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Victor Wainwright
10.471 Seguidores
• 6 Próximos espectáculos
6 Próximos espectáculos
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Opiniones de seguidores
David
21 de abril de 2024
5 stars Travelled 3 hours to see this show. Worth every moment. Did not disappoint.
Buffalo, NY@Buffalo RiverWorks
Susan
16 de abril de 2024
So much fun! Was so enjoyable. So talented. Best show!
Bonita Springs, FL@Centers for the Arts of Bonita Springs
Marla
16 de agosto de 2023
Absolutely wonderful experience. Ive never seen them in a big venue, but boy do Victor and his band sure know how to put on a lovely small and more intimate show. Beautiful interaction with the crowd. Exciting material. Absolute blast. I hope he comes back to Chicago many a time. I will certainly be there when he does.
Evanston, IL@Space
Ver Más Reseñas
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Acerca De Victor Wainwright
It had to be a train. The name of Victor Wainwright’s new band – and the sleeve image of their debut album – is also the most fitting of metaphors. In music folklore, the train might have associations with the freight-hopping bluesmen of yore, but with this restless boogie-woogie innovator stoking the furnace, this latest project is a charging locomotive – surging forward, crashing through boundaries of genre, sweeping up fresh sounds and clattering headlong past the doubters. As the man himself hollers in the ivory-pounding title track: “If you wanna boogie get aboard this train/Get yourself a ticket or get out of the way…”
At a sweet-spot in his career, where most established stars would rest on their laurels, Victor Wainwright & The Train instead rips up all that has gone before. These twelve tracks are originals in every sense, written by Wainwright, pricking up ears in a sterile music industry and stretching the concept of roots in bold directions. “I wanted to write this new music mostly on my own,” he explains, “as it was coming and speaking to me. I believe that for roots music to grow, and reach out to new audiences, we have to push it forward.”
The result is an album that walks a tightrope between scholarly respect and anarchic irreverence. You’ll hear Wainwright twist boogie-woogie tradition on barrelhouse thrillers like Healing and Boogie Depression, both driven by his visceral piano style. But you’ll also hear him fearlessly explore the gamut of genre, from the Latin flavors and New Orleans horns of Wiltshire Grave, to the mellow near-psychedelia of Sunshine.
It’s a musical cocktail served up by Wainwright’s inimitable gravel-flecked vocal. His words can be hilarious, as on I’ll Start Tomorrow, on which he postpones his doctor’s clean-living advice. But they can also be heartfelt, on the gospel-tinged kiss-off of That’s Love To Me. “I’ve tried to write songs that remind us to love ourselves,” he considers. “It doesn’t matter who voted for who, what your religion is, who you love…”
On this white-knuckle ride, only The Train could keep the material on the tracks. “I ended up with a hit-squad of downright amazing musicians,” he reflects, “that shared my curiosity for all corners of the roots genre. We wanted to capture how we feel performing, right smack-dab on this record, and I believe we’ve done that. Now I just try to keep up.”
In truth, Wainwright has always been an artist that sets the pace. Born into a musical family in Savannah, Georgia, the formative influence of his father’s vocals and grandfather’s rolling boogie-woogie piano compelled him into a life of music. By 2005, he’d announced his talent with solo debut, Piana’ From Savannah, while his central role in Southern Hospitality and partnership with Stephen Dees in WildRoots has seen him ignite stages and stereos for over a decade. “Looking back on your career is a tough thing to do,” he says. “Challenges are many, and frequent, but when you get it together, it can also be extremely rewarding.”
