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About this concert
René Lacaille / Pachibaba Musicien emblématique de la Réunion, compagnon de route d’Alain Péters ou Danyel Waro, René Lacaille n’a rien perdu de son groove maloya séminal et de ses ségas en créole savoureux. Son accordéon (et sa guitare) restent ouverts à bien d’autres surprises et nouveautés, et René vient défendre « avec marmaille » (Oriane et Marco, ses enfants), la nouvelle livraison « Gatir », à nouveau rempli de sonorités goûteuses, de chroniques pleines de jeux de langue (créole, français) et de gouaille complice et chaleureuse. Pachibaba : Le premier, Olivier Araste, dirige le sémillant maloya réunionnais de Lindigo, qui avait laissé le public du Grand Soufflet sur un triomphe, en 2015, où pointait l’accordéon du second, Fixi (Tony Allen, Java), autre habitué de festival. Si on ajoute à cet excitant duo le monstrueux batteur Cyril Atef (Bumcello, CongoPunq), on peut saliver d’avance : ces trois-là, épaulés par quelques autres échappés de Lindigo risquent fort de remuer sévèrement le parterre, avec l’afrobeat comme langage commun, la java ou le maloya jamais très loin.
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What fans are saying
Jili
February 3rd 2023
Encore et toujours un chouette moment, belle salle, bon son, bon concert. Merci dslz.
Toulouse, France@Le Metronum
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Debout sur le Zinc Biography
Debout Sur Le Zinc is a French music band.
After their first 1999 self-titled album, their subsequent album L’homme à tue-tête released in May, 2001 gained them media acclaim and public popularity. By the time their 2004 album Des singes et les moutons enhanced their repertoire, they were selling out venues such as La Cigale and touring internationally. Songs from their latest album Les Promesses were featured in their first concert at the oldest music hall in Paris, the Olympia, where they played to a full house on May 16, 2006.
The band acknowledges influences from traditional French and Irish music, rock, klezmer, and many styles that are considered dance hall music, such as gypsy jazz, tango, waltz. Music critics and fans admire their ability to mix these different styles into an exuberant, cohesive whole.
They are known to be friends with bands like La Rue Kétanou or Les Ogres de Barback.
Read MoreAfter their first 1999 self-titled album, their subsequent album L’homme à tue-tête released in May, 2001 gained them media acclaim and public popularity. By the time their 2004 album Des singes et les moutons enhanced their repertoire, they were selling out venues such as La Cigale and touring internationally. Songs from their latest album Les Promesses were featured in their first concert at the oldest music hall in Paris, the Olympia, where they played to a full house on May 16, 2006.
The band acknowledges influences from traditional French and Irish music, rock, klezmer, and many styles that are considered dance hall music, such as gypsy jazz, tango, waltz. Music critics and fans admire their ability to mix these different styles into an exuberant, cohesive whole.
They are known to be friends with bands like La Rue Kétanou or Les Ogres de Barback.
French
International
Chanson
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