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About this concert
7:00 PM GMT+23 Going
En su investigación del sonido original y tras explorar las sinfonías de Beethoven y el universo de Mendelssohn, el maestro Savall regresa a L’Auditori para acercarnos a una de las obras fundamentales del romanticismo germánico: Un réquiem alemán, de Johannes Brahms. En un contexto de creciente laicismo, el compositor de Hamburgo se aproxima a una espiritualidad que va más allá del hecho religioso, a pesar del trasfondo protestante de esta espléndida pieza simfónico-coral. La velada se complementa con la Canción del destino (Schicksalslied, op. 54) del mismo compositor. Se trata de una breve y destacada pieza para coro y orquesta, estrenada en 1871 y basada en un poema de Friedrich Hölderlin. La obra contrapone el alegre destino de los seres celestiales y el doloroso e inquietante destino de los humanos.
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Schumann: Symphony in G Minor; Bruckner: Symphony No. 2 in D minor
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Artist bio
Jordi Savall i Bernadet (born 1941, in Igualada, Catalonia, Spain) is a Spanish viol player and composer. He is one of the major figures in the field of early music since the 1970s, largely responsible for bringing the viol (viola da gamba) back to life on the stage. His repertory ranges from Medieval to Renaissance and Baroque music.
Savall's musical training started in the school choir of his native town (1947-55). He later completed his training at the Barcelona Conservatory of Music (1959-65). Afterward, he began his specialisation in early music at the Schola Cantorum Basiliensis in Basel, Switzerland (1968-70).
In 1974 he formed the ensemble Hespèrion XX (since 2000 as Hespèrion XXI), together with the soprano Montserrat Figueras (his wife), Lorenzo Alpert and Hopkinson Smith. Hespèrion XX favored a style of interpretation characterised by great musical vitality and at the same time, maximum historical accuracy.
In 1987 he returned to Barcelona to found La Capella Reial de Catalunya, a vocal ensemble devoted to the interpretation of music prior to the 18th century.
Finally, in 1989 Savall created Le Concert des Nations, an orchestra that is generally dedicated to the baroque repertoire, but which sometimes also serves as an outlet for music that hails from the classical/romantic repertoire (e.g. Sinfonia a Gran Orquesta by Juan Crisótomo de Arriga).
Savall's discography includes more than 140 recordings. Since 1998 he has released his records with his own label, Alia Vox.
Jordi Savall is also a two-time Grammy nominee, who scored the 1991 Alain Corneau film, *Tous les matins du monde* (also awarded the César of the French film industry in 1992). The soundtrack, re-released on his own Alia Vox label, has sold more than a million copies worldwide. In 2026, Savall was awarded the prestigious **Ernst von Siemens Music Prize**, one of the highest international distinctions in classical music, in recognition of his exceptional lifetime contribution to music.
Read MoreSavall's musical training started in the school choir of his native town (1947-55). He later completed his training at the Barcelona Conservatory of Music (1959-65). Afterward, he began his specialisation in early music at the Schola Cantorum Basiliensis in Basel, Switzerland (1968-70).
In 1974 he formed the ensemble Hespèrion XX (since 2000 as Hespèrion XXI), together with the soprano Montserrat Figueras (his wife), Lorenzo Alpert and Hopkinson Smith. Hespèrion XX favored a style of interpretation characterised by great musical vitality and at the same time, maximum historical accuracy.
In 1987 he returned to Barcelona to found La Capella Reial de Catalunya, a vocal ensemble devoted to the interpretation of music prior to the 18th century.
Finally, in 1989 Savall created Le Concert des Nations, an orchestra that is generally dedicated to the baroque repertoire, but which sometimes also serves as an outlet for music that hails from the classical/romantic repertoire (e.g. Sinfonia a Gran Orquesta by Juan Crisótomo de Arriga).
Savall's discography includes more than 140 recordings. Since 1998 he has released his records with his own label, Alia Vox.
Jordi Savall is also a two-time Grammy nominee, who scored the 1991 Alain Corneau film, *Tous les matins du monde* (also awarded the César of the French film industry in 1992). The soundtrack, re-released on his own Alia Vox label, has sold more than a million copies worldwide. In 2026, Savall was awarded the prestigious **Ernst von Siemens Music Prize**, one of the highest international distinctions in classical music, in recognition of his exceptional lifetime contribution to music.
Genres: Classical
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What fans are saying
Magnifique avec Pascal Quignard et le Concert des Nations en prime pour les 30 ans du film Tous les matins du monde...
May 22, 2022·Paris, France