A man of many talents, Wainwright is a composer, producer, vocalist, piano player and award-winning entertainer. A long-standing leader of the boogie-woogie pack, he could refer you to his BMA and Blues Blast trophies, or a catalog that has repeatedly hijacked the Billboard Top 10. But rather than dine out on past glories, this questing artist would rather you joined him for the ride ahead. “Of course, I still have songs on this album that are just about kicking ass and taking names, like The Train,” he laughs. “But if you listen to the lyrics, what I’m really saying is, we got to get on the train and move forward together…”
Musicians
Victor Wainwright
vocals, piano, B3, electric piano, mellotron (1), lapsteel (4), belly tambourine (10)
Billy Dean
drums, percussion, vocals (2, 5, 12), baseball bat (2), knife (2), bicycle bell (2)
Terrence Grayson
bass, vocals (2, 5, 12)
Pat Harrington
guitar, vocals (2, 5, 12)
Featuring special guests:
Mark Earley
bari & tenor sax (1, 3, 4, 5, 6, 7, 10, 11), flute (11)
Doug Woolverton
trumpet (1, 2, 3, 4, 6, 7, 10, 11)
Reba Russell
vocals (1, 2, 3, 6, 7, 8, 9, 10)
Nick Black
vocals (1, 6, 7, 8, 10, 12)
Dave Gross
ambient guitar (2), baritone guitar (9), tambourine (8, 9, 10), percussion (2), thump (6)
Greg Gumpel
lead guitar (4), wah guitar (5), vocals (5)
Josh Roberts
lead guitar (9), rhythm guitar (7)
Monster Mike Welch
lead guitar (6)
Patricia Ann Dees
vocals (6)
Jeff Jensen
acoustic guitar (12)
TRACKLIST
001 Healing 00:05:01
002 Wiltshire Grave 00:04:30
003 Train 00:03:35
004 Dull Your Shine 00:05:35
005 Money 00:04:21
006 Thank You Lucille 00:05:10
007 Boogie Depression 00:03:33
008 Everything I Need 00:05:09
009 Righteous 00:04:45
010 I'll Start Tomorrow 00:04:21
011 Sunshine 00:07:02
012 That's Love To Me 00:08:37
At a sweet-spot in his career, where most established stars would rest on their laurels, Victor Wainwright & The Train instead rips up all that has gone before. These twelve tracks are originals in every sense, written by Wainwright, pricking up ears in a sterile music industry and stretching the concept of roots in bold directions. “I wanted to write this new music mostly on my own,” he explains, “as it was coming and speaking to me. I believe that for roots music to grow, and reach out to new audiences, we have to push it forward.”
The result is an album that walks a tightrope between scholarly respect and anarchic irreverence. You’ll hear Wainwright twist boogie-woogie tradition on barrelhouse thrillers like Healing and Boogie Depression, both driven by his visceral piano style. But you’ll also hear him fearlessly explore the gamut of genre, from the Latin flavors and New Orleans horns of Wiltshire Grave, to the mellow near-psychedelia of Sunshine.
It’s a musical cocktail served up by Wainwright’s inimitable gravel-flecked vocal. His words can be hilarious, as on I’ll Start Tomorrow, on which he postpones his doctor’s clean-living advice. But they can also be heartfelt, on the gospel-tinged kiss-off of That’s Love To Me. “I’ve tried to write songs that remind us to love ourselves,” he considers. “It doesn’t matter who voted for who, what your religion is, who you love…”
On this white-knuckle ride, only The Train could keep the material on the tracks. “I ended up with a hit-squad of downright amazing musicians,” he reflects, “that shared my curiosity for all corners of the roots genre. We wanted to capture how we feel performing, right smack-dab on this record, and I believe we’ve done that. Now I just try to keep up.”
In truth, Wainwright has always been an artist that sets the pace. Born into a musical family in Savannah, Georgia, the formative influence of his father’s vocals and grandfather’s rolling boogie-woogie piano compelled him into a life of music. By 2005, he’d announced his talent with solo debut, Piana’ From Savannah, while his central role in Southern Hospitality and partnership with Stephen Dees in WildRoots has seen him ignite stages and stereos for over a decade. “Looking back on your career is a tough thing to do,” he says. “Challenges are many, and frequent, but when you get it together, it can also be extremely rewarding.”
