Neon Trees
Public Square Nashville
Union St & 3rd Ave N
Nashville, TN 37243
Jun 22, 2019
7:00 PM CDT
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What fans are saying
Anthony
May 21st 2020
One of the best live shows I’ve ever been to! Tyler Glenn is probably one of the most talented and entertaining front men and the Neon Trees were jammin! They didn’t even have a new album out! Eileen Bradley was pregnant and playing the drums and her banter with Tyler was hilarious! I think everyone left feeling satisfied because it was a really awesome atmosphere . They really just connected with the audience! Revolution live is basically one big mosh pit and people were standing and dancing and singing to everything it was just all really great time. I drank no alcohol so if I can have a good time sober then you know I had a great time, LOL! They played right through a good 90 min - 2 hrs. Tyler spoke to us throughout! At one point he was on the floor and he’s so tall so it took him a while to get up and Eileen called him a dork, LOL! That’s just the atmosphere that it was it was a really really great concert! Love them or not, you would’ve had a good time anyway because that’s how the Neon Trees are! I’m glad they just cut a new album! Awesome! 👏🏼👏🏼👏🏼
Fort Lauderdale, FL@Revolution
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Neon Trees Biography
A confluence of personal and shared experiences awakened Neon Trees in 2019. Following
four relatively quiet years, the multiplatinum genre-busting alternative quartet—Tyler Glenn [lead
vocals, piano, keys], Chris Allen [lead guitar], Elaine Bradley [drums] and Branden Campbell
[bass],—reignited the spark. The musicians summoned the same rock spirit, pop universality,
and disco ball-drenched grooves that millions of fans fell in love with, while infusing a lot of
wisdom and a little more wit earned along the way.
The first chapter introduced a sizzling signature sound cast in synth soul and rooted in robust
guitars. The group began a rapid ascent to the forefront of popular culture fueled by 2010’s
Habits. Its lead single “Animal” scored a double-platinum certification from the RIAA and took
home “Top Alternative Song” at the Billboard Music Awards. In 2012, Picture Show spawned the
quadruple-platinum “Everybody Talks,” which soared to #6 on the Billboard Hot 100. 2014 saw
Pop Psychology bow at #1 on the Billboard Top Rock Albums Chart and #6 on the Top 200 in
addition to producing the gold hit, “Sleeping With A Friend.” Along the way, the quartet garnered
acclaim from Rolling Stone, Entertainment Weekly, USA Today, and performing countless soldout
headline gigs. After a successful 2015 headliner, Neon Trees took a well-earned break. In
2019, they return with the first single “Used To Like” and kick off a bold and bright new chapter.
Read Morefour relatively quiet years, the multiplatinum genre-busting alternative quartet—Tyler Glenn [lead
vocals, piano, keys], Chris Allen [lead guitar], Elaine Bradley [drums] and Branden Campbell
[bass],—reignited the spark. The musicians summoned the same rock spirit, pop universality,
and disco ball-drenched grooves that millions of fans fell in love with, while infusing a lot of
wisdom and a little more wit earned along the way.
The first chapter introduced a sizzling signature sound cast in synth soul and rooted in robust
guitars. The group began a rapid ascent to the forefront of popular culture fueled by 2010’s
Habits. Its lead single “Animal” scored a double-platinum certification from the RIAA and took
home “Top Alternative Song” at the Billboard Music Awards. In 2012, Picture Show spawned the
quadruple-platinum “Everybody Talks,” which soared to #6 on the Billboard Hot 100. 2014 saw
Pop Psychology bow at #1 on the Billboard Top Rock Albums Chart and #6 on the Top 200 in
addition to producing the gold hit, “Sleeping With A Friend.” Along the way, the quartet garnered
acclaim from Rolling Stone, Entertainment Weekly, USA Today, and performing countless soldout
headline gigs. After a successful 2015 headliner, Neon Trees took a well-earned break. In
2019, they return with the first single “Used To Like” and kick off a bold and bright new chapter.
Pop
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