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About this concert
– :
Walking Bass revient en 2025 avec un nouveau chapitre aussi déroutant qu’addictif. Trois nuits, trois lieux, un seul objectif : survivre au Death Game.
Prépare-toi à entrer dans un jeu sans retour, où chaque son, chaque lumière, chaque performance te propulsera dans une autre réalité.
30 et 31 octobre, 1er novembre 2025
Trois dates, trois lieux, une atmosphère inoubliable
Plus d'infos à venir sur www.thewalkingbass.fr
WALKERS, êtes-vous prêts à jouer ?
Les basses grondent, les artistes frappent fort, et les festivaliers deviennent les pions d’une partie immersive aux enjeux sonores et visuels démesurés.
Une programmation explosive, un décor saisissant, et un seul mot d’ordre : restez en vie.
LINE UP :
25EMEHEURE • ASTRIX • ATHZIRA • BILLX • CARV DIMITRI K • DIRTYPHONICS • DJOANNA • ECZODIA B2B WILLIAM LUCK • FLYMEON • HYSTA • I HATE MODELS • MAISSOUILLE B2B JKLL • MISS TEKIX B2B ARKEYA • RDØ • ROOLER SHLØMO • SKIZOLOGIC • VENJENT
· 3 DATES & 3 LIEUX
· HALLOWEEN PARTY XXL
HARD TECHNO • PSYTRANCE • FULL ON • HITECH • PSYPROG TECHNO • TEKNO • DNB • HARDCORE • HARDSTYLE • RAWSTYLE • FRENCHCORE • UPTEMPO •
· + DE 30 ARTISTES INTERNATIONAUX
· ANIMATIONS SPÉCIALES & DÉCORATIONS IMMERSIVES
· BARS & RESTAURATION SUR PLACE
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I Hate Models Biography
I Hate Models - DJ, Producer and owner of the Label Disco Inferno
In a scene choked by formulae, we need voices that cut through the noise to present something unapologetically true and devoutly non-conformist. In his singular path as an artist, I Hate Models swerves standardised structures and instead focuses on emotional response. The energy of club music serves as a vessel for his own feelings and a tool to manipulate others with. The spectrum of moods expressed – in his productions, DJ sets and on his label Disco Inferno – veers from nostalgia and passion to loneliness, melancholia and brutality, often juxtaposing darkness and light in the same pulse as an authentic conduit of his own artistic self-assessment. On his journey thus far, IHM has released music on labels ranging from Arts to Perc Trax, who carried his 2019 album L’Âge Des Métamorphoses. He’s also remixed Depeche Mode. At every turn, his disregard for expectations and conventions has resulted in dynamic, ambitious music that feasts on the flesh of techno, industrial and trance without ever becoming beholden to one source. Within the microcosm of one track, the energy can shift from bruising rhythm to swooning ambience and back again – cascades of pearlescent melody giving way to shards of sheet metal, thunderous percussion offset by softly sculpted sine waves. That the further adventures of I Hate Models feel entirely open-ended is completely by design – generic constriction is the enemy of genuine catharsis.
Read MoreIn a scene choked by formulae, we need voices that cut through the noise to present something unapologetically true and devoutly non-conformist. In his singular path as an artist, I Hate Models swerves standardised structures and instead focuses on emotional response. The energy of club music serves as a vessel for his own feelings and a tool to manipulate others with. The spectrum of moods expressed – in his productions, DJ sets and on his label Disco Inferno – veers from nostalgia and passion to loneliness, melancholia and brutality, often juxtaposing darkness and light in the same pulse as an authentic conduit of his own artistic self-assessment. On his journey thus far, IHM has released music on labels ranging from Arts to Perc Trax, who carried his 2019 album L’Âge Des Métamorphoses. He’s also remixed Depeche Mode. At every turn, his disregard for expectations and conventions has resulted in dynamic, ambitious music that feasts on the flesh of techno, industrial and trance without ever becoming beholden to one source. Within the microcosm of one track, the energy can shift from bruising rhythm to swooning ambience and back again – cascades of pearlescent melody giving way to shards of sheet metal, thunderous percussion offset by softly sculpted sine waves. That the further adventures of I Hate Models feel entirely open-ended is completely by design – generic constriction is the enemy of genuine catharsis.
Techno
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