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London Symphony Orchestra Tickets, Tour Dates and Concerts

London Symphony Orchestra

LSO on Film: The French Connection

Jun 22, 2025

7:00 PM GMT+1
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About this concert
The Concert Since 1935, the London Symphony Orchestra has contributed soundtracks to over two hundred movies – including some of the greatest ever made. This summer, renowned film music conductor Dirk Brossé returns to the Barbican to conduct the Orchestra for the second of a three-concert series, this time featuring scores by some of the most acclaimed French composers in cinematic history. Witness breathtaking music from the silver screen, live in concert and get an insight of the music from members of the Orchestra. Discover soundtracks by composers such as Philippe Sarde, Philippe Chany, Guillaume Roussel, Alexandre Desplat and more from a diverse mix of films, including Asterix & Obelix, Black Beauty (2020) and Tess. The Orchestra Renowned as one of the world’s most famous film ensembles, the LSO’s history with movie scores stretches back the first symphonic music specifically composed for a film in the UK with Sir Arthur Bliss’s 1935 score for Things To Come. Since then have performed on some of the biggest blockbusters in history. Georges Auric Music from ‘The Spider and the Fly’ Georges Delerue Ashton’s Son & Return to the Hill from ‘A Summer Story’ Vladimir Cosma Schpountz Final from ‘Le Schpountz’ Le Jaguar (Overture) from ‘Le Jaguar’ Philippe Sarde Suite Cinema Romanesque Suite Symphonic from ‘Tess’ Philippe Rombi Aria from ‘Joyeux Noel’ Jean-Claude Petit Ship Fight, To England & La Fuite Du Roi from ‘The Return of the Musketeers’ Philippe Chany Le Jardin Fantastique & Les Romains from ‘Asterix and Obelix: Mission Cleopatra’ Philippe Rombi The Centaur & Final from ‘Asterix: The Secret of the Magic Potion’ Mathieu Alvado End Credits from ‘Asterix & Obelix: The Big Fight’ Guillaume Roussel Mustang Spirit from ‘Black Beauty’ Mathieu Alvado Duinlan’s Theme & Ravik’s Theme from ‘Ghost of a Tale’ Alexandre Desplat Harry Potter and the Deathly Hallows Suite (excerpts) Michel Legrand Music from ‘Never Say Never Again‘ Dirk Brossé conductor London Symphony Orchestra
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Alexandre Desplat
101K Followers
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Michel Legrand
9.79K Followers
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Vladimir Cosma
5.67K Followers
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Georges Delerue
5.08K Followers
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Philippe Sarde
1.9K Followers
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Philippe Rombi
1.09K Followers
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Dirk Brossé
748 Followers
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Guillaume Roussel
419 Followers
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Jean-Claude Petit
281 Followers
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Philippe Chany
175 Followers
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Georges Auric
151 Followers
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What fans are saying

RRS
June 17th 2025
It was fantastic to watch. I turned it on at Brunch, my time and enjoyed with my son and a friend. Great way to do so!
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London Symphony Orchestra Biography

The LSO was founded in 1904 as an independent, self governing organization, the first such orchestra in the UK. It played its first concert on 9 June of that year, with Hans Richter conducting. He remained principal conductor until 1911, when Edward Elgar took over for a year, leading six concerts as principal conductor.

More recently, its principal conductors have included Pierre Monteux (1961–64), Istvan Kertesz (1965–68), André Previn (1968–79) and Claudio Abbado (1979–88). From 1988-1995, the American Michael Tilson-Thomas took over, and in 1995, became principal guest conductor. Sir Colin Davis served as the LSO's Principal Conductor from 1995-2006, and in 2007 took the post of President of the orchestra. On 1 January 2007, Valery Gergiev became the LSO's Principal Conductor. Previn holds the title of Conductor Laureate. In 2006, Daniel Harding became the co-principal guest conductor alongside Tilson Thomas. Richard Hickox is the Associate Guest Conductor of the LSO.
The LSO became the first British orchestra to play overseas when it went to Paris in 1906. The LSO was due to sail on the RMS Titanic for a concert in New York in April 1912 but fortunately had to change the booking at the last minute. It was also the first to play in the United States, in 1912, and in 1973 it was the first to be invited to take part in the Salzburg Festival. It continues to make tours around the world.

In 1966 the London Symphony Chorus (LSC) was formed to complement the work of the LSO. with more that two hundred amateur singers, the LSC maintains a close association with the LSO; however it has developed an independent life, which allows it to partner other leading orchestras.

The LSO has long been considered the most extraverted of the London orchestras. For most of its life it refused to allow women to become members, ostensibly on the grounds that women would affect the sound of the orchestra (there has been a similar controversy at the Vienna Philharmonic Orchestra). There is an air of youthful high spirits to much of its music-making that is shown off in performances of such composers as Berlioz and Prokofiev. The LSO has often had internationally-known players as wind soloists, including such artists as James Galway (flute), Gervase de Peyer (clarinet), Roger Lord (oboe), Osian Ellis (harp), John Georgiadis (violin) and Barry Tuckwell (horn). Like most ensembles, the orchestra has a great ability to vary its sound, producing very different tone colours under such diverse conductors as Stokowski (with whom it made a series of memorable recordings), Adrian Boult, Jascha Horenstein, Georg Solti, André Previn, George Szell, Claudio Abbado, Leonard Bernstein, John Barbirolli, and Karl Böhm, who developed a close relationship with the orchestra late in his life. Böhm and Bernstein each held the title of LSO President in their later years.

Clive Gillinson, a former cellist with the orchestra, served as the LSO's Managing Director from 1984 to 2005, and is widely credited with bringing great stability to the LSO's organization after severe fiscal troubles.[1] Since 2005, Kathryn McDowell is the Managing Director of the LSO.[2]
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