About this concert
AboutCream '68 is a celebration of Clapton, Bruce and Baker.Cream were one of the 1960's greatest and most celebrated supergroups who performed at Colston Hall in their heyday. Featuring top UK guitarists Neville Marten (Guitar Techniques), Mick Taylor (That Pedal Show) and Jamie Dickson (Guitarist), this show will celebrate the 50th anniversary of Cream's legendary 'farewell' concert from the Albert Hall in 1968.Tickets £20 + bf
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Trio HLK Biography
TRIO HLK IS THE UNION OF THREE DISTINCT, FORWARD THINKING MUSICAL PERSONALITIES.
Drum virtuoso Rich Kass is a powerful, polyrhythmic engine whose multi-limbic facility affords him a wealth of textures and multiple layers of expression; he executes rhythms at more than one tempo simultaneously, which often draws comparison to electronica and computer generated music. Guitarist Ant Law plays a bespoke extended range electric guitar with 8 strings and a variety of effects; a wealth of influences from jazz, heavy metal and elsewhere shine through in his playing. Classical pianist and composer Rich Harrold was immersed in contemporary classical music from a young age; his approach encompasses recomposition and decomposition as much as pure composition itself. His harmonic realm is the border between tonality and atonality, and there is a strong sense of rhythmic and melodic development throughout his writing.
A belief in the high art of improvisation and intrigue with the infinite art and science of rhythm is what brings H, L and K together.
Read MoreDrum virtuoso Rich Kass is a powerful, polyrhythmic engine whose multi-limbic facility affords him a wealth of textures and multiple layers of expression; he executes rhythms at more than one tempo simultaneously, which often draws comparison to electronica and computer generated music. Guitarist Ant Law plays a bespoke extended range electric guitar with 8 strings and a variety of effects; a wealth of influences from jazz, heavy metal and elsewhere shine through in his playing. Classical pianist and composer Rich Harrold was immersed in contemporary classical music from a young age; his approach encompasses recomposition and decomposition as much as pure composition itself. His harmonic realm is the border between tonality and atonality, and there is a strong sense of rhythmic and melodic development throughout his writing.
A belief in the high art of improvisation and intrigue with the infinite art and science of rhythm is what brings H, L and K together.
Classical
Electronic
Metal
Classical Crossover
Jazz
Contemporary Jazz
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