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About this concert
Doors: 8PM / Show: 9PM / 21+ESGRenee Scroggins (lead vocals, guitar, hand percussion), Nicole Nicholas (vocals, bass), Nicholas Nicholas (vocals, congas, hand percussion), Marie Scroggins (vocals, congas, hand percussion) and G8 (drummer).The legendary Bronx-based female funk rock collective ESG set the stage for the whole genres of sound, including post punk and house music. Songs from the group;s early EPs have been so heavily sampled by raps A-listers (including by Wu0Tang Clan, The Beastie Boys, and MF DOOM) that their sound has become nearly indivisible from Hip-Hop. ESGs Seminal 1983 debut album Come Away with ESG was acknowledged by Pitchfork as one of the 50 best Albums of the 1980s.ESG are indeed the only group to play the opening night of Manchesters legendary Hacienda, and the closing nights of New Yorks legendary Paradise Garage. Originally recorded by Factory Records in the U.K. their first EP was produced by Martin Hanett. In the late 1980s they released the telling Sample Credits Dont Pay Our Bills. ESG have continued to release their own unique music, and have performed both domestically and internationally to share their creative style of music.
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What fans are saying

MeganEcho
September 12th 2025
Fantastic and amazing! Love ESG! Love The Regent!
Los Angeles, CA@The Regent Theater
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ESG Biography
An art-funk ensemble from the South Bronx in New York, ESG was formed by four sisters: Deborah Scroggins (bass, vocals), Maria Scroggins (congas, vocals), Renee Scroggins (guitar, vocals), Valerie Scroggins (drums), and friend Leroy Glover (bass).
ESG have been influential in a wide range of musical genres, including hip hop, post punk, disco, and dance-punk. Their music is centered around the sisters' complex polyrhythms, with atmosphere supplied by bass and pop-flavored guitar. During their first incarnation, the group signed with 99 Records and issued a debut self-titled EP in 1981 that featured three live and three studio songs, the latter produced by the legendary Martin Hannett (Joy Division, etc.). 1982's "ESG Says Dance to the Beat of the Moody EP" continued in a similar vein, as did their first full-length album, 1983's Come Away With ESG. ESG disbanded shortly thereafter, but unexpectedly re-formed in the early '90s, heralding their comeback with a self-titled 1991 compilation of previously released material. The group's work had become popular among hip-hop artists searching for samples, with such acts as TLC, the Wu-Tang Clan, the Beastie Boys, Big Daddy Kane, and indie rockers like Unrest and Liars all making use of ESG beats; the group addressed this issue on the 1992 12" EP Sample Credits Don't Pay Our Bills. ESG Live! appeared in 1995, featuring both old and new material.
The track UFO is one of the most used samples in hip hop, with a distinctive processed feedback sound that stands apart from most of the rest of their work and probably owes more to Martin Hannett's processing heavy production than to ESG. Hannett produced this while in New York and New Jersey recording A Certain Ratio for Factory Records.
Read MoreESG have been influential in a wide range of musical genres, including hip hop, post punk, disco, and dance-punk. Their music is centered around the sisters' complex polyrhythms, with atmosphere supplied by bass and pop-flavored guitar. During their first incarnation, the group signed with 99 Records and issued a debut self-titled EP in 1981 that featured three live and three studio songs, the latter produced by the legendary Martin Hannett (Joy Division, etc.). 1982's "ESG Says Dance to the Beat of the Moody EP" continued in a similar vein, as did their first full-length album, 1983's Come Away With ESG. ESG disbanded shortly thereafter, but unexpectedly re-formed in the early '90s, heralding their comeback with a self-titled 1991 compilation of previously released material. The group's work had become popular among hip-hop artists searching for samples, with such acts as TLC, the Wu-Tang Clan, the Beastie Boys, Big Daddy Kane, and indie rockers like Unrest and Liars all making use of ESG beats; the group addressed this issue on the 1992 12" EP Sample Credits Don't Pay Our Bills. ESG Live! appeared in 1995, featuring both old and new material.
The track UFO is one of the most used samples in hip hop, with a distinctive processed feedback sound that stands apart from most of the rest of their work and probably owes more to Martin Hannett's processing heavy production than to ESG. Hannett produced this while in New York and New Jersey recording A Certain Ratio for Factory Records.
R&b/soul
Rnb-soul
Post Punk
Punk
R&b
Funk
Soul
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