Amjad Ali Khan
Philharmonie de Paris
221, avenue Jean Jaures
Jan 31, 2015
6:00 PM UTC
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Yatra - Pèlerinage musical du flamenco d'Andrés Marín au hop hop de Kader Attou, en passant par l'Inde du NordLes aficionados de flamenco le savent bien : il y a un avant et un après Andrés Marín. Voilà une vingtaine d’années que le danseur sévillan ébranle le genre. Qu’il l’embarque sur des terres vierges. Comme pour un voyage sans retour possible. Yatra signifie justement voyage en sanscrit. Pour ce nouveau pèlerinage musical, le bailaor va du flamenco à l’Inde du Nord, avec un détour par le hip-hop de Kader Attou, avec qui il avait déjà brillamment collaboré lors de la Biennale d’art flamenco de Chaillot. Une nouvelle manière pour Marin de plonger la tradition flamenca dans des eaux inédites sans pour autant la dénaturer ou la ridiculiser, bien au contraire.
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Amjad Ali Khan Biography
Ustad Amjad Ali Khan is a highly acclaimed Indian sarod player and composer.
Khan was born in Gwalior, Madhya Pradesh in 1945, is the sixth-generation sarod player in his family and his ancestors have developed and shaped the instrument over several hundred years. "You could say it's my family instrument", says Khan, "Whoever is playing the sarod today learned directly or indirectly from my forefathers."
His forefathers came from Afghanistan to India's relaxed music atmosphere and brought the Rabab which later developed into Sarod. The modern sarod has undergone modifications to improve its tonal quality, notably from Ustad Allauddin Khan and his brother Ayet Ali Khan of the Maihar Gharana.
Khan was taught by his father Hafiz Ali Khan, a musician to the royal family of Gwalior; he was born to the Bangash lineage rooted in the Senia Bangash School of music and is the sixth generation inheritor of this lineage.
Amjad Ali Khan has developed a unique style of playing the sarod. The key innovations in his style are compositions based on vocal music, the technical ability to play highly complex phrases (ekhara taans) on the sarod spanning three octaves and the emphasis on simple and elegant compositions. His technical mastery and control over his instrument is unsurpassed - a fact acknowledged by most musicians.
He has simplified the instrument by removing some strings (his sarod has only two jod and chikari strings and 11 tarab stings) and has also removed the resonant gourd (tumba) which is in use by other sarod schools. His base frequency is also lower than the other schools. His instrument is made by Hemen Sen of Kolkata, who also makes the sarod for other leading maestros such as Ali Akbar Khan.
His playing does reflect the older dhrupad tradition and he places emphasis on the conventional technique of "dara diri" using the wooden plectrum (java). However, his chief innovation is his ekhara taans (complex high speed phrases), something which many sarod players find very difficult to do. Paraphrasing his words "I asked my father why the sarod could not keep up with sitar when it came to taans....my father explained that the sarod was a much more difficult instrument to play, not having frets ... it is then I resolved to develop a style where I could match sitar like taans...".
Amjad Ali Khan has had a successful career spanning over 40 years and continues to be one of the busiest classical musicians in India. He was awarded India's second highest civilian award, the Padma Vibhushan in 2001.
Read MoreKhan was born in Gwalior, Madhya Pradesh in 1945, is the sixth-generation sarod player in his family and his ancestors have developed and shaped the instrument over several hundred years. "You could say it's my family instrument", says Khan, "Whoever is playing the sarod today learned directly or indirectly from my forefathers."
His forefathers came from Afghanistan to India's relaxed music atmosphere and brought the Rabab which later developed into Sarod. The modern sarod has undergone modifications to improve its tonal quality, notably from Ustad Allauddin Khan and his brother Ayet Ali Khan of the Maihar Gharana.
Khan was taught by his father Hafiz Ali Khan, a musician to the royal family of Gwalior; he was born to the Bangash lineage rooted in the Senia Bangash School of music and is the sixth generation inheritor of this lineage.
Amjad Ali Khan has developed a unique style of playing the sarod. The key innovations in his style are compositions based on vocal music, the technical ability to play highly complex phrases (ekhara taans) on the sarod spanning three octaves and the emphasis on simple and elegant compositions. His technical mastery and control over his instrument is unsurpassed - a fact acknowledged by most musicians.
He has simplified the instrument by removing some strings (his sarod has only two jod and chikari strings and 11 tarab stings) and has also removed the resonant gourd (tumba) which is in use by other sarod schools. His base frequency is also lower than the other schools. His instrument is made by Hemen Sen of Kolkata, who also makes the sarod for other leading maestros such as Ali Akbar Khan.
His playing does reflect the older dhrupad tradition and he places emphasis on the conventional technique of "dara diri" using the wooden plectrum (java). However, his chief innovation is his ekhara taans (complex high speed phrases), something which many sarod players find very difficult to do. Paraphrasing his words "I asked my father why the sarod could not keep up with sitar when it came to taans....my father explained that the sarod was a much more difficult instrument to play, not having frets ... it is then I resolved to develop a style where I could match sitar like taans...".
Amjad Ali Khan has had a successful career spanning over 40 years and continues to be one of the busiest classical musicians in India. He was awarded India's second highest civilian award, the Padma Vibhushan in 2001.
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