About this concert
After our succesful first show of the year in January 2016 for the EFDSS, we are bringing back another belter this March. With Modern Studies, Collectress and also Spectral Chorus playing, the ecletic mix of talent will definitely put on an interesting and exciting show to bring in the spring!Modern Studieshttp://modernstudiestheband.com/Modern Studies is a collective comprising:Emily Scott: Singer-songwriter and classical bassist. Composes in a cupboard. One of Edinburgh's most cherished musical possessions. Free from constraint, her unbridled approach to expressionism creates a sound that's crisp and poignant (-THE SCOTSMAN).Rob St John: Wrangler of experimental landscape sounds: A Lancastrian singer-songwriter with the range, boom and profundity of Ian Curtis, Nick Drake and Stuart Staples whose songs animate geography like Luke Haines do history (-Andrew Collins, WORD)Pete Harvey: Proprietor of Pumpkinfield, cellist and arranger of repute. Arranger for King Creosote, Best Girl Athlete, and Lomond Campbell. Cellist with King Creosote, Iain Morrison, the Leg Terrific, unhinged chamber-punk (-THE HERALD), and Paul Vickers and the Leg winningly odd (-MOJO)Joe Smillie: Drummer and venue manager, The Glad Cafe, Glasgow. Drums, percussion and vocals with Iain Morrison Utterly compelling (-musicOMH), and Call to Mind Rich in texture and flawless in rhythm (-MUSIC WEEK)Collectresshttp://collectress.co.uk/Described as possessed Brontë sisters teasing an unsuspecting dinner party (Foxy Digitalis), Collectress are a quartet of long-term musical collaborators from London and Brighton. Their music treads a joyful line between the intricate and organic, with a nod to everyone from Philip Glass to Bach to John Adams, improvisors like The Necks to lo-fi chamber groups such as Rachels. They play and write with a sense of narrative, drawing the listener into a thoroughly distinctive and beguiling world of experimental chamber music.Collectress are a band of musicians who make beautiful music, beautifully The album is a sumptuous treat for your ears and minds' eye - Rob Batchelor, Roobla"Shadowy and slightly unsettling It's a gripper." Ian Anderson, fRoots"Collectress make super-special chamber-pop. Consummately played, poetic and perfectly pitched. 20jazzfunkgreatsSpectral Chorushttps://twitter.com/spectralchorusSpectral Chorus are a brand new trio already making waves on the alt-folk scene. Having performed at numerous festivals last year, they make their London debut at Cecil Sharp House"This is the kind of music that ought to be bellowed into the cavernous ceilings of the world's most beautiful historic buildings by the light of numerous candles." - Shout 4 Music"Bedsit-Haunting Hymns" - Q
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Modern Studies Biography
Scottish quartet Modern Studies unite pastoral chamber pop and folk with a subtly experimental spirit. Blending lush vocal harmonies, kosmische-tinged rhythms and intricate arrangements, the band have released three critically-acclaimed LPs since 2016.
Modern Studies formed in 2015 around the songwriting of Glasgow-based musician Emily Scott. Having recently written a set of songs on an antique pedal harmonium, which she was about to donate to her friend Pete Harvey’s studio, Scott’s material soon became the centre of a new collaboration with Harvey, Joe Smillie, and Rob St. John. The group of multi-instrumentalists assembled at Harvey’s Pumpkinfield studio in rural Perthshire and adorned Scott’s thoughtful tunes with cello, analogue synths, guitars, double bass, tape loops, drums, and a variety of other tones, emerging with their full-length debut, ‘Swell to Great’.
Released by Scottish micro-indie label Song, By Toad in September 2016, the album became a critical success, making MOJO Magazine’s Top 20 year-end list and the long-list of the Scottish Album of the Year (SAY) awards. In addition to their LP, Modern Studies were also featured on a 2015 tribute compilation of songs by U.K. folk legend Shirley Collins called ‘Shirley Inspired’. In October 2017, ‘Swell to Great’ was reissued worldwide by London-based independent label Fire Records.
