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Moor Mother
Artists Studio: Moor Mother & Irreversible Entanglements
Park Avenue Armory
643 Park Ave
New York, NY 10065
May 18, 2024
7:00 PM EDT
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About this concert
Camae Ayewa, better known by her stage name Moor Mother, is an American poet, musician, and activist who focuses on the recovery and preservation of communal memories and histories that are often missing from mainstream narratives as a way to honor the present and its historic connections to a multitude of past realities and future outcomes. Having spent years organizing and performing in Philadelphia’s underground music community, she has gone on to tour nationally and internationally to develop a career spent in close proximity to what could nominally be described as jazz, rap, and experimental music.
She comes to the Veterans Room with two distinct programs that spotlight her work as a solo artist and her collaborations with other musicians who share her drive to dig up the untold. Following a solo set of fringe and avant-garde sonic landscapes rooted in industrial, electronic, noise, punk, and hip hop, she is joined by Irreversible Entanglements (IE), a free-jazz quintet with an experimental punk mentality that plays deeply improvised, rhythm music full of love and social commitment.
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l0lli5
March 25th 2024
Great live, thanks TPO, although the acustic was not the best
Bologna, Italy@Social Center TPO
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Moor Mother Biography
ow do you engage the stunning, evocative, haunting gift that is Moor Mother’s latest album The Great Bailout? Only by following the trail of verbal and sonic poetry delivered. Only by letting Moor Mother and her co-conspiring collaborators – Lonnie Holley, Mary Lattimore, Alya Al Sultani, Kyle Kidd and more - “people who have their own path of positivity and connectedness,” be the tour guide.
Coming out on March 8, The Great Bailout is Moor Mother aka Camae Ayewa’s ninth studio album and third with ANTI- Records. Called “the poet laureate of the apocalypse,” by Pitchfork, Ayewa’s music contains multitudes of instruments, voices and cacophony that take on themes of Afrofuturism and collective memory with the forebearers of jazz, hip hop and beat poetry in mind.
So: Come! Come look! Come see! Come hear! Come see London, come see Liverpool, for the first time even if it for the millionth. Know its provenance, know its haunting. Clear the mist over your eyes and heart as if the famous London Fog has been cleared by the clarion call of Moor Mother. For this is what The Great Bailout is: a call to knowing through a sonic scene that is unafraid to look a violent legacy in the eye.
“Research is a major part of my work, and researching history - particularly African history, philosophy and time - is a major interest,” Moor Mother explained. “Europe and Africa have a very intimate and brutal relationship throughout time. I’m interested in exploring that relationship of colonialism and liberation, in this case in Great Britain.”
Read MoreComing out on March 8, The Great Bailout is Moor Mother aka Camae Ayewa’s ninth studio album and third with ANTI- Records. Called “the poet laureate of the apocalypse,” by Pitchfork, Ayewa’s music contains multitudes of instruments, voices and cacophony that take on themes of Afrofuturism and collective memory with the forebearers of jazz, hip hop and beat poetry in mind.
So: Come! Come look! Come see! Come hear! Come see London, come see Liverpool, for the first time even if it for the millionth. Know its provenance, know its haunting. Clear the mist over your eyes and heart as if the famous London Fog has been cleared by the clarion call of Moor Mother. For this is what The Great Bailout is: a call to knowing through a sonic scene that is unafraid to look a violent legacy in the eye.
“Research is a major part of my work, and researching history - particularly African history, philosophy and time - is a major interest,” Moor Mother explained. “Europe and Africa have a very intimate and brutal relationship throughout time. I’m interested in exploring that relationship of colonialism and liberation, in this case in Great Britain.”
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