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FullDome Festival
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Illusive sphere: EMIKA – ‚ If We Disappear ‚
Ein akustisch-visueller Trip: Hier verzaubert euch die Berliner Multimedial-Künstlerin nicht nur mit ihrer großartigen Stimme, Klavierspiel und hypnotisierenden Beats – euch erwartet
eine Live-Performance mit beeindruckenden 360-Grad-Visuals in wundersamer Location, WOW!
If We Disappear – die Berliner Sound-Designerin Emika stellt in ihrer für das Planetarium konzipierten Show ihr aktuelles Album »Falling In Love With Sadness« vor.
Die 360-Grad-Visuals sind für diese Show komponiert. Der Emika-Sound besteht aus ihrer unverkennbaren Stimme und einer Mischung aus Piano-Spiel und hypnotischen Beats. Ein akustischer und visueller Trip in eine Welt, in der wir uns fragen, wohin sich Liebe in Zeiten des Chaos verliert und wie wir zurückkehren an einen vertrauten Ort.
Nach dem großartigen Echo, das Emikas Show unter der Sternenkuppel im Zeiss- Großplanetarium gefunden hat, kehrt die Berliner-Multimedia Künstlerin dieses Jahr für
weitere Shows zurück unter die Kuppel.
Die Zuschauer erwartet eine echte Live-Performance mit beeindruckenden Visuals – ein Konzerterlebnis besonderer Güte. Denn Emika spielt und singt live zu ihren Tracks- ein echtes Konzert!
Visualisierungen von László Zsolt Bordos
Praise the dome!
Bei den Veranstaltungen werden Videoaufzeichnungen stattfinden.
Mit freundlicher Unterstützung von JenaKultur
Für alle FullDome Festival Liebhaber*innen gibt es für 29,00€ bzw. 20,00€ ermäßigt ein KOMBI-Ticket. Mit diesem können ihr das gesamte Tagesprogramm am 23.05.24 und das
Konzert mit Emika am Abend genießen.
Feiert mit der internationalen Fulldome Szene im virtuellen Raum.
English:
Illusive sphere: EMIKA – ‚ If We Disappear ‚
An acoustic-visual trip: the Berlin multimedia artist will not only enchant you with her great voice, piano playing and hypnotising beats – you can expect a live performance with impressive 360-degree visuals in a wondrous location, WOW!
If We Disappear – Berlin sound designer Emika presents her latest album „Falling In Love With Sadness“ in her show created for the Planetarium. The 360-degree visuals were composed for this show. The Emika sound consists of her unmistakable voice and a mixture
of piano playing and hypnotic beats. An acoustic and visual trip into a world where we wonder where love goes in times of chaos and how we return to a familiar place.
After the great response to Emika’s show under the star dome in the Zeiss-Großplanetarium, the Berlin multimedia artist is returning to the dome for more shows this year. The audience
can expect a real live performance with impressive visuals – a concert experience of a special kind. Emika plays and sings live to her tracks – a real concert!
Visualisations of László Zsolt Bordo’s
Praise the dome!
Video recordings will take place at the events.
With the kind support of JenaKultur.
There is also a combination ticket for all FullDome Festival fans.
For €29.00 or €20.00 reduced, you can enjoy the entire daytime programme and the concert with EMIKA in the
evening.
Celebrate with the international fulldome scene in virtual space.
The film, performance and lecture programme will be published soon on www.fulldome-festival.de.
There will be video recordings of the events.
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EMIKA Biography
“I hope she becomes very famous.” - Thom Yorke
“She is sonically out of this world.” - The Weeknd
“Diamond hard production and a Symphonic level of detail in sound that leads to new discoveries on every listen.” - Robert Ames (London Contemporary Orchestra)
Emika has her own sound and is following her own path. Since the turn of the decade she has been producing electronic and neo classical music, combining her skills as a sound designer, classically trained composer, and prolific singer-singer writer, she has released 8 critically acclaimed albums to date and works independently running her own label, Emika Records.
Born in Milton Keynes, England, with a British father and Czech mother, she started making music using a 4-track cassette recorder as a young teen, combining classical piano, electronics through sampling techniques, getting her first job at her friend's local recording studio. She later went on to study Creative
Music Technology at Bath Spa University to learn the art of record production, while living in Bristol and discovering the city's early bass music scene which would later evolve to become the now world-famous Dubstep movement.