In 2017, the band began recording their sophomore record. Returning to Pumpkinfield, they acquired a Creative Scotland grant that allowed them to hire a chamber orchestra and choir, and a remote village hall in which to record the album. ‘Welcome Strangers’ was released by Fire in 2018 to widespread critical praise.
The band toured extensively across the UK, playing Glastonbury and Celtic Connections festivals amongst many others, and staging their own orchestral audio-visual show, ‘SOUNDING’ at the Edinburgh Festival Fringe. They hosted Spectral Verses – a week of experimental sonic collaborations – at the Glad Cafe in July 2018. Artist and sound designer Tommy Perman then crafted ‘Emergent Slow Arcs’, a ghostly multi-media re-interpretation of ‘Welcome Strangers’, which was issued by Fire in 2019.
In 2019, Modern Studies began work on their third full-length record at Pumpkinfield. Inspired by the process of translating the elaborate arrangements on ‘Welcome Strangers’ for four-piece live shows, the band returned to the self-sufficient approach of ‘Swell to Great’, with a wealth of vintage equipment and new ideas.
The result, ‘The Weight of the Sun’, was released by Fire in May 2020. The record was widely received with critical acclaim, with Record Collector describing it as “their best album yet”, Rough Trade making it an Album of the Month, and Norman Records naming it Album of the Week. Glowing reviews and features followed from across the globe, including The Vinyl District (USA), Il Manifesto (Italy), Stern (Germany), Full Moon (Czechia), Expresso (Portugal), Dagens Nyheter (Sweden), Deutschlandfunk Kultur (Germany) and more.
Their fourth LP 'We Are There' is released by Fire Records in February 2022.
“There’s a charm within Modern Studies’ DNA which makes them, without fanfare or clamour, one of today’s most mesmerising outfits.” Prog (The Weight of the Sun)
“Sensitive, smart, inventive, cultured, brimming with complex ideas.” ★★★★ Record Collector (The Weight of the Sun)
“Old and new, sweet and sharp, Welcome Strangers holds you in an ambiguous, but utterly enchanting, embrace… songs that suggest a muddy-hemmed Jim O’Rourke lost in a field in rural Perthshire.” ★★★★ MOJO (Welcome Strangers)
“Melancholic magic… recalls Johnny Marr’s hazier reveries and the febrile, electrified folk of Polly Harvey’s Let England Shake.” 8/10 UNCUT (Welcome Strangers)
“Sit up and take note; Modern Studies are setting the standards for intelligent pop in 2018.” ★★★★ Record Collector (Welcome Strangers)
“A fantastic collection of woozy, lovely songs” – The Guardian (Welcome Strangers)
“This excellent second album, all subtly energetic rhythms, and just-so flourishes of brass and strings, a very contemporary-feeling blend of Scottish-hued indie, jazz, folk, tropicalia – you name it… sounding like two itinerant folk singers picked up from the side of the road and whisked off down the tidy motorways of an imagined future Britain” The Quietus, Albums of the Month (Welcome Strangers)
“Modern Studies have created something that feels as abstract as it does accessible, as complex as it is beautifully simple.” ★★★★ The Skinny (Welcome Strangers)
“Sublime… your brain, ticker and feet are moved.” Prog (Welcome Strangers)
“there is a calmness in its melancholy, a beauty in its blues. These are songs that see the mystical beyond the material, abstracted folk ballads awash in memory.” ★★★★ MOJO (Swell to Great)
“a gorgeous sound which lands somewhere between Belle & Sebastian at their most icily wistful, and Fairport Convention’s autumnal folk-rock.” The List (Swell to Great)
Read MoreModern Studies formed in 2015 around the songwriting of Glasgow-based musician Emily Scott. Having recently written a set of songs on an antique pedal harmonium, which she was about to donate to her friend Pete Harvey’s studio, Scott’s material soon became the centre of a new collaboration with Harvey, Joe Smillie, and Rob St. John. The group of multi-instrumentalists assembled at Harvey’s Pumpkinfield studio in rural Perthshire and adorned Scott’s thoughtful tunes with cello, analogue synths, guitars, double bass, tape loops, drums, and a variety of other tones, emerging with their full-length debut, ‘Swell to Great’.
