CHEWY SHE

Trash-electric-disco outfit CHEWY SHE just released their Debut EP “ Run after boyz”. The wonky carnival that is CHEWY SHE is a Lynchian utopia, that radiates innocence despite its absurdist critiques of the modern world. This spirit is best expressed at their live shows, which feature exuberant costumes, supreme musicianship, and the initiation of all present into the darkly ironical, theatrical, and immersive universe of CHEWY SHE. CHEWY SHE has featured on BBC Radio 6 playing a live session at Maida Vale For Cerys Matthews, sold out twice their show the Moth Popera, performed on stage with Mathieu Boogaerts, and supported space-psych band Henge on their UK tour. With the reckless spirit of punk combined with a disco groove, their shows of avant-garde musical theatre is a feminist search for mind-blowing sex without emotional ties, questioning the social norms around relationships, embracing the surreal, while acknowledging the fundamental human need for love. A show for all the sex-positive men and womxn of today who follow their own desires, f*ck the patriarchy, and look for their own ecstasy. It’s a winding journey that is made with good companions of humor, poignancy, impeccable timing, and some incredible costumes. The critically acclaimed band is on stage throughout, and the barriers between audience and performer are broken down by the expert manipulations of the Queen Moth herself, ably assisted by her rampant, inhibition-free dancers, and the philosophical questionings from the Formless Form - a voice from beyond. The show is brought together by a team of female, queer,and queer-friendly creatives, giving a platform to supreme musicianship, physical theatre, deliberately awkward comedy, and innovative visuals. The result is a show which will titillate even the most impenetrable soul - to laugh, to dance, to question, to share, and perhaps even be a little aroused. Sarah Johns Music party bio: Sarah Johns Music Party is from the North of England and now lives in London. Her stripped back, organic, drum, guitar and vocals, give her work an immediate and honest feel that is at once comforting and yet unnerving. Her music recalls the purity of Lykki Li, the rawness of Scout Niblett and the musicality of Tune-Yards. Sarah Johns is influenced by nature, with much of her work echoing the repetition of 19th Century American black and white Christian Spiritual Song. Sarah Johns Music Party’s live performance continues this likeness by exploring the therapeutic and meditative effect of music upon the audience, mindful of the ritual of people coming together to listen to and play music.