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Current Swell
41.006 Seguidores
• 1 Próximos espectáculos
1 Próximos espectáculos
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Opiniones de seguidores
16 de mayo de 2022
5 stars all the way. These guys are amazing musicians with an incredibly wide range of writing and playing ability. They took the audience on a roller coaster of emotion and energy that has to be experienced to be understood. I brought 5 buddy’s who new next to nothing about the band and all 5 said they are going to see them again next time - loved it! The show reminded me of the Band movie “ the last waltz” in that beautiful old theatre opera house. Anyone who likes live music should see this show. I tried to go again last night in London but could not make it. Please come back soon!
Toronto, ON@The Opera House
Jessica
9 de mayo de 2022
It was amazing from the beginning to the end! 🤩
Ville De Québec, QC@L'anti Bar & Spectacles
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Acerca De Current Swell
Current Swell are done with talking.
“If this is our time, why don’t we take it?” singer Scott Stanton sings on Current Swell’s newest album. “If this is our life, why would we waste it talking the night away?” The band have been talking for almost a decade, now, and — make no mistake — talking well at that. And people have been listening intently for just as long. After winning the (102.7 FM) Peak Performance Project in 2011, fans all across the world took notice of the Vancouver Island-based band and their West Coast rock sound.
The band’s success has been based off their ability to talk in profound and uplifting ways, whether about unconditional love (“Young and Able”), the cycle of life and death (“When To Talk and When To Listen”), or fame and success (“Keys To The Kingdom”). Their talking has led them to sold-out tours in North America, Brazil, and Europe, with thousands of tickets sold across four continents and well over 50 million streams worldwide.
But now, Current Swell say, the band is finished with talking. Why talk, anyway, when you can shout, stomp, and sway? Swell do all of the above on their latest album, and the result is a piece of work that roars with energy and bristles with the sound of a band making music that they love. This energy is nothing new for Swell. For as long as they’ve played music, it has been manifested in their breakneck and bombastic live performances that have thrilled audiences from Austria to Australia, Seattle to São Paulo, and everywhere in between. And now that relentlessness is translated into their recorded work. Songs like “High Life” and “This Is Our Time” are powerful, driving rock anthems, and even slower songs like “Bring It On Home” and “Gone From Me” still pulse with melancholic importance.
Just because Swell are done with talking doesn’t mean they don’t have anything to say. Ironically, the recording process has been anything but relentless. The album, produced by Colin Stewart (The New Pornographers, Yukon Blonde, Dan Mangan) with Current Swell and mixed by Gus Van Go (The Stills, Arkells, Sam Roberts), was recorded a few days at a time, in fact, with weeks and months between each session. The time between has been spent on writing, listening, and re-writing each cymbal crash, guitar chord, and keyboard line. As a result, the album has a special kind of cohesive energy. The energy is assured and comfortable, but as far from complacent as you can get.
Current Swell have spent their time building up energy, buoyed by the return of founding member Louis Sadava on bass and the fact that they’re making music that they like. It’s easy to hear it in the tracks. It’s impossible not to listen to “Buffalo” and not smile and tap your feet, and you can tell the band felt the exact same way in the studio. Renewed and rejuvenated, Stanton, Sadava, Lang, and co. are stepping into theexpectations of a new album and a new tour with a hard-earned confidence and a wellworn grin.
This is Current Swell’s time, and they’re taking it.
“If this is our time, why don’t we take it?” singer Scott Stanton sings on Current Swell’s newest album. “If this is our life, why would we waste it talking the night away?” The band have been talking for almost a decade, now, and — make no mistake — talking well at that. And people have been listening intently for just as long. After winning the (102.7 FM) Peak Performance Project in 2011, fans all across the world took notice of the Vancouver Island-based band and their West Coast rock sound.
The band’s success has been based off their ability to talk in profound and uplifting ways, whether about unconditional love (“Young and Able”), the cycle of life and death (“When To Talk and When To Listen”), or fame and success (“Keys To The Kingdom”). Their talking has led them to sold-out tours in North America, Brazil, and Europe, with thousands of tickets sold across four continents and well over 50 million streams worldwide.