Released by Scottish micro-indie label Song, By Toad in September 2016, the album became a critical success, making MOJO Magazine’s Top 20 year-end list and the long-list of the Scottish Album of the Year (SAY) awards. In addition to their LP, Modern Studies were also featured on a 2015 tribute compilation of songs by U.K. folk legend Shirley Collins called ‘Shirley Inspired’. In October 2017, ‘Swell to Great’ was reissued worldwide by London-based independent label Fire Records.
In 2017, the band began recording their sophomore record. Returning to Pumpkinfield, they acquired a Creative Scotland grant that allowed them to hire a chamber orchestra and choir, and a remote village hall in which to record the album. ‘Welcome Strangers’ was released by Fire in 2018 to widespread critical praise.
The band toured extensively across the UK, playing Glastonbury and Celtic Connections festivals amongst many others, and staging their own orchestral audio-visual show, ‘SOUNDING’ at the Edinburgh Festival Fringe. They hosted Spectral Verses – a week of experimental sonic collaborations – at the Glad Cafe in July 2018. Artist and sound designer Tommy Perman then crafted ‘Emergent Slow Arcs’, a ghostly multi-media re-interpretation of ‘Welcome Strangers’, which was issued by Fire in 2019.
In 2019, Modern Studies began work on their third full-length record at Pumpkinfield. Inspired by the process of translating the elaborate arrangements on ‘Welcome Strangers’ for four-piece live shows, the band returned to the self-sufficient approach of ‘Swell to Great’, with a wealth of vintage equipment and new ideas.
The result, ‘The Weight of the Sun’, was released by Fire in May 2020. The record was widely received with critical acclaim, with Record Collector describing it as “their best album yet”, Rough Trade making it an Album of the Month, and Norman Records naming it Album of the Week. Glowing reviews and features followed from across the globe, including The Vinyl District (USA), Il Manifesto (Italy), Stern (Germany), Full Moon (Czechia), Expresso (Portugal), Dagens Nyheter (Sweden), Deutschlandfunk Kultur (Germany) and more.
Their fourth LP 'We Are There' is released by Fire Records in February 2022.
“There’s a charm within Modern Studies’ DNA which makes them, without fanfare or clamour, one of today’s most mesmerising outfits.” Prog (The Weight of the Sun)
“Sensitive, smart, inventive, cultured, brimming with complex ideas.” ★★★★ Record Collector (The Weight of the Sun)
“Old and new, sweet and sharp, Welcome Strangers holds you in an ambiguous, but utterly enchanting, embrace… songs that suggest a muddy-hemmed Jim O’Rourke lost in a field in rural Perthshire.” ★★★★ MOJO (Welcome Strangers)
“Melancholic magic… recalls Johnny Marr’s hazier reveries and the febrile, electrified folk of Polly Harvey’s Let England Shake.” 8/10 UNCUT (Welcome Strangers)
“Sit up and take note; Modern Studies are setting the standards for intelligent pop in 2018.” ★★★★ Record Collector (Welcome Strangers)
“A fantastic collection of woozy, lovely songs” – The Guardian (Welcome Strangers)
“This excellent second album, all subtly energetic rhythms, and just-so flourishes of brass and strings, a very contemporary-feeling blend of Scottish-hued indie, jazz, folk, tropicalia – you name it… sounding like two itinerant folk singers picked up from the side of the road and whisked off down the tidy motorways of an imagined future Britain” The Quietus, Albums of the Month (Welcome Strangers)
“Modern Studies have created something that feels as abstract as it does accessible, as complex as it is beautifully simple.” ★★★★ The Skinny (Welcome Strangers)
“Sublime… your brain, ticker and feet are moved.” Prog (Welcome Strangers)
“there is a calmness in its melancholy, a beauty in its blues. These are songs that see the mystical beyond the material, abstracted folk ballads awash in memory.” ★★★★ MOJO (Swell to Great)
“a gorgeous sound which lands somewhere between Belle & Sebastian at their most icily wistful, and Fairport Convention’s autumnal folk-rock.” The List (Swell to Great)
Arts-und-crafts-werk
Folk
Indie
Chamber Pop
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