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About this concert
6:30 PM GMT+11 Going
SJM Concerts and Up Yours Collective Present
God Save The Queens - 50 Years of She-Punk
UP YOURS! Collective presents God Save The Queens, a new London festival dedicated to the past, present, and future of female punk. The event will feature a very special show at Electric Brixton on Friday 16th October, featuring a phenomenal supergroup of she punk legends and an exceptional multi-generational bill of artists, reimagining the Poly Styrene playlist and she punk anthems.
Early bird tickets go on sale at 10am on Wednesday 24th June, sign up here for access. General sale opens at 10am on Friday 26th June, here.
The show is part of a new festival marking 50 years of punk with a joyful and overdue celebration of the female creative forces that shaped the punk movement.
The first edition of GOD SAVE THE QUEENS is dedicated to Poly Styrene, with the God Save The Queens event taking place at Electric Brixton, near where Poly Styrene grew up.
Lora Logic (X-Ray Spex/Essential Logic), Paul Dean (X-Ray Spex), Gina Birch (The Raincoats), Hollie Cook (The Slits) and Akiko Matsuura (Comanechi / Pre) will come together to reimagine the Poly Styrene playlist and she punk anthems, with very special guests still to be announced.
They will also be joined by an exceptional multi-generational bill of artists including Big Joanie, Essential Logic, Gina Birch & The Unreasonables and HotWax.
Poly Styrene was the groundbreaking singer-songwriter and frontwoman behind pioneering punk band X-Ray Spex. Billboard described her as “the archetype for the modern-day feminist punk.” In 2021, Poly’s daughter Celeste Bell co-directed British Independent Film Award-winning documentary Poly Styrene: I Am a Cliché to universal acclaim. In 2023, Rolling Stone Magazine hailed Poly as “one of the greatest singers of all time.” In the five decades since X-Ray Spex released their notorious 1977 debut single Oh Bondage Up Yours! Poly has remained an iconic reference and inspiration for multiple generations of trailblazing female musicians and artists. Poly Styrene passed away in 2011.
Last month Rolling Stone named X-Ray Spex – Germfree Adolescents as the 2nd best punk album of all time.
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Artist bio
As one-half of the Raincoats’ core duo since 1977, Gina Birch is a punk icon with a pop sensibility, an art-schooled adventurer who has painted, filmed, and performed by her own rules for over 45 years—using her visual art to tell stories, charging raw recordings with concepts. Her history converges onto her first solo album, I Play My Bass Loud, its title evoking her singular approach to her instrument as well as an ethos. She won’t hang back, or play a supporting role. She is now taking centre stage.
This all befits the feminism and idiosyncracy of Birch, who witnessed the first Sex Pistols show just before setting her creative foundation at Hornsey College of Art in the 70s, studying the radical logic of conceptual art, performance art, and land art. Seeing the incendiary Slits in London, Birch was changed. She formed the Raincoats with fellow art student Ana da Silva, offering a melodic counterpoint to da Silva’s darker undertow, developing her style under the influence of reggae and the Ronettes as much as Subway Sect and Lou Reed. The Raincoats, still active today, became one of the first bands on Rough Trade, typifying the timeless idea of punk as raw expression, not one sound.
Birch amassed the songs on I Play My Bass Loud over the past two decades. Having taught herself the recording program Logic in the 2000s, she’d write to process the world. “I’ve been working on songs on and off forever because I can’t not,”
Read MoreThis all befits the feminism and idiosyncracy of Birch, who witnessed the first Sex Pistols show just before setting her creative foundation at Hornsey College of Art in the 70s, studying the radical logic of conceptual art, performance art, and land art. Seeing the incendiary Slits in London, Birch was changed. She formed the Raincoats with fellow art student Ana da Silva, offering a melodic counterpoint to da Silva’s darker undertow, developing her style under the influence of reggae and the Ronettes as much as Subway Sect and Lou Reed. The Raincoats, still active today, became one of the first bands on Rough Trade, typifying the timeless idea of punk as raw expression, not one sound.
Birch amassed the songs on I Play My Bass Loud over the past two decades. Having taught herself the recording program Logic in the 2000s, she’d write to process the world. “I’ve been working on songs on and off forever because I can’t not,”
Genres: Post Punk

