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Last Waltzon Tickets, Tour Dates and Concerts

Last Waltzon

Sled Island Music and Arts Festival 2024

Jun 19, 2024

10:30 PM MDT
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About this concert
The Serfs Midwest freakazoids The Serfs use ripe riffs, vibrating bass and pounded-out synth to move at amphetamine speed through tracks that sound a bit like Suicide and The Sonics collaborating live on TV Party. The moment you think you have a handle on their sound, you feel like a fool. They race past pastiche and into the stratosphere at a rate you can’t imagine until you see them in person. Last Waltzon With track titles like “Fat Piss” and “I Can't Cook,” Montreal art rock weirdos Last Waltzon are out to have fun while delivering frenetic motorik grooves. Having cut their teeth playing tirelessly in the DIY circuit, the band has honed their post-punk snarl into a madcap sound influenced equally by CAN and The Velvet Underground. Uncanny Valley Specters of ‘80s goth and post-punk haunt Uncanny Valley. The band’s sound is punctuated by cold-wave synths, supported by velvety basslines, and accented by an unearthly blend of live and mechanical drumming. These haunting goth lullabies are powered by the past as they thrillingly push forwards into the future. BRIDGELAND Brought together by the Sled Island Rock Lotto, BRIDGELAND has torn through two festival appearances with a compulsively danceable blend of kosmiche groove and art-punk snarl. With a new lineup and a debut album due to drop this year, we’re happy to welcome back these moody post-punks for the Sled Island hat trick. About Sled Island: Sled Island is an annual five-day independent music and arts festival in Calgary, Alberta that brings together a community of music, comedy, film and art with over 30,000 attendees in multiple venues across the city. For more information, visit SledIsland.com. Upon entering a festival venue, the passholder agrees to being photographed, filmed or recorded in that venue, and agrees to the publication, reproduction, distribution and broadcast of all photographs, video or other recordings of the passholder's voice or likeness without further notice or compensation in any publicity, advertisement or other publication carried-out by, or on behalf of, Sled Island and in perpetuity in any manner and media whatsoever, including print, broadcast or internet. Everyone has the right to feel safe and included at Sled Island. All festival attendees must abide by Sled Island's safer spaces and inclusion policy and agree to the code of conduct, which can be found at SledIsland.com/SaferSpaces. Sled Island acknowledges Calgary as the traditional territory of the Blackfoot and the people of the Treaty 7 region in Southern Alberta, which includes the Siksika, the Piikani, the Kainai, the Tsuut’ina and the Ĩyãħé Nakoda First Nations, including the Chiniki, Bearspaw and Goodstoney First Nations. Calgary is also home to the Métis Nation of Alberta (Districts 5 and 6).
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The Serfs
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Last Waltzon Biography

Born from camaraderie and chaos, Last Waltzon is a four-piece art punk group based in Montreal. Formed in 2021, Jack, Judah, Cameron, and Josh bonded over bands like Women and The Velvet Underground, crafting a euphonious noise of unhinged punk vigor with pop sensibilities.

Their sound channels the raw vocal power of The Sonics’ Gerry Roslie and The Fall’s Mark E. Smith, paired with hazy guitars reminiscent of Chicago’s Twin Peaks and angular rhythms of 1970’s CAN records. Live, they deliver infectious performances filled with spontaneous onstage antics, fostering an energetic exchange with the audience.

Recording at Holy Mountain Sound in downtown Montreal, with mixing by Chris Szczech (known for The Garden and Goo Goo Dolls), Last Waltzon's catalog reflects their sonic diversity. They've shared stages with acts like The Psychotic Monks and Mamalarky, alongside local favorites No Waves and Pypy.

Tracks like “I Can’t Cook” blend traditional punk structure with experimental flair, while “Fat Piss” delivers punchy rhythms and dissonant guitars reminiscent of Sonic Youth. “Down Under” echoes the ironic lyricism of Fat White Family, brimming with playful double entendres.

Their latest single, “Rehash,” is a tight, propulsive bass-driven tune, showcasing their penchant for genre-bending exploration. Last Waltzon revels in the rebellious past of post-punk while deconstructing the genre at its core.
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Art Rock
Post Punk
Art Punk
Indie
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