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About this concert
Ragged Music Festival The Rite of Time Program: Alfred Schnittke, Lebenslauf for piano, metronome en percussions Franz Schubert, Andante con moto from Piano Trio No. 2, Op. 100 Morton Feldman, Madame Press died last week at ninety Steve Reich, Piano Phase Olivier Messiaen, Quatuor pour la fin du temps Credits: Pavel Kolesnikov, piano Samson Tsoy, piano Alina Ibragimova, violin Alban Gerhardt, cello Nicolas Baldeyrou, clarinet HIIIT The Ragged Music Festival concludes with a deeply affecting climax: a stellar performance of Olivier Messiaen’s Quatuor pour le fin du temps. Messiaen composed his deeply moving plea for peace in a German prisoner-of-war camp where he was detained in June 1940. The music of Alfred Schnittke and of Morton Feldman, master of silence, also has a relationship with death and the relentless passage of time in human life. Messiaen’s famous quartet is a religiously inspired vision in which an angel stops time. But it is also a testament to life, expressed through imitations of birdsong and rich, warm harmonies. That warmth, and the subtle melancholy for all that makes the world beautiful, are also expressed in the wonderfully consoling Andante from Schubert’s most famous piano trio.
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Steve Reich Biography
Stephen Michael Reich (born October 3, 1936) is an American composer. He is a pioneer of minimalism, although his music has increasingly deviated from a purely minimalist style. Reich's innovations include using tape loops to create phasing patterns (examples are his early compositions, "It's Gonna Rain" and "Come Out"), and the use of processes to create and explore musical concepts (for instance, "Pendulum Music" and ""Four Organs"). These compositions, marked by their use of repetitive figures and phasing effects, have significantly influenced contemporary music, especially that of his country.
The Guardian has described Reich as one of the few composers to have "altered the direction of musical history."
Reich often cites Pérotin, Johann Sebastian Bach, Claude Debussy and Igor Stravinsky as composers he admires, whose tradition he wished as a young composer to become part of. Jazz is a major part of the formation of Reich's musical style, and two of the earliest influences on his work were vocalists Ella Fitzgerald and Alfred Deller, whose emphasis on the artistic capabilities of the voice alone with little vibrato or other alteration was an inspiration to his earliest works. John Coltrane's style, which Reich has described as "playing a lot of notes to very few harmonies", also had an impact; of particular interest was the album "Africa/Brass", which "was basically a half-an-hour in F." Reich's influence from jazz includes its roots, also, from the West African music he studied in his readings and visit to ghana. Other important influences are Kenny Clarke and Miles Davis, and visual artist friends such as Sol Lewitt and Richard Serra.
Read MoreThe Guardian has described Reich as one of the few composers to have "altered the direction of musical history."
Reich often cites Pérotin, Johann Sebastian Bach, Claude Debussy and Igor Stravinsky as composers he admires, whose tradition he wished as a young composer to become part of. Jazz is a major part of the formation of Reich's musical style, and two of the earliest influences on his work were vocalists Ella Fitzgerald and Alfred Deller, whose emphasis on the artistic capabilities of the voice alone with little vibrato or other alteration was an inspiration to his earliest works. John Coltrane's style, which Reich has described as "playing a lot of notes to very few harmonies", also had an impact; of particular interest was the album "Africa/Brass", which "was basically a half-an-hour in F." Reich's influence from jazz includes its roots, also, from the West African music he studied in his readings and visit to ghana. Other important influences are Kenny Clarke and Miles Davis, and visual artist friends such as Sol Lewitt and Richard Serra.
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