But now, Current Swell say, the band is finished with talking. Why talk, anyway, when you can shout, stomp, and sway? Swell do all of the above on their latest album, and the result is a piece of work that roars with energy and bristles with the sound of a band making music that they love. This energy is nothing new for Swell. For as long as they’ve played music, it has been manifested in their breakneck and bombastic live performances that have thrilled audiences from Austria to Australia, Seattle to São Paulo, and everywhere in between. And now that relentlessness is translated into their recorded work. Songs like “High Life” and “This Is Our Time” are powerful, driving rock anthems, and even slower songs like “Bring It On Home” and “Gone From Me” still pulse with melancholic importance.
Just because Swell are done with talking doesn’t mean they don’t have anything to say. Ironically, the recording process has been anything but relentless. The album, produced by Colin Stewart (The New Pornographers, Yukon Blonde, Dan Mangan) with Current Swell and mixed by Gus Van Go (The Stills, Arkells, Sam Roberts), was recorded a few days at a time, in fact, with weeks and months between each session. The time between has been spent on writing, listening, and re-writing each cymbal crash, guitar chord, and keyboard line. As a result, the album has a special kind of cohesive energy. The energy is assured and comfortable, but as far from complacent as you can get.
Current Swell have spent their time building up energy, buoyed by the return of founding member Louis Sadava on bass and the fact that they’re making music that they like. It’s easy to hear it in the tracks. It’s impossible not to listen to “Buffalo” and not smile and tap your feet, and you can tell the band felt the exact same way in the studio. Renewed and rejuvenated, Stanton, Sadava, Lang, and co. are stepping into theexpectations of a new album and a new tour with a hard-earned confidence and a wellworn grin.
This is Current Swell’s time, and they’re taking it.
Mostrar más
Miembros de la banda:
Phil Hamelin, Louie Sadava, Scott Stanton, Marcus Manhas, Dave St Jean, Davers Lang, Evan Miller
Ciudad de Origen:
Victoria, Canada
No hay próximos espectáculos en tu ciudad
Envía una solicitud a Current Swell para que dé un concierto en tu ciudad
Solicitar un espectáculo
concerts and tour dates
Próximamente
Anteriores
Todos los eventos y retransmisiones en directo
Fotos en vivo de Current Swell
Ver todas las fotos
Gira de Current Swell
Opiniones de seguidores
16 de mayo de 2022
5 stars all the way. These guys are amazing musicians with an incredibly wide range of writing and playing ability. They took the audience on a roller coaster of emotion and energy that has to be experienced to be understood. I brought 5 buddy’s who new next to nothing about the band and all 5 said they are going to see them again next time - loved it! The show reminded me of the Band movie “ the last waltz” in that beautiful old theatre opera house. Anyone who likes live music should see this show. I tried to go again last night in London but could not make it. Please come back soon!
Toronto, ON@The Opera House
Jessica
9 de mayo de 2022
It was amazing from the beginning to the end! 🤩
Ville De Québec, QC@L'anti Bar & Spectacles
Ver Más Reseñas
Acerca De Current Swell
Current Swell are done with talking.
“If this is our time, why don’t we take it?” singer Scott Stanton sings on Current Swell’s newest album. “If this is our life, why would we waste it talking the night away?” The band have been talking for almost a decade, now, and — make no mistake — talking well at that. And people have been listening intently for just as long. After winning the (102.7 FM) Peak Performance Project in 2011, fans all across the world took notice of the Vancouver Island-based band and their West Coast rock sound.
The band’s success has been based off their ability to talk in profound and uplifting ways, whether about unconditional love (“Young and Able”), the cycle of life and death (“When To Talk and When To Listen”), or fame and success (“Keys To The Kingdom”). Their talking has led them to sold-out tours in North America, Brazil, and Europe, with thousands of tickets sold across four continents and well over 50 million streams worldwide.
