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Max Raptor
6652 Seguidores
Never miss another Max Raptor concert. Get alerts about tour announcements, concert tickets, and shows near you with a free Bandsintown account.
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Artistas similares de gira
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Anteriores
AGO.
25
2017
Sulingen, Germany
Reload Festival
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AGO.
04
2017
Porta Westfalica, Germany
Festival Kult
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JUN.
03
2017
London, United Kingdom Of Great Britain And Northern Ireland
Various Venues
Estuve allí
ABR.
02
2017
Bochum, Germany
Zeche
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ABR.
01
2017
Essen, Germany
Weststadthalle
Estuve allí
MAR.
31
2017
Stuttgart, Germany
LKA-Longhorn
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Mostrar más eventos
Opiniones de seguidores
Al
9 de agosto de 2016
Great concert from the band! Good sound! But the location didn't fit the sound/band. Still Max Raptor are one of the best Live bands!
Zurich, Switzerland@Neo
Robert
8 de octubre de 2015
One of their best yet. This band never fail to put on a show worth moving mountains to get to.
Camden, United Kingdom@Barfly
Ver Más Reseñas
Acerca De Max Raptor
The anthemic candour of Midlands four-piece Max Raptor fuses classic British punk attitude with an astute sensibility to a ballsy riff, forthright narrative and infectious hook-fuelled chant. Having spent the last year touring, playing live and writing and recording debut material, building up a head of steam, a reputation for raucous and energetic live shows and a fan base in the process, Max Raptor are to release their debut mini-album 'Portraits' through Naim Edge Records.
Max Raptor’s debut release 'Portraits', is exactly that: micro-sketches of society, framing scraps of the world around them, painting with ambition, arrogance, anger, disillusion, greed, joy, futility, violence and pride. Portraits is rammed full of short, sharp and snappy portrayals of modern existence. The King Is Dead, Beasts, Carolina and The Alarm chronicle a plethora of dysfunctions with a colour of inevitability, whilst Obey The Whips underscores the decline of our ‘empire’ with a wry nationalist cry. The unruly mob vocals of Patron Saint (Of Nothing) depict our embarrassing obsession with celebrity culture, the narcissism that it breeds in our youth and the decay it creates when we forget to live our real lives. The convulsive Ghosts is a sobering realisation that (surely) everyone has at least once in their life; ‘I am worthless’, whilst the infectious anthemia of The Great And The Good reduces totalitarian rhetoric to a clichéd moshpit mantra.
Having cut their carnivorous teeth on the live circuit with the likes of Billy Talent, Blood Red Shoes, Oceansize and Ash, Max Raptor supporting heroes The Stranglers on tour in 2010 was like a dream come true. Following on from main-support slot on the Red Bull Stage of Download Festival last year, the band return in 2011 after relentless touring to celebrate the eagerly awaited release of their Dan Weller produced (the Sikth icon who's credits include Enter Shikari and Gallows) debut recording.
Max Raptor’s debut release 'Portraits', is exactly that: micro-sketches of society, framing scraps of the world around them, painting with ambition, arrogance, anger, disillusion, greed, joy, futility, violence and pride. Portraits is rammed full of short, sharp and snappy portrayals of modern existence. The King Is Dead, Beasts, Carolina and The Alarm chronicle a plethora of dysfunctions with a colour of inevitability, whilst Obey The Whips underscores the decline of our ‘empire’ with a wry nationalist cry. The unruly mob vocals of Patron Saint (Of Nothing) depict our embarrassing obsession with celebrity culture, the narcissism that it breeds in our youth and the decay it creates when we forget to live our real lives. The convulsive Ghosts is a sobering realisation that (surely) everyone has at least once in their life; ‘I am worthless’, whilst the infectious anthemia of The Great And The Good reduces totalitarian rhetoric to a clichéd moshpit mantra.
Having cut their carnivorous teeth on the live circuit with the likes of Billy Talent, Blood Red Shoes, Oceansize and Ash, Max Raptor supporting heroes The Stranglers on tour in 2010 was like a dream come true. Following on from main-support slot on the Red Bull Stage of Download Festival last year, the band return in 2011 after relentless touring to celebrate the eagerly awaited release of their Dan Weller produced (the Sikth icon who's credits include Enter Shikari and Gallows) debut recording.
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Géneros:
Punk, Punk Rock, Punk Rock & Roll
Miembros de la banda:
Matt Stevenson, Ben Winnington, Wil Ray, Pete Reisner
Ciudad de Origen:
London, United Kingdom
No hay próximos espectáculos
Envía una solicitud a Max Raptor para que dé un concierto en tu ciudad
Solicitar un espectáculo
Artistas similares de gira
concerts and tour dates
Anteriores
AGO.
