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About this concert
En fullspäckad konsertkväll för sinnen och drömska minnen med nya och gamla Inkonstfavoriter.Hans Appelqvist framför en ny scenisk konsert. Någon utan ansikte kommer in på scen och sätter sig vid ett piano och spelar konsertens huvudtema. Hans Appelqvist tar med betraktaren på en vandring genom okända filmiska världar. Mot dröm ur verklighet, ur mörker mot ljus. Denna mycket speciella afton spelar Hans både solo och gästas av vännerna Julia Kent och Sontag Shogun.Julia Kent gästar Inkonst för första gången sedan 2010. Mycket har hänt sådan dess och Julia har genom åren förfinat sin teknik av loopad cello och elektronik. År 2015 släppte hon sitt fjärde och hyllade album Asperities på mäktiga Leaf.”The finesse and dexterity of these compositions makes Asperities her most complete record to date. Essential.” - Drowned in Sound“A masterclass in tonal diversity, expressionist narrative and finespun drama… Recommended without reservation, Asperities is an edifying and invigorating spectacle.” – 5* The SkinnySontag Shogun är en trio som använder analog ljudmanipulation i samklang med nostalgiska pianotoner. Ljudtexturer skapade av organiska material så som sand, vatten och löv fyller på ett subtilt sätt ut pianomelodiernas mellanrum. Skickligt tar musikerna i Sontag Shugun lyssnaren med på en resa till de mest emotionella delarna av vår minnesbank.”The merging of classical piano playing with laptop-generated textures, field recordings, and tape materials makes for a thoroughly captivating sound that’s Sontag Shogun’s alone.” – Textura
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Hans Appelqvist Biography
Appelqvist mainly derives his particular form of musical story telling from feature film, where the music is paralleling the story so as to amplify it or comment it. It is in this form, where sound and image converge, that Appelqvist is conducting his search for unexpected emotional expressions.
Appelqvist’s music infuses the debate on the musical qualities of music. The newness of his acoustic image, where the choice of sounds are not always evident or natural in their context, makes the listener react, certain musical nuances might generate strong emotions while others leaves the listener indifferent. The same is true for Appelqvist’s scheme of using untrained, hand-picked voices, a device which by many might be construed as provocative. It raises the question of whether we are actually listening to music and/or taking part in a staging. The crude voices are intimately interlinked through the underlying narrative and bring a dimension of agitation on top of the melancholy and suggestive coulisse of sound.
Read MoreAppelqvist’s music infuses the debate on the musical qualities of music. The newness of his acoustic image, where the choice of sounds are not always evident or natural in their context, makes the listener react, certain musical nuances might generate strong emotions while others leaves the listener indifferent. The same is true for Appelqvist’s scheme of using untrained, hand-picked voices, a device which by many might be construed as provocative. It raises the question of whether we are actually listening to music and/or taking part in a staging. The crude voices are intimately interlinked through the underlying narrative and bring a dimension of agitation on top of the melancholy and suggestive coulisse of sound.
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