About this concert
Chloé, 15 ans, décide de fuir l’existence beige et asphyxiante qu’elle mène avec sa mère. Elle prend donc la route des États-Unis pour vivre tout ce que le monde a à offrir, sans concession. Entre deux truck stops, la jeune fugueuse s’enlise dans un quotidien pétri d’abus et de violence. Heureusement, elle croise une femme-aigle qui l’aide à survivre en cavale. Derrière, elle laisse une mère désemparée par l’absence qui se prolonge et un enquêteur déterminé à faire la lumière sur cette disparition.Percutante et audacieuse, la trame narrative d’Invisibles sert avec aplomb le thème de la solitude qui transpire du texte de Guillaume Lapierre-Desnoyers. Articulée autour de la fugue d’une adolescente, la pièce aborde aussi l’invisibilité des marginalisés de la société – ceux dont personne ne se soucie et que l’on croise sans regarder – les orageuses relations parents-ados ou encore l’amitié salvatrice qui remplace parfois l’amour déficient d’une famille dysfonctionnelle.Après un premier roman bien reçu par la critique, Pour ne pas mourir ce soir, et sa pièce précédente, SexeMania, Guillaume Lapierre-Desnoyers poursuit avec Invisibles son exploration des zones d’ombre de notre société. Il collabore avec Édith Patenaude à la mise en scène, qui a entre autre réalisé celles de L’absence de guerre, Far Away et 1984.Production Stuko-Théâtre en codiffusion avec La ManufactureTexte Guillaume Lapierre-DesnoyersMise en scène Édith PatenaudeAvec Josée Deschênes, Steve Laplante, Alice Moreault et Noémie O’FarrellDécor Patrice Charbonneau-Brunelle Éclairages Marie-Aube St-Amand-Duplessis
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Invisible Biography
Invisible was originally formed by Luis Alberto Spinetta (guitars and vocals) who was formerly from the band Pescado Rabioso* that recently broke up at the time. The bass and drums were played by two former Pappo's Blues members Hector Lorenzo (drums) and Carlos Rufino (bass.) During the beginning of the bands playing (1973) the music was more straightforward rock with influences of Hendrix and Zeppelin and touches of a Black Sabbath sound. Their first, self-titled album, reflected their influences and was very complex, especially for a three man rock group. Long songs, with surrealistic lyrics and a unique sound throughout the six tracks. This album is a top quality piece, of great beauty and suprisingly acute craftmanship.
Their next album "Durazno Sangrando" ("Bleeding Peach") was their debut on a major label and an all out progressive album. Spinetta's lyrics were very well written. The story to "Durazno Sangrando" was based on a book by Carl Jung. "Durazno Sangrando" is their most progressive album and is generally noted as the bands best material. In 1975, virtuoso guitarist Tommy Gubitsch joined the group. Their third and final album "El Jardín de los Presentes" ("The Garden of the Present") turned out to be their most popular. This album has a lot of Tango influence and also some sounds that would remind us of early King Crimson. After the success of "El Jardín de los Presentes" the band split up at the end of 1976. Spinetta pursued a jazz-fusion esque solo career after the breakup.
Invisible was a bigger band in the Argentine prog scene and is definitely worth a good listen. If you are interested at all in Argentine prog they are essential. Their middle album "Durazno Sangrando" is their best and most interesting though "El Jardín de los Presentes" is also worth a good listen (mainly for it's fusion of rock, prog, and tango influence.)
There is also a second Invisible:
Invisible is the artist name, William Orbit used when making a track called Scream. The track appeared on several albums, notably on the label Excession.
Read MoreTheir next album "Durazno Sangrando" ("Bleeding Peach") was their debut on a major label and an all out progressive album. Spinetta's lyrics were very well written. The story to "Durazno Sangrando" was based on a book by Carl Jung. "Durazno Sangrando" is their most progressive album and is generally noted as the bands best material. In 1975, virtuoso guitarist Tommy Gubitsch joined the group. Their third and final album "El Jardín de los Presentes" ("The Garden of the Present") turned out to be their most popular. This album has a lot of Tango influence and also some sounds that would remind us of early King Crimson. After the success of "El Jardín de los Presentes" the band split up at the end of 1976. Spinetta pursued a jazz-fusion esque solo career after the breakup.
Invisible was a bigger band in the Argentine prog scene and is definitely worth a good listen. If you are interested at all in Argentine prog they are essential. Their middle album "Durazno Sangrando" is their best and most interesting though "El Jardín de los Presentes" is also worth a good listen (mainly for it's fusion of rock, prog, and tango influence.)
There is also a second Invisible:
Invisible is the artist name, William Orbit used when making a track called Scream. The track appeared on several albums, notably on the label Excession.
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