25
2017
Sulingen, Germany
Reload Festival
Estuve allí
AGO.
04
2017
Porta Westfalica, Germany
Festival Kult
Estuve allí
JUN.
03
2017
London, United Kingdom Of Great Britain And Northern Ireland
Various Venues
Estuve allí
ABR.
02
2017
Bochum, Germany
Zeche
Estuve allí
ABR.
01
2017
Essen, Germany
Weststadthalle
Estuve allí
MAR.
31
2017
Stuttgart, Germany
LKA-Longhorn
Estuve allí
Mostrar más eventos
Opiniones de seguidores
Al
9 de agosto de 2016
Great concert from the band! Good sound! But the location didn't fit the sound/band. Still Max Raptor are one of the best Live bands!
Zurich, Switzerland@Neo
Robert
8 de octubre de 2015
One of their best yet. This band never fail to put on a show worth moving mountains to get to.
Camden, United Kingdom@Barfly
Ver Más Reseñas
Acerca De Max Raptor
The anthemic candour of Midlands four-piece Max Raptor fuses classic British punk attitude with an astute sensibility to a ballsy riff, forthright narrative and infectious hook-fuelled chant. Having spent the last year touring, playing live and writing and recording debut material, building up a head of steam, a reputation for raucous and energetic live shows and a fan base in the process, Max Raptor are to release their debut mini-album 'Portraits' through Naim Edge Records.
Max Raptor’s debut release 'Portraits', is exactly that: micro-sketches of society, framing scraps of the world around them, painting with ambition, arrogance, anger, disillusion, greed, joy, futility, violence and pride. Portraits is rammed full of short, sharp and snappy portrayals of modern existence. The King Is Dead, Beasts, Carolina and The Alarm chronicle a plethora of dysfunctions with a colour of inevitability, whilst Obey The Whips underscores the decline of our ‘empire’ with a wry nationalist cry. The unruly mob vocals of Patron Saint (Of Nothing) depict our embarrassing obsession with celebrity culture, the narcissism that it breeds in our youth and the decay it creates when we forget to live our real lives. The convulsive Ghosts is a sobering realisation that (surely) everyone has at least once in their life; ‘I am worthless’, whilst the infectious anthemia of The Great And The Good reduces totalitarian rhetoric to a clichéd moshpit mantra.
Having cut their carnivorous teeth on the live circuit with the likes of Billy Talent, Blood Red Shoes, Oceansize and Ash, Max Raptor supporting heroes The Stranglers on tour in 2010 was like a dream come true. Following on from main-support slot on the Red Bull Stage of Download Festival last year, the band return in 2011 after relentless touring to celebrate the eagerly awaited release of their Dan Weller produced (the Sikth icon who's credits include Enter Shikari and Gallows) debut recording.
Max Raptor’s debut release 'Portraits', is exactly that: micro-sketches of society, framing scraps of the world around them, painting with ambition, arrogance, anger, disillusion, greed, joy, futility, violence and pride. Portraits is rammed full of short, sharp and snappy portrayals of modern existence. The King Is Dead, Beasts, Carolina and The Alarm chronicle a plethora of dysfunctions with a colour of inevitability, whilst Obey The Whips underscores the decline of our ‘empire’ with a wry nationalist cry. The unruly mob vocals of Patron Saint (Of Nothing) depict our embarrassing obsession with celebrity culture, the narcissism that it breeds in our youth and the decay it creates when we forget to live our real lives. The convulsive Ghosts is a sobering realisation that (surely) everyone has at least once in their life; ‘I am worthless’, whilst the infectious anthemia of The Great And The Good reduces totalitarian rhetoric to a clichéd moshpit mantra.
Having cut their carnivorous teeth on the live circuit with the likes of Billy Talent, Blood Red Shoes, Oceansize and Ash, Max Raptor supporting heroes The Stranglers on tour in 2010 was like a dream come true. Following on from main-support slot on the Red Bull Stage of Download Festival last year, the band return in 2011 after relentless touring to celebrate the eagerly awaited release of their Dan Weller produced (the Sikth icon who's credits include Enter Shikari and Gallows) debut recording.
Mostrar más
Géneros:
Punk, Punk Rock, Punk Rock & Roll
Miembros de la banda:
Matt Stevenson, Ben Winnington, Wil Ray, Pete Reisner
Ciudad de Origen:
London, United Kingdom
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