A man of many talents, Wainwright is a composer, producer, vocalist, piano player and award-winning entertainer. A long-standing leader of the boogie-woogie pack, he could refer you to his BMA and Blues Blast trophies, or a catalog that has repeatedly hijacked the Billboard Top 10. But rather than dine out on past glories, this questing artist would rather you joined him for the ride ahead. “Of course, I still have songs on this album that are just about kicking ass and taking names, like The Train,” he laughs. “But if you listen to the lyrics, what I’m really saying is, we got to get on the train and move forward together…”
Musicians
Victor Wainwright
vocals, piano, B3, electric piano, mellotron (1), lapsteel (4), belly tambourine (10)
Billy Dean
drums, percussion, vocals (2, 5, 12), baseball bat (2), knife (2), bicycle bell (2)
Terrence Grayson
bass, vocals (2, 5, 12)
Pat Harrington
guitar, vocals (2, 5, 12)
Featuring special guests:
Mark Earley
bari & tenor sax (1, 3, 4, 5, 6, 7, 10, 11), flute (11)
Doug Woolverton
trumpet (1, 2, 3, 4, 6, 7, 10, 11)
Reba Russell
vocals (1, 2, 3, 6, 7, 8, 9, 10)
Nick Black
vocals (1, 6, 7, 8, 10, 12)
Dave Gross
ambient guitar (2), baritone guitar (9), tambourine (8, 9, 10), percussion (2), thump (6)
Greg Gumpel
lead guitar (4), wah guitar (5), vocals (5)
Josh Roberts
lead guitar (9), rhythm guitar (7)
Monster Mike Welch
lead guitar (6)
Patricia Ann Dees
vocals (6)
Jeff Jensen
acoustic guitar (12)
TRACKLIST
001 Healing 00:05:01
002 Wiltshire Grave 00:04:30
003 Train 00:03:35
004 Dull Your Shine 00:05:35
005 Money 00:04:21
006 Thank You Lucille 00:05:10
007 Boogie Depression 00:03:33
008 Everything I Need 00:05:09
009 Righteous 00:04:45
010 I'll Start Tomorrow 00:04:21
011 Sunshine 00:07:02
012 That's Love To Me 00:08:37
Mostrar más
Géneros:
Blues, Americana
Miembros de la banda:
Victor Wainwright: Lead Vocals Piano, Terrence Grayson, Pat Harrington, Billy Dean: Drums, Vocals
Ciudad de Origen:
Savannah, Georgia
No hay próximos espectáculos en tu ciudad
Envía una solicitud a Victor Wainwright para que dé un concierto en tu ciudad
Solicitar un espectáculo
concerts and tour dates
Próximamente
Anteriores
Todos los eventos y retransmisiones en directo
Fotos en vivo de Victor Wainwright
Ver todas las fotos
Gira de Victor Wainwright
Opiniones de seguidores
David
21 de abril de 2024
5 stars Travelled 3 hours to see this show. Worth every moment. Did not disappoint.
Buffalo, NY@Buffalo RiverWorks
Susan
16 de abril de 2024
So much fun! Was so enjoyable. So talented. Best show!
Bonita Springs, FL@Centers for the Arts of Bonita Springs
Marla
16 de agosto de 2023
Absolutely wonderful experience. Ive never seen them in a big venue, but boy do Victor and his band sure know how to put on a lovely small and more intimate show. Beautiful interaction with the crowd. Exciting material. Absolute blast. I hope he comes back to Chicago many a time. I will certainly be there when he does.
Evanston, IL@Space
Ver Más Reseñas
Acerca De Victor Wainwright
It had to be a train. The name of Victor Wainwright’s new band – and the sleeve image of their debut album – is also the most fitting of metaphors. In music folklore, the train might have associations with the freight-hopping bluesmen of yore, but with this restless boogie-woogie innovator stoking the furnace, this latest project is a charging locomotive – surging forward, crashing through boundaries of genre, sweeping up fresh sounds and clattering headlong past the doubters. As the man himself hollers in the ivory-pounding title track: “If you wanna boogie get aboard this train/Get yourself a ticket or get out of the way…”
At a sweet-spot in his career, where most established stars would rest on their laurels, Victor Wainwright & The Train instead rips up all that has gone before. These twelve tracks are originals in every sense, written by Wainwright, pricking up ears in a sterile music industry and stretching the concept of roots in bold directions. “I wanted to write this new music mostly on my own,” he explains, “as it was coming and speaking to me. I believe that for roots music to grow, and reach out to new audiences, we have to push it forward.”
