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coffintexts
Freï: Coffintexts, Nala Brown, bebe bad
nachbar
Nieuwezijds Voorburgwal 169
May 3, 2025
11:00 PM GMT+2
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About this concert
Get lost in the Freï, a party that centers and celebrates FEMME+ energy on the dance floor. This party invites femme and queer artists to transform the space with their sound and presence, pairing international up-and-comers with local mainstays to keep the crowd moving all night.
For our third edition, we’re assembling a lineup that will have you dancing until the early hours.
Headlining the night is Coffintexts, the Miami-based producer and Rinse France resident known for her genre-blurring club sets. Her productions have earned her spots at III Points, Where Are My Keys, and Boiler Room. Expect high-energy blends of techno, bass, and left-field club sounds that keep the crowd locked in from start to finish.
Joining the bill is Nala Brown, the Rotterdam-born DJ whose selections transcend genres with ease. With Boiler Room sets, a Rinse FM residency, and appearances at Glastonbury, Dekmantel, and Warehouse Project, she’s proven herself as a force behind the decks. Her sets are vibrant, unpredictable, and always locked into the pulse of the dancefloor.
Rounding out the night is bebe bad, Freï co-founder and resident DJ. As a selector, she blends bass-heavy UK roots with high-energy club cuts, moving effortlessly through genres. She’s played everywhere from De School to Glastonbury, sharing line ups with Ki/Ki, Bambounou, and more.
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coffintexts Biography
Part Miami Bass, vintage house bounce, and tribal euphoria, Coffintexts' music is a cocktail of indulgence
served straight from the queer underground.
When Coffintexts first burst onto the club scene in the late '10s, she was part of a new cohort of Miami
producers reshaping dance music. Equally influenced by everything from 90s tribal rhythms to Latin
American-inflected Club to UK rave, she emerged as part of the city's new guard. Putting out records on
labels including Omnidisc, Club Romantico, Club QU, Classico, and a forthcoming record on TraTraTrax,
she has quickly established herself as one of the Magic City's most vibrant musicians.
Even within this crowded field, Coffintexts acts as a unique center of gravity. While drawing from the
percussive promiscuity of her Peruvian heritage and the bass weight of her hometown, she also
gravitated towards the cerebral funk of '90s hardgroove, wiggly house, and the chromatic polish of UK
techno. Cutting her teeth in house parties and gay clubs across Miami, she's always gravitated towards
the minimal, groove-focused energy of dance music at its most muscular and hypnotic. This background
has put her into conversation not just with the 305, but with the larger global queer dance music
cosmology.
There aren't many producers and DJs who marry the paranoid and the psychedelic, the euphoric and the
illicit, the darkroom and the big room, the mind and the body, like Coffintexts.
As a producer, she's just as comfortable turning out lean and stripped back techno as she is sultry,
bottom-heavy downtempo with occasional partner-in-crime Jonny from Space. Her DJing is just as
adventurous. Her mixes for outlets like Crack and Mixmag showcase an ambitious and daring style where
she jumps between tempos, eras, and genres without ever losing sight of that central current of hip-
swinging groove. It's this intuitive and bodily approach to mixing that has kept dance floors from Miami to
Shanghai to Bristol, from Nowadays to III Points Festival to Razzmatazz gyrating and sweating it out until
the early hours
Read Moreserved straight from the queer underground.
When Coffintexts first burst onto the club scene in the late '10s, she was part of a new cohort of Miami
producers reshaping dance music. Equally influenced by everything from 90s tribal rhythms to Latin
American-inflected Club to UK rave, she emerged as part of the city's new guard. Putting out records on
labels including Omnidisc, Club Romantico, Club QU, Classico, and a forthcoming record on TraTraTrax,
she has quickly established herself as one of the Magic City's most vibrant musicians.
Even within this crowded field, Coffintexts acts as a unique center of gravity. While drawing from the
percussive promiscuity of her Peruvian heritage and the bass weight of her hometown, she also
gravitated towards the cerebral funk of '90s hardgroove, wiggly house, and the chromatic polish of UK
techno. Cutting her teeth in house parties and gay clubs across Miami, she's always gravitated towards
the minimal, groove-focused energy of dance music at its most muscular and hypnotic. This background
has put her into conversation not just with the 305, but with the larger global queer dance music
cosmology.
There aren't many producers and DJs who marry the paranoid and the psychedelic, the euphoric and the
illicit, the darkroom and the big room, the mind and the body, like Coffintexts.
As a producer, she's just as comfortable turning out lean and stripped back techno as she is sultry,
bottom-heavy downtempo with occasional partner-in-crime Jonny from Space. Her DJing is just as
adventurous. Her mixes for outlets like Crack and Mixmag showcase an ambitious and daring style where
she jumps between tempos, eras, and genres without ever losing sight of that central current of hip-
swinging groove. It's this intuitive and bodily approach to mixing that has kept dance floors from Miami to
Shanghai to Bristol, from Nowadays to III Points Festival to Razzmatazz gyrating and sweating it out until
the early hours
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