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Jason
September 6th 2024
Phantogram’s set was stunning. Each & every song delivered the full vivid intensity that makes their music so special. Sarah’s emphatic, captivating vocals and stage presence dovetailed perfectly with Josh’s complementary vocals, wry smile, and high kicks. We only wish their set could have been longer.
Our GA pit tickets made for an unforgettable experience. We were first in line when the doors opened, and only ended up behind a couple rows of fans who’d bought VIP tickets with early floor access. We didn’t stay for the Kings of Leon set, opting to keep Phantogram’s performance freshest in our minds. Glad we did this.
Hopefully Phantogram returns to Seattle soon after their new album is fully released. Next time Phantogram has a headline tour, we will probably try to attend back to back shows in Seattle, Portland, Spokane, and Vancouver, BC.
Seattle, WA@Climate Pledge Arena
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Phantogram Biography
Phantogram – the New York duo of Josh Carter and Sarah Barthel— has continued to change the zeitgeist for almost a decade by consistently challenging it with their signature blend of hard-hitting beats, guitar-driven dark psychedelia, and electronic pop. Since the arrival of 2010’s Barsuk Records debut release Eyelid Movies, the pair has amassed nearly half-a-billion streams, achieved two Gold-Certified singles in the form of “Fall In Love” and “When I’m Small,” headlined sold out shows worldwide, become a festival staple, and toured with artists including The xx, Muse, M83, Alt-J and more.
Their 2016 third full-length, Three, reached career-high positions on the Billboard Top 200 chart (#9) and Billboard Top Albums Sales chart (#5), as the lead single “You Don’t Get Me High Anymore” climbed the alternative radio charts. The album was also met with critical acclaim from Pitchfork, Billboard, The New York Times, Entertainment Weekly, People, Vogue, New York Magazine, The FADER, Stereogum, NYLON, PAPER and many others.
Three was completed in the wake of Barthel’s sister’s passing due to suicide, a shattering event which brought suicide prevention awareness to the forefront of the band’s consciousness and has informed their charitable giving and community outreach ever since, thus their decision to donate a portion of ticket sales to the American Foundation for Suicide Prevention.
After three years of touring around the world and writing and recording new music, Phantogram returned earlier this summer with their comeback anthem “Into Happiness,” which Billboard hailed as “one of their poppiest tunes so far, a ghostly celebration of joy's triumph over depression.” The song and Floria Sigismondi-directed video also received praise from Rolling Stone, Pitchfork, COMPLEX, HYPEBEAST, Paste Magazine, PAPER Magazine and many more. They followed this up with their latest single, “Mister Impossible,” just in time for their summer North American tour and leading into more new music out this fall.
Read MoreTheir 2016 third full-length, Three, reached career-high positions on the Billboard Top 200 chart (#9) and Billboard Top Albums Sales chart (#5), as the lead single “You Don’t Get Me High Anymore” climbed the alternative radio charts. The album was also met with critical acclaim from Pitchfork, Billboard, The New York Times, Entertainment Weekly, People, Vogue, New York Magazine, The FADER, Stereogum, NYLON, PAPER and many others.
Three was completed in the wake of Barthel’s sister’s passing due to suicide, a shattering event which brought suicide prevention awareness to the forefront of the band’s consciousness and has informed their charitable giving and community outreach ever since, thus their decision to donate a portion of ticket sales to the American Foundation for Suicide Prevention.
After three years of touring around the world and writing and recording new music, Phantogram returned earlier this summer with their comeback anthem “Into Happiness,” which Billboard hailed as “one of their poppiest tunes so far, a ghostly celebration of joy's triumph over depression.” The song and Floria Sigismondi-directed video also received praise from Rolling Stone, Pitchfork, COMPLEX, HYPEBEAST, Paste Magazine, PAPER Magazine and many more. They followed this up with their latest single, “Mister Impossible,” just in time for their summer North American tour and leading into more new music out this fall.
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