "Drive." It was nominated for a Grammy Award in the then first-time category of Best Bluegrass Album (1988).
After a 1988 phone call with bassist Victor Wooten, Fleck and Wooten formed Béla Fleck and the Flecktones, rounded out with harmonica player Howard Levy and Wooten's percussionist brother Roy "Future Man" Wooten, who plays synthesizer-based percussion. Saxophonist Jeff Coffin joined the group with the album "Left of Cool".
With the Flecktones, Fleck has been nominated for and won several Grammy awards. Fleck has shared Grammy wins with Asleep at the Wheel, Alison Brown, and Edgar Meyer. He has been nominated in more categories than any other musician, namely country, pop, jazz, bluegrass, classical, folk, and spoken word, as well as composition and arranging.
Mostrar más
Géneros:
Bluegrass, Jazz, Country
No hay próximos espectáculos en tu ciudad
Envía una solicitud a Béla Fleck para que dé un concierto en tu ciudad
Solicitar un espectáculo
Todos los eventos y retransmisiones en directo
Latest Posts
Béla Fleck
hace 10 meses
Today is Giving Tuesday! Donate and win my show played & signed Gold Tone Mastertone “Bluegrass Heart” Signature Banjo + support We Are Family Foundation.
As a thank youLeer más
As a thank youLeer más

Ver más publicaciones
Artículos de promoción de Béla Fleck

BEATrio
$22.07

Rhapsody in Blue
$12.15

As We Speak
$12.15

My Bluegrass Heart
$17.76
Ver TodoGira de Béla Fleck
Acerca De Béla Fleck

Béla Fleck
Béla Fleck (born July 10, 1958 in New York City, New York) is an American virtuoso banjo player. He is most well known for his work with the band Béla Fleck and the Flecktones, which he has described as "a mixture of acoustic and electronic music with a lot of roots in folk and bluegrass as well as funk and jazz."
Fleck, who is named after famous Hungarian composer Béla Bartók, was drawn to the banjo when he first heard Earl Scruggs play the theme song for the television show Beverly Hillbillies. He received his first banjo at age fifteen from his grandfather (1973). Later, Fleck would enroll in New York City's High School of Music and Art where he studied French horn. Almost immediately after high school, Fleck traveled to Boston to play with Jack Tottle and Mark Schatz in Tasty Licks. It is with Tasty Licks that Fleck played on his first major album. During this period, Fleck released his first solo album (1979) "Crossing the Tracks". It was Fleck's first foray into progressive bluegrass composition.
Fleck would play on the streets of Boston with bassist Mark Schatz until the two formed Spectrum: the Band in 1981. Fleck toured with Spectrum until 1981. That year, Fleck was asked by Sam Bush and company to join New Grass Revival. Fleck performed with New Grass Revival for nine years. During this time, Fleck recorded another solo album, "Drive." It was nominated for a Grammy Award in the then first-time category of Best Bluegrass Album (1988).
After a 1988 phone call with bassist Victor Wooten, Fleck and Wooten formed Béla Fleck and the Flecktones, rounded out with harmonica player Howard Levy and Wooten's percussionist brother Roy "Future Man" Wooten, who plays synthesizer-based percussion. Saxophonist Jeff Coffin joined the group with the album "Left of Cool".
With the Flecktones, Fleck has been nominated for and won several Grammy awards. Fleck has shared Grammy wins with Asleep at the Wheel, Alison Brown, and Edgar Meyer. He has been nominated in more categories than any other musician, namely country, pop, jazz, bluegrass, classical, folk, and spoken word, as well as composition and arranging.
Fleck, who is named after famous Hungarian composer Béla Bartók, was drawn to the banjo when he first heard Earl Scruggs play the theme song for the television show Beverly Hillbillies. He received his first banjo at age fifteen from his grandfather (1973). Later, Fleck would enroll in New York City's High School of Music and Art where he studied French horn. Almost immediately after high school, Fleck traveled to Boston to play with Jack Tottle and Mark Schatz in Tasty Licks. It is with Tasty Licks that Fleck played on his first major album. During this period, Fleck released his first solo album (1979) "Crossing the Tracks". It was Fleck's first foray into progressive bluegrass composition.
Fleck would play on the streets of Boston with bassist Mark Schatz until the two formed Spectrum: the Band in 1981. Fleck toured with Spectrum until 1981. That year, Fleck was asked by Sam Bush and company to join New Grass Revival. Fleck performed with New Grass Revival for nine years. During this time, Fleck recorded another solo album, "Drive." It was nominated for a Grammy Award in the then first-time category of Best Bluegrass Album (1988).
After a 1988 phone call with bassist Victor Wooten, Fleck and Wooten formed Béla Fleck and the Flecktones, rounded out with harmonica player Howard Levy and Wooten's percussionist brother Roy "Future Man" Wooten, who plays synthesizer-based percussion. Saxophonist Jeff Coffin joined the group with the album "Left of Cool".
With the Flecktones, Fleck has been nominated for and won several Grammy awards. Fleck has shared Grammy wins with Asleep at the Wheel, Alison Brown, and Edgar Meyer. He has been nominated in more categories than any other musician, namely country, pop, jazz, bluegrass, classical, folk, and spoken word, as well as composition and arranging.
Mostrar más
Géneros:
Bluegrass, Jazz, Country
Los fans también siguen
Nunca te pierdas otro concierto de Béla Fleck.
Recibe alertas sobre anuncios de giras, entradas para concierto y espectáculos cerca de ti con una cuenta gratuita de Bandsintown.
Vive la experiencia total con la aplicación de Bandsintown.
Fotos en Vivo






