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Cristina Branco
4886 Seguidores
• 13 Próximos espectáculos
13 Próximos espectáculos
Never miss another Cristina Branco concert. Get alerts about tour announcements, concert tickets, and shows near you with a free Bandsintown account.
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Cristina Branco
hace 10 días
Cristina Branco is touring extensively with her latest album 'Mãe'. ✈️ Panama City is the next stop! Sunday, April 22nd at the Teatro Nacional de Panamá.
Ver más publicaciones
Gira de Cristina Branco
Bandsintown Merch
Circle Hat
$25.0 USD
Live Collage Sweatshirt
$45.0 USD
Rainbow T-Shirt
$30.0 USD
Circle Beanie
$20.0 USD
Opiniones de seguidores
Victor
4 de febrero de 2024
It was an amazing performance fin Lisbon. Cristina Branco, what a voice, and extremely friendly after the spectacle signing autographes. Great moment in a beautiful hall.
Lisbon, Portugal@Centro Cultural de Belém
Ver Más Reseñas
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Acerca De Cristina Branco
Cristina Branco is one of the most important Portuguese artists of recent decades, with a total of 17 albums released and countless concerts all over the world. Her most recent work, Eva (2020) has won over the public and critics alike and confirmed Cristina as one of the most versatile performers on the Portuguese music scene.
She began her career in Holland, with the album Cristina Branco in Holland (1997), which became a huge success in that country. In the following years, Cristina’s name exploded throughout Europe, with sold-out dates in countless venues and cities. Her following works, Murmúrios (1998) and Post-Scriptum (2000) reinforced the success of her first album, and Cristina was awarded two Prix Choc, the prestigious prizes given by the French magazine Le Monde de La Musique.
Despite her accomplishments abroad, it was only at the turn of the millennium, with Corpo Iluminado (2001), O Descobridor (2002), a double-platinum album, Sensus (2003), and Ulisses (2005), that Cristina Branco finally began to be discovered and acclaimed by the Portuguese public and press. Comparisons with Amália Rodrigues were recurrent and inevitable.
This was followed by Abril (2007), an album with cover versions of songs by José Afonso, Kronos (2009) and Fado Tango (2011), her tenth studio album, which features collaborations with renowned authors and composers such as Mário Laginha, Carlos Tê, and Pedro da Silva Martins. The album shows the first signs that Cristina’s music could have another guise and foreshadows Cristina’s artistic rebirth that would arrive a few years later with Menina.
Considered Best Record of the Year by Sociedade Portuguesa de Autores (SPA), Menina (2016), is the first chapter of a trilogy that includes the jovial and kaleidoscopic Branco (2018) and Eva (2020). In these works, Cristina brings together unusual collaborations, which cross styles, genres, cultures, and geographies. The result is an innovative and spontaneous interpretation of the traditional musical expression of Fado.
Today, Cristina Branco shows herself exactly as she is, a true, free and genuine woman. Fado will always be present. Cristina brings it in her senses.
She began her career in Holland, with the album Cristina Branco in Holland (1997), which became a huge success in that country. In the following years, Cristina’s name exploded throughout Europe, with sold-out dates in countless venues and cities. Her following works, Murmúrios (1998) and Post-Scriptum (2000) reinforced the success of her first album, and Cristina was awarded two Prix Choc, the prestigious prizes given by the French magazine Le Monde de La Musique.
Despite her accomplishments abroad, it was only at the turn of the millennium, with Corpo Iluminado (2001), O Descobridor (2002), a double-platinum album, Sensus (2003), and Ulisses (2005), that Cristina Branco finally began to be discovered and acclaimed by the Portuguese public and press. Comparisons with Amália Rodrigues were recurrent and inevitable.
This was followed by Abril (2007), an album with cover versions of songs by José Afonso, Kronos (2009) and Fado Tango (2011), her tenth studio album, which features collaborations with renowned authors and composers such as Mário Laginha, Carlos Tê, and Pedro da Silva Martins. The album shows the first signs that Cristina’s music could have another guise and foreshadows Cristina’s artistic rebirth that would arrive a few years later with Menina.
Considered Best Record of the Year by Sociedade Portuguesa de Autores (SPA), Menina (2016), is the first chapter of a trilogy that includes the jovial and kaleidoscopic Branco (2018) and Eva (2020). In these works, Cristina brings together unusual collaborations, which cross styles, genres, cultures, and geographies. The result is an innovative and spontaneous interpretation of the traditional musical expression of Fado.
Today, Cristina Branco shows herself exactly as she is, a true, free and genuine woman. Fado will always be present. Cristina brings it in her senses.
