Robben Ford

Robben Ford is one of the premier electric guitarists today, particularly known for his blues playing, as well as his ability to be comfortable in a variety of musical contexts. A five-time Grammy nominee, he has played with artists as diverse as Joni Mitchell, Jimmy Witherspoon, Miles Davis, George Harrison, Phil Lesh, Bonnie Raitt, Michael McDonald, Bob Dylan, John Mayall, Greg Allman, John Scofield, Susan Tedeschi, Keb Mo, Larry Carlton, Mavis Staples, Brad Paisley, and many others.

He began to teach himself guitar at age thirteen upon hearing the two guitarists from The Paul Butterfield Blues Band, Michael Bloomfield and Elvin Bishop. In the late 1960’s, Ford frequented the Fillmore and Winterland auditoriums in San Francisco to see Jimi Hendrix, Cream, Led Zeppelin, Albert King, B.B. King and all of the progenitors of blues. “It was an incredible time for electric guitar,” Robben recalls.

On his interest in jazz, Robben says,” I fell in love with the sax-playing of Paul Desmond and The Dave Brubeck Quartet, and before long found John Coltrane, Wayne Shorter, Miles Davis and so many others.” These influences have stayed with Robben, playing a large part in his particular blend of jazz and blues that define him as a guitarist and allow him to play in a wide variety of settings.

After high school, Robben and his brothers Patrick (drums) and Mark (harmonica), formed The Charles Ford Band, named after their father and recorded for the Arhoolie label. Robben (on sax and guitar) and Patrick went on to tour the U.S. and record with Chicago harmonica player Charlie Musselwhite.

Robben’s first attempt at forming his own jazz quartet was picked up by legendary blues singer Jimmy Witherspoon, which brought Robben to L.A. He toured the U.S. and Europe with Witherspoon and was seen by Tom Scott and members of The L.A. Express, who were about to begin a promotional tour with Joni Mitchell for her recording, Court and Spark. Robben was invited to play guitar on the tour and played on two recordings with Mitchell and The L.A. Express. “The two years I spent with Joni were the most formative of my musical life. Joni was just brilliant and very accessible, and the members of The L.A. Express became good friends and teachers. It was great.”

Beatle George Harrison invited Robben to join him on his Dark Horse tour of the U.S. and Canada, raising his musical profile even further. Shortly after the two month stint with Harrison. In 1977, he was approached by Elektra Records, which produced his first solo recording, The Inside Story, with a group of musicians who went on to become the Yellowjackets.

Robben moved to San Francisco to be closer to family and his early musical history. Soon his career would take another upward swing, recording and touring with Michael McDonald and securing a recording contract with Warner Brothers Records.

After moving to New York, Robben was invited to play with musical icon Miles Davis. “Producer Tommy LiPuma played Miles my work with the Yellowjackets, then three days later Miles called me personally to join his band…Shocking!” recalls Robben. He left Miles after only six months because of his recording commitments with Warner Brothers, but was told by Miles that if he ever wanted to come back, “just come back.”

Robben’s 1988 release for Warner Brothers, Talk to Your Daughter, brought his first Grammy nomination (Best Contemporary Blues Recording), and he started touring the world under his own name. Still based in New York, he backed David Sanborn on the television show “Night Music,” on which Sanborn hosted a variety of musical acts. Robben toured with him in 1990 and 1991, then moved back to southern California shortly thereafter to be closer to his own band.
After leaving Warner Brothers, Robben signed with Stretch/GRP Records, where he finally found a real home for his creativity, recording three CDs for them with his band, The Blue Line. After a very fruitful eight years, Robben disbanded the group and recorded two more CDs for the label which had then become Stretch/Blue Thumb: Tiger Walk, an instrumental recording produced in New York with Keith Richard’s rhythm section, and Supernatural, his most accomplished work up to that point as a songwriter.

In 2000, Robben was invited to tour with Phil Lesh and Friends on a co-bill with Bob Dylan, reuniting him with Billy Paine and Paul Barrere of Little Feat, as well as drummer John Molo. “This experience gave me new respect for Jerry Garcia as a musician and songwriter. The songs and musical context were pure pleasure–real guitar music!” When his contract expired at Stretch/Blue Thumb, Robben signed with Concord Records, the largest independently-owned record company at the time. In 2002, he released Blue Moon, and in 2003, Keep On Running, a recording full of the 60’s blues/R&B feeling he grew up on. His third release for Concord was titled Truth. “I feel this is the best work I have done in terms of a solo recording.Truth represents the blues as they are today; some of the songs are sociopolitical in essence, but not without humor, and the musical setting is fresh.”

During that same period, a super group-Jing Chi-came into being, founded by bassist Jimmy Haslip, with drummer Vinnie Colaiuta and Robben. They released three records, the first, self-titled (2001), followed by Jing Live (2003), and Jing Chi 3-D (2004).

Robben’s fourth release for Concord, Soul on Ten, is a live recording performed in San Francisco (2009). “People had been requesting a live recording for years and I had the right band, music and venue to pull it off.” The record also includes two studio tracks which feature Larry Goldings on B3 organ and John Button on bass.
2012 found Robben playing internationally with the Miles Davis tribute band, Miles Smiles, featuring past Miles’ alums, Omar Hakim, Darryl Jones, Wallace Roney and Joey DeFrancesca, as well as touring with Bill Evans and Randy Brecker’s group, Soulbop.

Provogue Records/Mascot Label Group released Bringing It Back Home in February, 2013, to critical acclaim both in the U.S., Europe and Japan. This album revisits and reshapes Ford’s musical roots, with studio accompaniment from Harvey Mason, Larry Goldings, David Piltch and Stephen Baxter.
In March, 2014, Provogue released A Day In Nashville, a tour de force of live studio recording, accomplished literally, in just one day in Nashville.
Into The Sun, came out in March 2015. Debuting at #2 on the Billboard Blues Chart and was nominated for a Grammy Award in the Contemporary Blues Category. Featured guests are Warren Haynes, Keb’Mo, Robert Randolph, ZZ Ward, Sonny Landreth and Tyler Bryant.

His recording, Purple House (2018) His sophisticated approach to the blues is evident throughout, yet the record is far more diverse regarding song structure and style.

Robben’s latest recording, PURE is his first instrumental release since his Tiger Walk album. The recording is unique in every way for Robben, both in its composition and method of recording. Done during the COVID lockdown, he and his co-producer/engineer, Casey Wasner built the tracks together from the ground up giving Robben total control of the final product. This is one of the favored recordings of his career. Once the lockdown began to relax he recorded his first live performance at the City Winery in Nashville resulting in NIGHT IN THE CITY which features the music from PURE.

As of 2025, this long-time Californian, having spent many productive years in Los Angeles, New York City and Nashville, has relocated to London, UK in search of fresh inspiration.

Having already recorded 16+ albums under his own name, he will be releasing his latest studio recording in the March of 2026. The record will be titled TWO SHADES OF BLUE and features five strong rhythm and blues tracks including John Lennon’s “Jealous Guy” as well as three instrumentals in tribute to the late Jeff Beck.

ON-GOING
An important and essential component of Robben’s career is his commitment to teaching and passing on what he’s learned over the past 40 years to current and future musicians. His instructional videos and clinics over this time have culminated in the birth of the Robben Ford Guitar Dojo. The wealth of his expertise and creativity is generously presented in these state-of-the-art productions, and will be, for years to come.