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Derya Yıldırım & Grup Şimşek
Théâtre Equestre Zingaro
176 ave Jean Jaures
Mar 25, 2025
8:00 PM GMT+1
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About this concert
Derya Yýldýrým chante la chanson que sa grand-mère avait l’habitude de chanter — un vieux standard folklorique anatolien appelé « Hop Bico », qui se traduit approximativement par « Sautille, Bico ». Mais la version que chantait la grand-mère de Derya était différente — elle y mettait sa propre touche. Et celle de Derya est encore différente — actualisée pour le XXIe siècle avec une touche psychédélique lente et ses propres vocalises hypnotiques. C’est intentionnel. Derya insiste sur le fait que si vous jouez une vieille chanson folklorique, vous devez y apporter quelque chose de nouveau, « sinon autant écouter l’ancien enregistrement ». Son père l’a poussée à apprendre divers instruments, en commençant par le baðlama, un luth turc à sept cordes. Ensuite, elle s’est mise à la guitare, au piano et au saxophone. Bien qu’elle soit multi-instrumentiste, Derya s’est toujours sentie attirée par le son du baðlama — « il y a quelque chose de très magique dans cet instrument ». Avec le prochain album de son groupe Grup Þimþek, intitulé Yarýn Yoksa (« S’il n’y a pas de demain »), Derya poursuit son chemin en revitalisant la musique et les instruments folkloriques anatoliens, en mêlant des mélodies intemporelles à une touche psychédélique moderne. Il y a dix ans, lors d’un projet de théâtre communautaire, Derya a rencontré les musiciens français Graham Mushnik et Antonin Voyant du label Catapulte Records, et a formé le groupe Grup Þimþek avec eux. Helen Wells, une batteuse originaire du Cap, en Afrique du Sud, les a rejoints en 2021. Bien que le groupe soit véritablement international, il rejette le terme de « musique du monde », préférant celui de « musique ultranationale », qu’ils disent suggérer un son plus inclusif ou « au-delà des frontières ». DY&GS incarnent ce qui définit la musique folklorique anatolienne — « Il faut un groove et une mélodie, et tout autour est libre. » Cette philosophie guide l’écriture des chansons du groupe et leur manière d’interpréter les standards du folklore anatolien. « Je crois que les mélodies ne doivent pas être modifiées, car nous avons la responsabilité de préserver la musique de manière juste. Nos versions respectent les racines. Ce sont les mêmes paroles et mélodies, mais avec une âme peut-être différente. » Bien qu’il soit facile de penser que la musique folklorique appartient au passé, elle insiste sur le fait qu’elle est tout aussi importante aujourd’hui. « Certains de ces poèmes ont été écrits il y a des centaines d’années, mais ils sont toujours pertinents. Cette musique est tellement importante parce qu’elle reste la voix du peuple, des minorités et des opprimés. » Après avoir autoproduit plusieurs albums, le groupe a signé avec le label new-yorkais Big Crown Records en 2024 et a collaboré avec le producteur nommé aux Grammy Awards, Leon Michels (El Michels Affair), pour Yarýn Yoksa. Le nouvel album incarne leur équilibre entre préservation et innovation à travers neuf compositions originales et trois chansons folkloriques traditionnelles. C’est un disque qui enchantera tout auditeur, quelles que soient les barrières linguistiques, avec la passion et l’authenticité de Derya mises en avant et une musique trop émouvante pour être ignorée. Yarýn Yoksa est certain de captiver les cœurs et les esprits de tous ceux qui l’écouteront, et attendez seulement de les voir le jouer en live…
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Derya Yıldırım & Grup Şimşek Biography
Derya Yıldırım is singing the song her grandmother used to sing — an old Anatolian folk
standard called “Hop Bico”, which roughly translates as ”Hop Around Bico”. But the
version Derya’s grandmother sang was different — she’d put her own slant on it. And
Derya’s is different still — brought into the 21st century with a slow psychedelic twist and
her own hypnotic vocals. This is by design. Derya insists that if you’re going to play an
old folk song then you have to contribute something new, “otherwise you might as well
just put the old record on.”
Born in Hamburg, Germany to Turkish parents, she grew up influenced by her family’s
Anatolian background and the myriad of cultures in the city. Derya’s musical roots
started at home playing folk music with family members. Her father pushed her to learn
various instruments, beginning with the bağlama, a seven stringed Turkish lute. Then
she picked up the guitar, piano, and saxophone.