Mostrar más
Géneros:
Fado, Jazz, World Music
Ciudad de Origen:
Almeirim, Portugal
No hay próximos espectáculos en tu ciudad
Envía una solicitud a Cristina Branco para que dé un concierto en tu ciudad
Solicitar un espectáculo
concerts and tour dates
Próximamente
Anteriores
Todos los eventos y retransmisiones en directo
Mostrar más eventos (13)
Latest Posts
Cristina Branco
hace 10 días
Cristina Branco is touring extensively with her latest album 'Mãe'. ✈️ Panama City is the next stop! Sunday, April 22nd at the Teatro Nacional de Panamá.
Ver más publicaciones
Gira de Cristina Branco
Bandsintown Merch
Circle Hat
$25.0 USD
Live Collage Sweatshirt
$45.0 USD
Rainbow T-Shirt
$30.0 USD
Circle Beanie
$20.0 USD
Opiniones de seguidores
Victor
4 de febrero de 2024
It was an amazing performance fin Lisbon. Cristina Branco, what a voice, and extremely friendly after the spectacle signing autographes. Great moment in a beautiful hall.
Lisbon, Portugal@Centro Cultural de Belém
Ver Más Reseñas
Acerca De Cristina Branco
Cristina Branco is one of the most important Portuguese artists of recent decades, with a total of 17 albums released and countless concerts all over the world. Her most recent work, Eva (2020) has won over the public and critics alike and confirmed Cristina as one of the most versatile performers on the Portuguese music scene.
She began her career in Holland, with the album Cristina Branco in Holland (1997), which became a huge success in that country. In the following years, Cristina’s name exploded throughout Europe, with sold-out dates in countless venues and cities. Her following works, Murmúrios (1998) and Post-Scriptum (2000) reinforced the success of her first album, and Cristina was awarded two Prix Choc, the prestigious prizes given by the French magazine Le Monde de La Musique.
Despite her accomplishments abroad, it was only at the turn of the millennium, with Corpo Iluminado (2001), O Descobridor (2002), a double-platinum album, Sensus (2003), and Ulisses (2005), that Cristina Branco finally began to be discovered and acclaimed by the Portuguese public and press. Comparisons with Amália Rodrigues were recurrent and inevitable.
This was followed by Abril (2007), an album with cover versions of songs by José Afonso, Kronos (2009) and Fado Tango (2011), her tenth studio album, which features collaborations with renowned authors and composers such as Mário Laginha, Carlos Tê, and Pedro da Silva Martins. The album shows the first signs that Cristina’s music could have another guise and foreshadows Cristina’s artistic rebirth that would arrive a few years later with Menina.
Considered Best Record of the Year by Sociedade Portuguesa de Autores (SPA), Menina (2016), is the first chapter of a trilogy that includes the jovial and kaleidoscopic Branco (2018) and Eva (2020). In these works, Cristina brings together unusual collaborations, which cross styles, genres, cultures, and geographies. The result is an innovative and spontaneous interpretation of the traditional musical expression of Fado.
Today, Cristina Branco shows herself exactly as she is, a true, free and genuine woman. Fado will always be present. Cristina brings it in her senses.
She began her career in Holland, with the album Cristina Branco in Holland (1997), which became a huge success in that country. In the following years, Cristina’s name exploded throughout Europe, with sold-out dates in countless venues and cities. Her following works, Murmúrios (1998) and Post-Scriptum (2000) reinforced the success of her first album, and Cristina was awarded two Prix Choc, the prestigious prizes given by the French magazine Le Monde de La Musique.
Despite her accomplishments abroad, it was only at the turn of the millennium, with Corpo Iluminado (2001), O Descobridor (2002), a double-platinum album, Sensus (2003), and Ulisses (2005), that Cristina Branco finally began to be discovered and acclaimed by the Portuguese public and press. Comparisons with Amália Rodrigues were recurrent and inevitable.
This was followed by Abril (2007), an album with cover versions of songs by José Afonso, Kronos (2009) and Fado Tango (2011), her tenth studio album, which features collaborations with renowned authors and composers such as Mário Laginha, Carlos Tê, and Pedro da Silva Martins. The album shows the first signs that Cristina’s music could have another guise and foreshadows Cristina’s artistic rebirth that would arrive a few years later with Menina.
Considered Best Record of the Year by Sociedade Portuguesa de Autores (SPA), Menina (2016), is the first chapter of a trilogy that includes the jovial and kaleidoscopic Branco (2018) and Eva (2020). In these works, Cristina brings together unusual collaborations, which cross styles, genres, cultures, and geographies. The result is an innovative and spontaneous interpretation of the traditional musical expression of Fado.
Today, Cristina Branco shows herself exactly as she is, a true, free and genuine woman. Fado will always be present. Cristina brings it in her senses.
Mostrar más
Géneros:
Fado, Jazz, World Music
Ciudad de Origen:
Almeirim, Portugal
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