As a postgraduate student she moved overseas to Berlin to work as a Sound Designer at one of the
leading global music tech companies Native Instruments, developing products for producers and DJ’s alike. She collaborated with internationally known Techno club Berghain, to record a library of
field-recordings inside the club which were then used for their 5 year anniversary release ‘Fünf’ (2010).
She signed her first two albums ‘Emika’ (2011) and ‘Dva’ (2013) to UK indie label Ninjatune which both received critical acclaim in the music media and personal support from BBC Radio 1's Mary Anne Hobbs and Thom Yorke who played her music said on his BBC 6 Music programme, in 2012 saying, ‘I hope she becomes very famous’. Her bass-heavy, edgy songs with her mix of piano and sultry breathy voice, had now become her trademark.
In 2015 Emika established her own imprint Emika Records and continues to develop her work in electronic and classical music, embracing the creative freedom which came with such a venture and using this to push new classical music forwards and experiment with the blueprint of being a Berlin DJ. Some of her solo piano works from her album ‘Klavirni’ (2015) have been streamed more than 17 million
times on Spotify.
She developed a strong connection to her fans via her social media platforms and live performances and through their support her first full symphony ‘Melanfonie’ (2017) was crowdfunded via Kickstarter where she received €25,000 from fans in a 3 month period. She was able to hire the City Of Prague’s 50-piece Philharmonic Orchestra and explore her Eastern Europe roots as inspiration for the piece.
As a performer Emika takes to the stage with her piano, synths, voice and tech set up similar to her music studio. Since 2019 she has been focusing on developing her show into an immersive live experience with 360 degree dome visuals. Her show ‘If We Disappear’ has sold out multiple nights in some of the biggest planetariums in Berlin, Moscow, Hamburg, Prague, Krakow, Münster. The show received great reviews from DJ Mag, Uncut, and BE-AT.TV. Previously she has toured across the USA, China, Russia, Mexico, and Europe several times, performing at major music festivals such as Glastonbury (2016), Atlas Weekend (2019), and she was invited twice to perform at David Lynch’s club Silencio in Paris.
Emika has been remixed by Marcel Dettmann, Brand Brauer Frick, Pinch, Rebekah, and has
made remixes herself for St Vincent, Nina Kraviz, Len Faki, Amon Tobin and Fink. She has collaborated with Hank Shocklee from Public Enemy who executive produced her album ‘Dva’, and The Exaltics who co-produced her album ‘Falling In Love With Sadness’. Her music and voice from her song ‘Professional Loving’ were sampled by The Weeknd on his song ‘Professional’, which was performed live on Jimmy Kimmel (2013).
Her music has been featured in films such as Spielmacher (2018), Bad Banks (ZDF, 2018), and the film trailer for Mission Impossible 4 as well as USA hit TV series The Blacklist (NBC, 2013) and How To Get Away With Murder (ABC, 2016) including a feature on the popular game Wipeout from Playstation. She has received chart success with her icy electronic cover of Chris Isaak’s Wicked Game which reached No.2 in the USA iTunes charts and No.1 in Canada (2013).
After the end of the pandemic in early 2022, she left Berlin after being a core member of it’s electronic music scene for 15 years and relocated with her young family near Schwarzwald (The Black Forest) in South Germany. She has built her own music studio and Emika Records label office surrounded by trees, and is currently working on a new symphony, creating a film for planetariums world-wide in Dolby Atmos, and music for the film Another End by Piero Messina, starring Gael Garcia Bernal (Berlinale Film Festival main competition 2024).
“Emika’s effortless performances… sound just as good, if not even better, on stage than they do on record.” - DJ Mag
“She’s already worlds apart, worth praising to the skies.” - Classic Pop Mag
“A glamorous Zola Jesus.” - Uncut Mag
Read More“She is sonically out of this world.” - The Weeknd
“Diamond hard production and a Symphonic level of detail in sound that leads to new discoveries on every listen.” - Robert Ames (London Contemporary Orchestra)
Emika has her own sound and is following her own path. Since the turn of the decade she has been producing electronic and neo classical music, combining her skills as a sound designer, classically trained composer, and prolific singer-singer writer, she has released 8 critically acclaimed albums to date and works independently running her own label, Emika Records.