Lo que dicen los fans
Absolutely awesome trio in a wonderful venue. The Hope Center for the Arts is a great venture that many cities and towns should consider copying.
I have seen Bela Fleck several times before, so I had lofty expectations that were considerably exceeded.
7 de octubre de 2025·Springfield, MA
Brian
This was my second show at the Chautauqua amphitheater. What a wonderful venue so full of rich musical history! Expectations were high-the experience far surpassed them! Stratospheric levels of musicianship were on display! I have seen Béla Fleck once, maybe twice? Never seen Edmar or Antonio Sanchez. Sanchez stole the show for me! I’ve seen a lot of drummers in my day but I don’t think I’ve ever seen someone play as many notes as him with every single moment being so tasteful! Edmar is quite a performer, but I was also struck by his words of wisdom and story of perseverance. Would recommend this show to anyone who appreciates musicality/virtuosity!
21 de junio de 2025·Boulder, CO
James
The theater was quite nice, acoustics very good. I'm biased when it comes to Béla Fleck so of course I'm saying the show was great. Abigail is a bit savory for my tastes but I did enjoy her contributions to the show. Overall it was a fantastic show.
12 de octubre de 2024·Blacksburg, VA

Grenda
Fotos en Vivo






Lo que dicen los fans
Absolutely awesome trio in a wonderful venue. The Hope Center for the Arts is a great venture that many cities and towns should consider copying.
I have seen Bela Fleck several times before, so I had lofty expectations that were considerably exceeded.
7 de octubre de 2025·Springfield, MA
Brian
This was my second show at the Chautauqua amphitheater. What a wonderful venue so full of rich musical history! Expectations were high-the experience far surpassed them! Stratospheric levels of musicianship were on display! I have seen Béla Fleck once, maybe twice? Never seen Edmar or Antonio Sanchez. Sanchez stole the show for me! I’ve seen a lot of drummers in my day but I don’t think I’ve ever seen someone play as many notes as him with every single moment being so tasteful! Edmar is quite a performer, but I was also struck by his words of wisdom and story of perseverance. Would recommend this show to anyone who appreciates musicality/virtuosity!
21 de junio de 2025·Boulder, CO
James
The theater was quite nice, acoustics very good. I'm biased when it comes to Béla Fleck so of course I'm saying the show was great. Abigail is a bit savory for my tastes but I did enjoy her contributions to the show. Overall it was a fantastic show.
12 de octubre de 2024·Blacksburg, VA

Grenda