Although she is a multi-instrumentalist, Derya always felt drawn to the sound of the
bağlama - “there’s just something very magical about it”. With her band Grup Şimşek’s
forthcoming album Yarın Yoksa, which translates to If There’s No Tomorrow, Derya
continues her journey revitalizing Anatolian folk music and instrumentation by infusing
timeless melodies with a modern psychedelic flair.
Ten years ago, while participating in a community theater project, Derya met French
musicians Graham Mushnik and Antonin Voyant from Catapulte Records and formed
the band Grup Şimşek with Helen Wells, a drummer from Cape Town, South Africa
joining in 2021. While the band is truly international, they eschew the term ‘world music’,
preferring instead ‘outernational’ which they say suggests a sound that’s more inclusive
or “beyond borders.” DY&GS embody what defines Anatolian folk music — “You need a
groove and a melody, and everything around it is free.” It’s this ethos that guides the
band’s songwriting and the way they take on Anatolian folk standards. “I believe the
melodies shouldn't be changed because we are responsible to preserve music in the
correct way. Our versions respect the roots. It’s the same lyrics and melody, but it has a
different soul maybe.” While it’s easy to think of folk music as a music of the past, she
insists it’s just as important today. “Some of these poems were written hundreds of
years ago but they’re still relevant. This music is so important because it remains the
voice of the people, the minority, and the oppressed.”
After self-producing multiple albums, they signed with New York’s Big Crown Records in
2024 and teamed up with Grammy-nominated producer Leon Michels (El Michels Affair)
for Yarın Yoksa. The new album embodies their balance of preservation and innovation
across nine original compositions and three traditional folk songs. It is a record that will
enchant any listener regardless of language barrier with Derya’s passion and
authenticity front and center and music too moving to deny. Yarın Yoksa is sure to
captivate the hearts and minds of all those who hear it, and just wait til you experience
them play it live…
Read Morestandard called “Hop Bico”, which roughly translates as ”Hop Around Bico”. But the
version Derya’s grandmother sang was different — she’d put her own slant on it. And
Derya’s is different still — brought into the 21st century with a slow psychedelic twist and
her own hypnotic vocals. This is by design. Derya insists that if you’re going to play an
old folk song then you have to contribute something new, “otherwise you might as well
just put the old record on.”
Born in Hamburg, Germany to Turkish parents, she grew up influenced by her family’s
Anatolian background and the myriad of cultures in the city. Derya’s musical roots
started at home playing folk music with family members. Her father pushed her to learn
various instruments, beginning with the bağlama, a seven stringed Turkish lute. Then
she picked up the guitar, piano, and saxophone.
Although she is a multi-instrumentalist, Derya always felt drawn to the sound of the
bağlama - “there’s just something very magical about it”. With her band Grup Şimşek’s
forthcoming album Yarın Yoksa, which translates to If There’s No Tomorrow, Derya
continues her journey revitalizing Anatolian folk music and instrumentation by infusing
timeless melodies with a modern psychedelic flair.
Ten years ago, while participating in a community theater project, Derya met French
musicians Graham Mushnik and Antonin Voyant from Catapulte Records and formed
the band Grup Şimşek with Helen Wells, a drummer from Cape Town, South Africa
joining in 2021. While the band is truly international, they eschew the term ‘world music’,
preferring instead ‘outernational’ which they say suggests a sound that’s more inclusive
or “beyond borders.” DY&GS embody what defines Anatolian folk music — “You need a
groove and a melody, and everything around it is free.” It’s this ethos that guides the
band’s songwriting and the way they take on Anatolian folk standards. “I believe the
melodies shouldn't be changed because we are responsible to preserve music in the
correct way. Our versions respect the roots. It’s the same lyrics and melody, but it has a
different soul maybe.” While it’s easy to think of folk music as a music of the past, she
insists it’s just as important today. “Some of these poems were written hundreds of
years ago but they’re still relevant. This music is so important because it remains the
voice of the people, the minority, and the oppressed.”
After self-producing multiple albums, they signed with New York’s Big Crown Records in
2024 and teamed up with Grammy-nominated producer Leon Michels (El Michels Affair)
for Yarın Yoksa. The new album embodies their balance of preservation and innovation
across nine original compositions and three traditional folk songs. It is a record that will
enchant any listener regardless of language barrier with Derya’s passion and
authenticity front and center and music too moving to deny. Yarın Yoksa is sure to
captivate the hearts and minds of all those who hear it, and just wait til you experience
them play it live…
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