The Medicine Singers groundbreaking debut LP on Stone Tapes epitomizes decades of musical genres influenced by Native American music, offering what Pitchfork called a "vivid new context for the sound of the powwow drum, highlighting the debt that rock music owes to Native American music."

This monumental album connects experimental music and traditional powwow in bold new ways, taking listeners on a guided tour de force through the many different musical styles with roots in Native American music. From psychedelic punk to spiritual jazz, from minimalism to electronic music.

Their live show is the stuff of legend – the Medicine Singers set up, often in-the-round with the audience encircling the band, and go into a trance-inducing set where the walls between band and spectator, as well as between psychedelic rock and shamanic chants, are blurred. Or in the words of Canada’s Exclaim Magazine “the border between audience and performer had all but been dissolved by the sheer power of music. By letting the audience in on the action, [Medicine Singers] evoked a type of bodily experience that transcended mere observation.”

Bridging multiple dimensions of sound, on their debut LP Medicine Singers expanded into a remarkable supergroup that also includes ambient music pioneer Laraaji, Thor Harris and Christopher Pravdica of Swans, “No Wave” icon and former DNA drummer Ikue Mori, trumpet player jaimie branch and guitarist/producer Yonatan Gat.

Half a decade after the spur-of-the-moment story of how the musicians first met and unraveled their sound on an unsuspecting audience during SXSW 2017 when Gat saw Eastern Medicine Singers play on the street and invited the band to spontaneously join his show – the collaboration between the musicians reaches a climax with this breathtaking debut album as Medicine Singers, helping pave the way to this year’s rising wave of Native contributions to experimental music – shining a spotlight on guest vocalists representing indigenous nations from outside of the Northeastern Woodland tribal area. “Where else can you get all these different native people singing together on an album?” Jamieson asked. “On this album you have east, west, north and south all coming together. That’s why we say it’s medicine.”

For Jamieson, this album is more than a collection of songs, it’s a vessel of culture, history and language; a symbol of the strength and creativity of the Eastern Algonquin people in contemporary American society. “I want to show people not only that our Indian culture is just as good as the mainstream white culture that's out there, but also that the two can exist together, side by side.”