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Passés respectivement maîtres internationalement reconnus dans les styles, le reggae et le dub, qu’ils développent parallèlement depuis bientôt 20 ans sans jamais réellement se rencontrer, les deux protagonistes s’évertuent à en bousculer les codes, dans le respect toujours plus grand de leurs origines jamaïquaines. En témoignent la fusion du jazz et des différentes musiques traditionnelles jamaïquaines dans le cas d’Harrison Stafford et notamment de son extraordinaire aventure avec Groundation, ainsi que les innombrables expérimentations de Martin Nathan, au fil de la foisonnante discographie de Brain Damage, aux orientations toujours plus improbables et aventureuses. De cette rencontre inattendue naîtra donc l’album « Liberation Time », qui ravira bon nombre des amateurs des travaux des deux artistes, tant tout ce qui contribue à faire leurs particularités respectives y est représenté. Compositions solides, mélodies imparables, effets dub classieux, autant d’éléments qui feront sans doute de « Liberation Time » l’un des projets de collaboration les plus aboutis de l’année.
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Brain Damage Biography
With more than 15 albums and 800+ concerts behind him already, Martin Nathan ventures for more than 20 years now, into many artistic and stylistic experiments, under the name of Brain Damage.
Acclaimed as one of the founders of the French dub scene in the late 1990s, he soon appears as a major influence for a whole generation of musicians. But the artist is definitely not among those who forever rest on the models he founded, and he constantly reinvents himself, as his myriad projects flow, especially multiplying always more prestigious collaborations with figures like High Tone (FR), Vibronics (UK), Horace Andy (JAM), Harrison Stafford (USA), Big Youth (JAM) or Groundation (USA) more recently.
Along with his many productions, it is also with his truly live and explosive performances, that Martin Nathan has grown a solid reputation throughout the international scene, and it is exceptionally rare to see an artist leaping blithely through his 20th career anniversary, with so much vitality and creativity.
Read MoreAcclaimed as one of the founders of the French dub scene in the late 1990s, he soon appears as a major influence for a whole generation of musicians. But the artist is definitely not among those who forever rest on the models he founded, and he constantly reinvents himself, as his myriad projects flow, especially multiplying always more prestigious collaborations with figures like High Tone (FR), Vibronics (UK), Horace Andy (JAM), Harrison Stafford (USA), Big Youth (JAM) or Groundation (USA) more recently.
Along with his many productions, it is also with his truly live and explosive performances, that Martin Nathan has grown a solid reputation throughout the international scene, and it is exceptionally rare to see an artist leaping blithely through his 20th career anniversary, with so much vitality and creativity.
Dub
Electronic
Reggae
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