The result is an album that walks a tightrope between scholarly respect and anarchic irreverence. You’ll hear Wainwright twist boogie-woogie tradition on barrelhouse thrillers like Healing and Boogie Depression, both driven by his visceral piano style. But you’ll also hear him fearlessly explore the gamut of genre, from the Latin flavors and New Orleans horns of Wiltshire Grave, to the mellow near-psychedelia of Sunshine.
It’s a musical cocktail served up by Wainwright’s inimitable gravel-flecked vocal. His words can be hilarious, as on I’ll Start Tomorrow, on which he postpones his doctor’s clean-living advice. But they can also be heartfelt, on the gospel-tinged kiss-off of That’s Love To Me. “I’ve tried to write songs that remind us to love ourselves,” he considers. “It doesn’t matter who voted for who, what your religion is, who you love…”
On this white-knuckle ride, only The Train could keep the material on the tracks. “I ended up with a hit-squad of downright amazing musicians,” he reflects, “that shared my curiosity for all corners of the roots genre. We wanted to capture how we feel performing, right smack-dab on this record, and I believe we’ve done that. Now I just try to keep up.”
In truth, Wainwright has always been an artist that sets the pace. Born into a musical family in Savannah, Georgia, the formative influence of his father’s vocals and grandfather’s rolling boogie-woogie piano compelled him into a life of music. By 2005, he’d announced his talent with solo debut, Piana’ From Savannah, while his central role in Southern Hospitality and partnership with Stephen Dees in WildRoots has seen him ignite stages and stereos for over a decade. “Looking back on your career is a tough thing to do,” he says. “Challenges are many, and frequent, but when you get it together, it can also be extremely rewarding.”
A man of many talents, Wainwright is a composer, producer, vocalist, piano player and award-winning entertainer. A long-standing leader of the boogie-woogie pack, he could refer you to his BMA and Blues Blast trophies, or a catalog that has repeatedly hijacked the Billboard Top 10. But rather than dine out on past glories, this questing artist would rather you joined him for the ride ahead. “Of course, I still have songs on this album that are just about kicking ass and taking names, like The Train,” he laughs. “But if you listen to the lyrics, what I’m really saying is, we got to get on the train and move forward together…”
Musicians
Victor Wainwright
vocals, piano, B3, electric piano, mellotron (1), lapsteel (4), belly tambourine (10)
Billy Dean
drums, percussion, vocals (2, 5, 12), baseball bat (2), knife (2), bicycle bell (2)
Terrence Grayson
bass, vocals (2, 5, 12)
Pat Harrington
guitar, vocals (2, 5, 12)
Featuring special guests:
Mark Earley
bari & tenor sax (1, 3, 4, 5, 6, 7, 10, 11), flute (11)
Doug Woolverton
trumpet (1, 2, 3, 4, 6, 7, 10, 11)
Reba Russell
vocals (1, 2, 3, 6, 7, 8, 9, 10)
Nick Black
vocals (1, 6, 7, 8, 10, 12)
Dave Gross
ambient guitar (2), baritone guitar (9), tambourine (8, 9, 10), percussion (2), thump (6)
Greg Gumpel
lead guitar (4), wah guitar (5), vocals (5)
Josh Roberts
lead guitar (9), rhythm guitar (7)
Monster Mike Welch
lead guitar (6)
Patricia Ann Dees
vocals (6)
Jeff Jensen
acoustic guitar (12)
TRACKLIST
001 Healing 00:05:01
002 Wiltshire Grave 00:04:30
003 Train 00:03:35
004 Dull Your Shine 00:05:35
005 Money 00:04:21
006 Thank You Lucille 00:05:10
007 Boogie Depression 00:03:33
008 Everything I Need 00:05:09
009 Righteous 00:04:45
010 I'll Start Tomorrow 00:04:21
011 Sunshine 00:07:02
012 That's Love To Me 00:08:37
At a sweet-spot in his career, where most established stars would rest on their laurels, Victor Wainwright & The Train instead rips up all that has gone before. These twelve tracks are originals in every sense, written by Wainwright, pricking up ears in a sterile music industry and stretching the concept of roots in bold directions. “I wanted to write this new music mostly on my own,” he explains, “as it was coming and speaking to me. I believe that for roots music to grow, and reach out to new audiences, we have to push it forward.”