Born in Milton Keynes, England, with a British father and Czech mother, she started making music using a 4-track cassette recorder as a young teen, combining classical piano, electronics through sampling techniques, getting her first job at her friend's local recording studio. She later went on to study Creative
Music Technology at Bath Spa University to learn the art of record production, while living in Bristol and discovering the city's early bass music scene which would later evolve to become the now world-famous Dubstep movement.
As a postgraduate student she moved overseas to Berlin to work as a Sound Designer at one of the
leading global music tech companies Native Instruments, developing products for producers and DJ’s alike. She collaborated with internationally known Techno club Berghain, to record a library of
field-recordings inside the club which were then used for their 5 year anniversary release ‘Fünf’ (2010).
She signed her first two albums ‘Emika’ (2011) and ‘Dva’ (2013) to UK indie label Ninjatune which both received critical acclaim in the music media and personal support from BBC Radio 1's Mary Anne Hobbs and Thom Yorke who played her music said on his BBC 6 Music programme, in 2012 saying, ‘I hope she becomes very famous’. Her bass-heavy, edgy songs with her mix of piano and sultry breathy voice, had now become her trademark.
In 2015 Emika established her own imprint Emika Records and continues to develop her work in electronic and classical music, embracing the creative freedom which came with such a venture and using this to push new classical music forwards and experiment with the blueprint of being a Berlin DJ. Some of her solo piano works from her album ‘Klavirni’ (2015) have been streamed more than 17 million
times on Spotify.
She developed a strong connection to her fans via her social media platforms and live performances and through their support her first full symphony ‘Melanfonie’ (2017) was crowdfunded via Kickstarter where she received €25,000 from fans in a 3 month period. She was able to hire the City Of Prague’s 50-piece Philharmonic Orchestra and explore her Eastern Europe roots as inspiration for the piece.
As a performer Emika takes to the stage with her piano, synths, voice and tech set up similar to her music studio. Since 2019 she has been focusing on developing her show into an immersive live experience with 360 degree dome visuals. Her show ‘If We Disappear’ has sold out multiple nights in some of the biggest planetariums in Berlin, Moscow, Hamburg, Prague, Krakow, Münster. The show received great reviews from DJ Mag, Uncut, and BE-AT.TV. Previously she has toured across the USA, China, Russia, Mexico, and Europe several times, performing at major music festivals such as Glastonbury (2016), Atlas Weekend (2019), and she was invited twice to perform at David Lynch’s club Silencio in Paris.
Emika has been remixed by Marcel Dettmann, Brand Brauer Frick, Pinch, Rebekah, and has
made remixes herself for St Vincent, Nina Kraviz, Len Faki, Amon Tobin and Fink. She has collaborated with Hank Shocklee from Public Enemy who executive produced her album ‘Dva’, and The Exaltics who co-produced her album ‘Falling In Love With Sadness’. Her music and voice from her song ‘Professional Loving’ were sampled by The Weeknd on his song ‘Professional’, which was performed live on Jimmy Kimmel (2013).
Her music has been featured in films such as Spielmacher (2018), Bad Banks (ZDF, 2018), and the film trailer for Mission Impossible 4 as well as USA hit TV series The Blacklist (NBC, 2013) and How To Get Away With Murder (ABC, 2016) including a feature on the popular game Wipeout from Playstation. She has received chart success with her icy electronic cover of Chris Isaak’s Wicked Game which reached No.2 in the USA iTunes charts and No.1 in Canada (2013).
After the end of the pandemic in early 2022, she left Berlin after being a core member of it’s electronic music scene for 15 years and relocated with her young family near Schwarzwald (The Black Forest) in South Germany. She has built her own music studio and Emika Records label office surrounded by trees, and is currently working on a new symphony, creating a film for planetariums world-wide in Dolby Atmos, and music for the film Another End by Piero Messina, starring Gael Garcia Bernal (Berlinale Film Festival main competition 2024).
“Emika’s effortless performances… sound just as good, if not even better, on stage than they do on record.” - DJ Mag
“She’s already worlds apart, worth praising to the skies.” - Classic Pop Mag
“A glamorous Zola Jesus.” - Uncut Mag
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