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Sons Of Apollo

Sons Of Apollo

Jun 24th 2018 @ Teatro degli Arcimboldi

Milano, Italy
I Was There
About Sons Of Apollo
Genres:
Rock, Hard Rock
Band Members:
Mike Portnoy, Derek Sherinian, Ron "Bumblefoot" Thal, Billy Sheehan & Jeff Scott Soto
Hometown:
United States

American Rock Supergroup featuring : Mike Portnoy- Drums Derek Sherinian- Keyboards Ron "Bumblefoot" Thal-Guitar Billy Sheehan- Bass Jeff Scott Soto- Vocal
Sunday, June 24th, 2018
9:00 PM
Teatro degli Arcimboldi
Milano, Italy
30 RSVPs
Sons of Apollo MILAN - Tickets
View All Sons Of Apollo Tour Dates
About Sons Of Apollo
Genres:
Rock, Hard Rock
Band Members:
Mike Portnoy, Derek Sherinian, Ron "Bumblefoot" Thal, Billy Sheehan & Jeff Scott Soto
Hometown:
United States

American Rock Supergroup featuring : Mike Portnoy- Drums Derek Sherinian- Keyboards Ron "Bumblefoot" Thal-Guitar Billy Sheehan- Bass Jeff Scott Soto- Vocal
Live Photos of Sons Of Apollo
Fan Live Reviews
Robert
Cologne, Germany@
Luxor
October 25th 2018
Die Band war supergut und hatte richtig Bock. Der Laden geht leider garnicht und mich wird man da eher nicht wieder sehen. Teure Gaderobe, viel zu klein und schlauchförmig, schlechte Sicht, schlechter Sound, schlechtes Licht, Toilette neben der Bühne (also kaum erreichbar)...
Julien
Strasbourg, France@
La Laiterie
October 17th 2018
Des musiciens fabuleux et un chanteur extra.
Julien
Strasbourg, France@
La Laiterie
October 17th 2018
Des musiciens fabuleux et un chanteur extra. Habité par son job!
Anita
Zurich, Switzerland@
Complex
October 9th 2018
I am impressed 🤘🏼
Sstinger
Zurich, Switzerland@
Complex
October 8th 2018
Hammer, die Jungs hatten richtig Bock zu spielen und das Publikum hat es ihnen gedankt! Der Sound war diese Mal auch in Ordnung, weiter so!
Martin
Esch-sur-Alzette, Luxembourg@
KULTURFABRIK
October 7th 2018
nice little venue, very civilized audience supporting act with very poor sound Apollo’s sons great - as expected Sherinian did not use the Hammond and had just the Leslie on stage - connected to keyboards... Sheehan did use the doubleneck bass just for optical not musical reasons - ok. Why do the sound-engineers always turn it up until the PA will create more distortions than music?
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