The result is an album that walks a tightrope between scholarly respect and anarchic irreverence. You’ll hear Wainwright twist boogie-woogie tradition on barrelhouse thrillers like Healing and Boogie Depression, both driven by his visceral piano style. But you’ll also hear him fearlessly explore the gamut of genre, from the Latin flavors and New Orleans horns of Wiltshire Grave, to the mellow near-psychedelia of Sunshine.
It’s a musical cocktail served up by Wainwright’s inimitable gravel-flecked vocal. His words can be hilarious, as on I’ll Start Tomorrow, on which he postpones his doctor’s clean-living advice. But they can also be heartfelt, on the gospel-tinged kiss-off of That’s Love To Me. “I’ve tried to write songs that remind us to love ourselves,” he considers. “It doesn’t matter who voted for who, what your religion is, who you love…”
On this white-knuckle ride, only The Train could keep the material on the tracks. “I ended up with a hit-squad of downright amazing musicians,” he reflects, “that shared my curiosity for all corners of the roots genre. We wanted to capture how we feel performing, right smack-dab on this record, and I believe we’ve done that. Now I just try to keep up.”
In truth, Wainwright has always been an artist that sets the pace. Born into a musical family in Savannah, Georgia, the formative influence of his father’s vocals and grandfather’s rolling boogie-woogie piano compelled him into a life of music. By 2005, he’d announced his talent with solo debut, Piana’ From Savannah, while his central role in Southern Hospitality and partnership with Stephen Dees in WildRoots has seen him ignite stages and stereos for over a decade. “Looking back on your career is a tough thing to do,” he says. “Challenges are many, and frequent, but when you get it together, it can also be extremely rewarding.”
A man of many talents, Wainwright is a composer, producer, vocalist, piano player and award-winning entertainer. A long-standing leader of the boogie-woogie pack, he could refer you to his BMA and Blues Blast trophies, or a catalog that has repeatedly hijacked the Billboard Top 10. But rather than dine out on past glories, this questing artist would rather you joined him for the ride ahead. “Of course, I still have songs on this album that are just about kicking ass and taking names, like The Train,” he laughs. “But if you listen to the lyrics, what I’m really saying is, we got to get on the train and move forward together…”
Musicians
Victor Wainwright
vocals, piano, B3, electric piano, mellotron (1), lapsteel (4), belly tambourine (10)
Billy Dean
drums, percussion, vocals (2, 5, 12), baseball bat (2), knife (2), bicycle bell (2)
Terrence Grayson
bass, vocals (2, 5, 12)
Pat Harrington
guitar, vocals (2, 5, 12)
Featuring special guests:
Mark Earley
bari & tenor sax (1, 3, 4, 5, 6, 7, 10, 11), flute (11)
Doug Woolverton
trumpet (1, 2, 3, 4, 6, 7, 10, 11)
Reba Russell
vocals (1, 2, 3, 6, 7, 8, 9, 10)
Nick Black
vocals (1, 6, 7, 8, 10, 12)
Dave Gross
ambient guitar (2), baritone guitar (9), tambourine (8, 9, 10), percussion (2), thump (6)
Greg Gumpel
lead guitar (4), wah guitar (5), vocals (5)
Josh Roberts
lead guitar (9), rhythm guitar (7)
Monster Mike Welch
lead guitar (6)
Patricia Ann Dees
vocals (6)
Jeff Jensen
acoustic guitar (12)
TRACKLIST
001 Healing 00:05:01
002 Wiltshire Grave 00:04:30
003 Train 00:03:35
004 Dull Your Shine 00:05:35
005 Money 00:04:21
006 Thank You Lucille 00:05:10
007 Boogie Depression 00:03:33
008 Everything I Need 00:05:09
009 Righteous 00:04:45
010 I'll Start Tomorrow 00:04:21
011 Sunshine 00:07:02
012 That's Love To Me 00:08:37
Mostrar más
Géneros:
Blues, Americana
Miembros de la banda:
Victor Wainwright: Lead Vocals Piano, Terrence Grayson, Pat Harrington, Billy Dean: Drums, Vocals
Ciudad de Origen:
Savannah, Georgia
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