About this concert
Damn.Loud esitleb: Saksa üks andekamaid pianiste ja produtsente Martin Kohlstedt esineb Tartu Jaani Kirikus 25. aprillil
Martin Kohlstedt on silmapaistev helilooja, pianist ja elektroonilise muusika produtsent. Tema varasemad albumid «Tag» ja «Nacht», «Strom» ja «Ströme», «Flur» ning viimane, nimega «Feld» on saanud rahvusvahelist tunnustust ja kontsertreise üle terve maailma.
Kuidas sulatada kokku tipptasemel elektroonika produktsioon, analoog- ja akustilised lähenemised, klassikaline kalverimäng ning välisalvestused? Martin Kohlstedtil võib olla see vastus, kuna just tema on oma live-esinemiste ja stuudiosalvestuste kaudu uued standardid seadnud. Kohlstedt segab intuitiivselt kokku erinevaid mõjutusi ja inspiratsioone ainulaadseks muusikaliseks sulamiks, mis mõjub rohkem elava kehana kui lugude loendina — olgu selleks tema suurejoonelised festivaliesinemised, introspektiivsed klaverikontserdid, mitmemõõteline filmimuusika või hoopiski kaasahaarav albumi kogemus.
Martin kirjeldab oma tööstiili modulaarse kompositsioonina: tema teosed on alati liikumas ega püüa kunagi kindlat vormi hoida, seda isegi kontsertide ajal. Improvisatsioon on eetos ja osa loomingulisest protsessist ning on võrdsel kohal julgusega mõjutada inimesi, ruumi ja konteksti. Kohlstedt ei karda ebaõnnestuda ning see julgus on miski, mis temast niivõrd eripärase artisti ka teeb.
Ta on koostööd teinud nii Leipzig Gewandhauseri koori kui ka kunstnikega nagu Douglas Dare, Sudan Archives, Henrik Schwarz jt ning on andnud välja muusikat ka Warner Classics alt. Lisaks omaenda kompositsioonidele kirjutab ta muusikat ka filmidele, näidenditele, podcastidele ja heliraamatutele. Juhib ka «Edition Kohlstedt» nimelist plaadifirmat ja püüab õigustada oma kohustusi rahvusvahelise kunstnikuna oma sünnikoha lähedal asuva metsauuendusprojektiga.
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Martin Kohlstedt Biography
Martin Kohlstedt is among the outstanding composers, pianists and producers for instrumental music and electronica. His past albums and their respective reworks were rewarded with international recognition and concert tours throughout the whole world.
With his live performances as well as his studio recordings Martin Kohlstedt sets standards on how cutting edge electronica production can intermingle with analogue and acoustic approaches ranging from classical piano and ambient to field recordings and score design in an effortless way. Kohlstedt intuitively combines inspirations and influences from fundamentally different worlds and soundscapes into a unique musical amalgam and forms it into something that feels more like a living body than a list of pieces – be it in form of a spectacular festival show, an introspective piano concert, a multidimensional movie score or an immersive album experience.
He describes his style of work as modular composition; his pieces are always in movement and never resort to a definitive form – even during concerts. Improvisation is an important part of his creative process, and so are the interaction with his audience on equal footing, the courage and sometimes audacity to fail and the interaction with people, space and context.
For this Martin Kohlstedt collaborated with renowned partners such as the Leipzig Gewandhaus choir and artists like Douglas Dare, Sudan Archives, Henrik Schwarz, among others as well as labels like Warner Classics. Apart from his own compositions Kohlstedt writes music and scores for movies, plays, podcasts and audiobooks. Under the name of «Edition Kohlstedt» he runs his own label and tries to do justice to his responsibilities as an international artist with a reforestation project close to his birthplace.
Read MoreWith his live performances as well as his studio recordings Martin Kohlstedt sets standards on how cutting edge electronica production can intermingle with analogue and acoustic approaches ranging from classical piano and ambient to field recordings and score design in an effortless way. Kohlstedt intuitively combines inspirations and influences from fundamentally different worlds and soundscapes into a unique musical amalgam and forms it into something that feels more like a living body than a list of pieces – be it in form of a spectacular festival show, an introspective piano concert, a multidimensional movie score or an immersive album experience.
He describes his style of work as modular composition; his pieces are always in movement and never resort to a definitive form – even during concerts. Improvisation is an important part of his creative process, and so are the interaction with his audience on equal footing, the courage and sometimes audacity to fail and the interaction with people, space and context.
For this Martin Kohlstedt collaborated with renowned partners such as the Leipzig Gewandhaus choir and artists like Douglas Dare, Sudan Archives, Henrik Schwarz, among others as well as labels like Warner Classics. Apart from his own compositions Kohlstedt writes music and scores for movies, plays, podcasts and audiobooks. Under the name of «Edition Kohlstedt» he runs his own label and tries to do justice to his responsibilities as an international artist with a reforestation project close to his birthplace.
Elektronica
Klavier
Modern Classics
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