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A dark saying that must be left unguessed.’ Fourteen variations on a single theme—it sounds simple, almost trivial, maybe even a bit dull. Yet the playful sketch Elgar improvised one evening at the piano grew into one of the most iconic works in the symphonic repertoire.
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It all begins with a variation portraying his friend Billy Baker—and soon, his entire circle of friends takes the stage in music. The real ‘Enigma’? It’s not just about who’s who behind each variation, but also about the hidden theme itself… a secret Elgar took to his grave.
‘Music begins where the possibilities of language end.’ Jean Sibelius composed his only violin concerto for himself—or perhaps for the dream he once held dear. ‘For ten years, my greatest ambition was to become a violin virtuoso,’ he wrote in his diary at the age of fourteen. That dream would never come true, and in his concerto, one hears both the sorrow of that loss and a deep, intuitive understanding of the instrument.
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Brussels Philharmonic Biography
“The world needs symphonic music.
And symphonic music needs the world.”
That is the firm belief of the Brussels Philharmonic. As a symphony orchestra founded in 1935 under the auspices of the Belgian public broadcaster, unveiling the symphonic world as best we can is deep in our DNA. By innovating while maintaining full respect for the value of the past, we keep the symphonic music of the past, present and future relevant and inspiring – for ourselves and all of society. We do this from the historic Studio 4 at Flagey in Brussels, together with our musical director Kazushi Ono: he shares our open and adventurous spirit and our rock-solid belief in the need for cross-fertilization between art, life and society.
Read MoreAnd symphonic music needs the world.”
That is the firm belief of the Brussels Philharmonic. As a symphony orchestra founded in 1935 under the auspices of the Belgian public broadcaster, unveiling the symphonic world as best we can is deep in our DNA. By innovating while maintaining full respect for the value of the past, we keep the symphonic music of the past, present and future relevant and inspiring – for ourselves and all of society. We do this from the historic Studio 4 at Flagey in Brussels, together with our musical director Kazushi Ono: he shares our open and adventurous spirit and our rock-solid belief in the need for cross-fertilization between art, life and society.
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