Patriarchy did a wonderful concert. It is always difficult to bring electronic music to a live stage without only using playback and they did a really great job. They played the guitar and drum parts live with the electronics coming from a little distortion tool. The energy was unreal and the whole stage present with the outfits was just perfect.

Always a pleasure to see them perform live.

Artists and vibe were great. Sound engineering was terrible. For Coatie pop the guitar was way too pound and drowned out the singer. All acts had a lot of audio feedback. Patriarchy played with the feedback and occasionally incorporated it which was awesome, but the artists shouldn’t have to deal with that.

As usual, Actually and the Drummer gave it their all. The setlist was a bold move, as half the songs were still unreleased at this day. “Boy on a Leash” hit like an apocalypse: raw, intense, and unrelenting. The Drummer handled the merch stand, and later rejoined by Actually. As the crowd began to thin out, they once again showed genuine respect for their fans, sticking around for light chitchat and a few photos, with no rush to disappear backstage. The sound at Point Éphémère was decent, nothing spectacular, but it did the job.

Patriarchy did a wonderful concert. It is always difficult to bring electronic music to a live stage without only using playback and they did a really great job. They played the guitar and drum parts live with the electronics coming from a little distortion tool. The energy was unreal and the whole stage present with the outfits was just perfect.

Always a pleasure to see them perform live.

Artists and vibe were great. Sound engineering was terrible. For Coatie pop the guitar was way too pound and drowned out the singer. All acts had a lot of audio feedback. Patriarchy played with the feedback and occasionally incorporated it which was awesome, but the artists shouldn’t have to deal with that.

As usual, Actually and the Drummer gave it their all. The setlist was a bold move, as half the songs were still unreleased at this day. “Boy on a Leash” hit like an apocalypse: raw, intense, and unrelenting. The Drummer handled the merch stand, and later rejoined by Actually. As the crowd began to thin out, they once again showed genuine respect for their fans, sticking around for light chitchat and a few photos, with no rush to disappear backstage. The sound at Point Éphémère was decent, nothing spectacular, but it did the job.