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I FEEL LIKE A BOMBED CATHEDRAL
I FEEL LIKE A BOMBED CATHEDRAL ♰ DAISY DICKINSON
Kindergarten
Via Manfredi di Svevia

Free admission
About this concert
Si tratta di uno spettacolo audiovisivo, una collaborazione tra due artisti:
Amaury Cambuzat aka I FEEL LIKE A BOMBED CATHEDRAL (Electric guitar) & DAISY DICKINSON (Visuals)
Questa nuova collaborazione audiovisiva fonde gli ammalianti paesaggi sonori di Amaury Cambuzat - fondatore della band francese di culto post-rock ULAN BATOR e chitarrista dei leggendari pionieri tedeschi del krautrock FAUST - con le suggestive e coinvolgenti immagini della regista e artista visiva Daisy Dickinson.
Esibendosi con il nome di I FEEL LIKE A BOMBED CATHEDRAL Cambuzat costruisce strati densi e meditativi di chitarra, drone e rumore che evocano sia la rovina che la trascendenza.
Le immagini analogiche di Dickinson - fluide, strutturate e improvvisate sono invocazione che trasformano lo spazio in regni onirici mutevoli, agendo sia come specchio che come contrappunto al suono.
Insieme, creano un rituale dal vivo: un viaggio sinestetico in cui il suono si dissolve nella luce e l'immagine sanguina nel tono.
Non si tratta di una performance in senso tradizionale, ma di un rituale, un'allucinazione condivisa, un momento sospeso nel tempo: una seduta spiritica audiovisiva in cui distruzione, memoria e sublime si scontrano in tempo reale.
Presentato in anteprima nel 2025, questo progetto offre una fusione cruda e ipnotica tra la poesia visiva e il paesaggio onirico di intensità sonora, in parti uguali tra esorcismo spirituale e post-industriale.
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I FEEL LIKE A BOMBED CATHEDRAL Biography
I FEEL LIKE A BOMBED CATHEDRAL is a project from Amaury Cambuzat – founder of French avant garde experimentalists ULAN BATOR and guitarist with Krautrockers faUSt.
The electric guitar stands as analogue to the cathedral: a blown-out shell echoing with imposing history, lineage, collapse and eternal potential.
Amaury has conjured a haunted space inviting us to roam firm structures torn to chaotic edges; glimpsed hardness grown over organic and lush.
The sounds whisked up around us, from the most minimal to the most densely symphonic, remind us we stand in a place dedicated to the profound.
Between the instrument and the image stands the man himself. Amaury’s approach throughout I Feel Like A Bombed Cathedral speaks to his memories and lived experience - graduation from the classical conservatory in western Paris, his discovery of the guitar at age fourteen, his lifelong quest to infuse this instrument with fresh life.
I FEEL LIKE A BOMBED CATHEDRAL is a testament to the past, to desecrated presents, and to the sacred horizon that is the future…The unchanging future which is always hope of change.
Read MoreThe electric guitar stands as analogue to the cathedral: a blown-out shell echoing with imposing history, lineage, collapse and eternal potential.
Amaury has conjured a haunted space inviting us to roam firm structures torn to chaotic edges; glimpsed hardness grown over organic and lush.
The sounds whisked up around us, from the most minimal to the most densely symphonic, remind us we stand in a place dedicated to the profound.
Between the instrument and the image stands the man himself. Amaury’s approach throughout I Feel Like A Bombed Cathedral speaks to his memories and lived experience - graduation from the classical conservatory in western Paris, his discovery of the guitar at age fourteen, his lifelong quest to infuse this instrument with fresh life.
I FEEL LIKE A BOMBED CATHEDRAL is a testament to the past, to desecrated presents, and to the sacred horizon that is the future…The unchanging future which is always hope of change.
Drone
Industrial
Noise
Obscure
Ambient
Cinematic
Electronic
Krautrock
Space Guitar
Dark Ambient
Experimental
Guitar Improv
Psychedelic
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