But now, Current Swell say, the band is finished with talking. Why talk, anyway, when you can shout, stomp, and sway? Swell do all of the above on their latest album, and the result is a piece of work that roars with energy and bristles with the sound of a band making music that they love. This energy is nothing new for Swell. For as long as they’ve played music, it has been manifested in their breakneck and bombastic live performances that have thrilled audiences from Austria to Australia, Seattle to São Paulo, and everywhere in between. And now that relentlessness is translated into their recorded work. Songs like “High Life” and “This Is Our Time” are powerful, driving rock anthems, and even slower songs like “Bring It On Home” and “Gone From Me” still pulse with melancholic importance.
Just because Swell are done with talking doesn’t mean they don’t have anything to say. Ironically, the recording process has been anything but relentless. The album, produced by Colin Stewart (The New Pornographers, Yukon Blonde, Dan Mangan) with Current Swell and mixed by Gus Van Go (The Stills, Arkells, Sam Roberts), was recorded a few days at a time, in fact, with weeks and months between each session. The time between has been spent on writing, listening, and re-writing each cymbal crash, guitar chord, and keyboard line. As a result, the album has a special kind of cohesive energy. The energy is assured and comfortable, but as far from complacent as you can get.
Current Swell have spent their time building up energy, buoyed by the return of founding member Louis Sadava on bass and the fact that they’re making music that they like. It’s easy to hear it in the tracks. It’s impossible not to listen to “Buffalo” and not smile and tap your feet, and you can tell the band felt the exact same way in the studio. Renewed and rejuvenated, Stanton, Sadava, Lang, and co. are stepping into theexpectations of a new album and a new tour with a hard-earned confidence and a wellworn grin.
This is Current Swell’s time, and they’re taking it.
“If this is our time, why don’t we take it?” singer Scott Stanton sings on Current Swell’s newest album. “If this is our life, why would we waste it talking the night away?” The band have been talking for almost a decade, now, and — make no mistake — talking well at that. And people have been listening intently for just as long. After winning the (102.7 FM) Peak Performance Project in 2011, fans all across the world took notice of the Vancouver Island-based band and their West Coast rock sound.
The band’s success has been based off their ability to talk in profound and uplifting ways, whether about unconditional love (“Young and Able”), the cycle of life and death (“When To Talk and When To Listen”), or fame and success (“Keys To The Kingdom”). Their talking has led them to sold-out tours in North America, Brazil, and Europe, with thousands of tickets sold across four continents and well over 50 million streams worldwide.
But now, Current Swell say, the band is finished with talking. Why talk, anyway, when you can shout, stomp, and sway? Swell do all of the above on their latest album, and the result is a piece of work that roars with energy and bristles with the sound of a band making music that they love. This energy is nothing new for Swell. For as long as they’ve played music, it has been manifested in their breakneck and bombastic live performances that have thrilled audiences from Austria to Australia, Seattle to São Paulo, and everywhere in between. And now that relentlessness is translated into their recorded work. Songs like “High Life” and “This Is Our Time” are powerful, driving rock anthems, and even slower songs like “Bring It On Home” and “Gone From Me” still pulse with melancholic importance.
Just because Swell are done with talking doesn’t mean they don’t have anything to say. Ironically, the recording process has been anything but relentless. The album, produced by Colin Stewart (The New Pornographers, Yukon Blonde, Dan Mangan) with Current Swell and mixed by Gus Van Go (The Stills, Arkells, Sam Roberts), was recorded a few days at a time, in fact, with weeks and months between each session. The time between has been spent on writing, listening, and re-writing each cymbal crash, guitar chord, and keyboard line. As a result, the album has a special kind of cohesive energy. The energy is assured and comfortable, but as far from complacent as you can get.
Current Swell have spent their time building up energy, buoyed by the return of founding member Louis Sadava on bass and the fact that they’re making music that they like. It’s easy to hear it in the tracks. It’s impossible not to listen to “Buffalo” and not smile and tap your feet, and you can tell the band felt the exact same way in the studio. Renewed and rejuvenated, Stanton, Sadava, Lang, and co. are stepping into theexpectations of a new album and a new tour with a hard-earned confidence and a wellworn grin.
This is Current Swell’s time, and they’re taking it.
Mostrar más
Miembros de la banda:
Phil Hamelin, Louie Sadava, Scott Stanton, Marcus Manhas, Dave St Jean, Davers Lang, Evan Miller
Ciudad de Origen:
Victoria, Canada
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