Amirtha Kidambi is invested in the performance and creation of music, from Free Improvisation and Avant-Garde Jazz, to Experimental bands, and New Music. She is a soloist, collaborator, and ensemble member in groups including the Early Music influenced dark folk band Seaven Teares, Mary Halvorson's newest quintet Code Girl, analog percussion and light ensemble Ashcan Orchestra, and Darius Jones’ vocal quartet Elizabeth-Caroline Unit. As an improviser, she has played with Matana Roberts, Tyshawn Sorey, Daniel Carter, Darius Jones, Peter Evans, Trevor Dunn, and many innovators in the New York scene. Past projects and upcoming collaborations include the premiere of AACM founder and composer/pianist Muhal Richard Abrams’ Dialogue Social, Darius Jones’ The Oversoul Manual at Carnegie Hall, a premiere of electronic composer Ben Vida’s work Slipping Control for voice and electronics with Tyondai Braxton at the Borderline Festival in Athens, Greece, the premiere of the late Robert Ashley’s final opera CRASH at the Whitney Biennial, a Jazz Gallery commission for Mary Halvorson’s Code Girl, the premiere of Lea Bertucci's vocal quartet and electronics at Issue Project Room, and a commission from the Jerome Foundation for her quartet Elder Ones at Roulette and artist residency at EMPAC to record the group’s debut album. Amirtha is also 2016-2017 Asian Cultural Council Fellow, and will travel to India for intensive study in Carnatic vocal music in the Summer of '17.