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About this concert
3:00 PM PDT2 Going
San Diego! We are coming to party with you.
We’re taking the stage LIVE at Quartyard on Sunday, October 11th to celebrate a massive milestone: 16 years of Souleil!
If you’ve ever seen us live, you know how we do it—100% live instrumentation, non-stop house grooves, deep basslines, and zero laptop backing tracks. We're bringin’ the full energy to the outdoor stage, and we can’t wait to dance with all of you under the San Diego sun.
We’re sharing the afternoon with an incredible lineup of local legends bringing the soul: DJ ALA, Cris Herrera, Mikeytown, Waterpark Jones, and Candi Cane.
Set your calendars for 3 PM – 8 PM. Bring your dancing shoes, bring your crew, and let’s make some noise for 16 years of Souleil!
🎟️ Grab your tickets now before they sell out!
Tortured Soul Featured Video
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Artist bio
Tortured Soul is 100% live modern, deep, soulful, house music freed from the DJ Booth. Influenced by the classic songcraft of Prince, Heatwave, and Kool & The Gang, Tortured Soul is a collective of incredible international musicians united under a groove-centered rhythm. Frontman and songwriter, John-Christian Urich, leads the group while simultaneously drumming and singing with effortless mastery. Bass (Ernie Mckone, Bryan Ladd) and keys (Isamu McGregor, Randy Emata, Joel Martin) combine to form the pulsating rhythm and melodic joy that is integral to the Tortured Soul sound. Likened to "The Roots of House Music", Tortured Soul’s sound is reminiscent of Neo-Soul groups like Jamiroquai or Brand New Heavies, while also being influenced by the contemporary freshness of House purveyors like Joey Negro and Louie Vega and Nu Disco artists like Soul Clap and Purple Disco Machine.
Read MoreGenres:Electronic, Soul
Band Members: John-Christian Urich - Drums
Hometown: Brooklyn, New York
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What fans are saying
A fantastic vibe, the guys were on fire. They had an amazing energy and and rapport with the crowd. Thoroughly enjoyed the show, however the sound ended abruptly and other music started playing in the background over their unamplified instruments, the venue had cut the sound without even telling the group, they were cut off in mid flow. A very poor show by the venue management. The guys looked very disappointed and so were the crowd, so many classic tracks were left unplayed. Rather than the crowd leaving on a buzz because of such a great performance, they all left confused and annoyed. I'm not sure how much communication there was between venue and artists but I won't be visiting Hootananny again.
Jul 19, 2026·London, United Kingdom
George
