You’ve got great taste.
Sign in to follow your favorite artists, save events, & more.
Sign In
About this concert
Unveiling the second No Drama Open Air Minifest, a unique celebration brought to you in Collaboration with the Underground Meco Community in Sunny Portugal!
Get ready for an extraordinary experience in the beautiful Sesimbra Natura Park just 30min south of Lisbon! This Mini Festival is all about embracing good vibes, amazing music, and a relaxed, drama-free atmosphere.
Join us for a day filled with music, joy, and no drama. Let’s make memories together! 🪩
* FAQ & INFO *
Doors open at 14:00.
Last entry 05:00.
Complimentary Yoga class at 15:00 for all ticket holders.
Complimentary canoes are available to use on our lake until sunset, under qualified supervision.
We will dance outdoors - come prepared for all kinds of weather in order to ensure a comfortable ride.
Sesimbra Natura Park is a child-friendly venue.
Sesimbra Natura Park is not a pet friendly venue.
Children under 12 years old get in free of charge.
Campervans are welcome in the general car park.
1€ each eco cup on the bar (non refundable), we encourage you to bring your own cups.
The food court is open from 14:00 until 08:00. Food and drinks will be served throughout the night. We advise you to arrive early and make the most out of your experience.
Drinks from outside are not allowed.
There are multiple chill-out areas to relax, feel free to bring your own hammocks and blankets.
We don't sell tobacco products or have an ATM but the bar and food area accept cash and all cards.
Sesimbra Natura Park is an inclusive venue and is wheelchair accessible and has wheelchair-accessible disabled toilets.
There will be a qualified paramedic team available on site should you at any time feel unwell and in need of assistance.
Tickets and drink tokens are non-refundable.
No re-entry from the venue itself.
Limited tickets are available and should this event sell out prior there will be no tickets available on the door.
By purchasing your ticket for this event you are agreeing to be filmed or photographed by our digital content team. Please get in touch if you feel uncomfortable at any point.
Rave responsibly, and look after yourself and those around you. We ask that you respect nature and respect the venue.
For more enquiries:
infoundergroundmeco@gmail.com
Show More
Find a place to stay
Merch (ad)

LL Cool J Rock The Bells NY 85 Stamp ...
$23.99

J.VER Men's Dress Shirts Stretch Long...
$14.99

Letter J Name Initial Varsity Alphabe...
$14.99

Letter J Superhero Name Comic Letter ...
$14.99

J Dillas Donuts Hiphop Jay Dee T-Shirt
$14.99

J.VER Men's Dress Shirts Cotton Stret...
$21.99

Funny Superhero Shield Letter J name ...
$17.95

LL Cool J | 1990's R&B Music Artists ...
$23.99

J.VER Men's Short Sleeve Dress Shirt ...
$18.99

Letter J Shirt Initial Monogram T-Shirt
$14.99
Live Photos
View All Photos
What fans are saying
Easily follow your favorite artists by syncing your music
Sync Music

Share Event
Guy J Biography
Israeli producer Guy J has established himself as one of the most sophisticated and emotive producers in electronic music of the last decade, with a body of work and a sphere of influence that belies relatively short time in the spotlight. Whether it be his sensual, hypnotic take on house music, his deeply textured techno or his wondrous ambient material, his work is always touched with a magic and emotion that few rival.
Growing up, he was immersed in Israel’s dance music culture, and a burgeoning scene that is known the world over for its epic parties. From its own Love Parade to major clubs and radio shows, the country has long been a bastion for underground electronic culture. “If you looked for it, it was right there” he recalls. But while the country was chiefly known as the world’s chief exporter of psy trance, Guy and his contemporaries have spearheaded an acclaimed new wave of Israeli house and techno music. “I’m very sensitive person, so I think what I make is what I feel at the moment I make it” he explains of the deeply emotional qualities of his music. “I started as big fan of trance and progressive, and got exposed later on to techno and house\deep house. I’m trying to put all this together in my music; a bit of everything.”
Guy started producing at the age of 14, amassing a wealth of equipment and experience and dedicating his life to learning the craft (“my friends called my room ‘the cave’”). His first release came at the age of 21, but it was his 2007’s gem Save Me that proved to be his real launchpad. John Digweed snapped up the glistening, dramatic slice of deeper house music up for his legendary Bedrock Records, setting in motion a chain of events that would change his life forever. “It was like a dream coming true. I never knew it would lead me to having two albums on a label that I really grew up with.”
Its sublime Depeche Mode-esque synth work pointed to a talent that surprised considering his short time releasing records, and his ascent from hereon was steady and rapid. His debut album Esperanza gained plaudits in 2008 with its classy, ethereal blend of progressive house, techno, electro and electronica, while the follow-up 1000 Words went deeper still over two discs of expansive soundscapes and intricate dancefloor explorations. “I always wanted to make an artist album and to give another aspect of my music” he says. “What is magic for me in house music is that you can hear "real" music and also dance to it. There are so many emotions involved in it, but it’s ultimately there to create a good vibe, and to make you dance. But to make an artist album is a way for me to deliver pure music.” It’s this balance of the organic and the electronic, the visceral and the mental, that make his music so captivating and wide in its appeal.
Never one to be pigeonholed, his portfolio is a diverse beast, with releases finding their way onto Tiga’s increasingly eclectic Turbo imprint amongst others. To feature on two labels that are essentially synonymous with two very different scenes is testament to his versatility, and above all, the quality and conviction of his productions. “I don't see myself as producer of one genre only; I believe in exploring and trying different stuff when you have all the tools you need to create” he clarifies. “To be signed to Turbo... it’s also amazing as it a big label that has its own crowd of people who listen to a certain type of music, and to be part of it is great.”
2012 sees Guy kick off an exciting new project with his close colleagues and friends at Bedrock: his very own imprint “Lost & Found”, a sub-label for John Digweed’s long running mothership where he’ll release music by himself and his favourite producers. Then there’s the small matter of a release on Cocoon, one of the most highly regarded labels in techno and beyond, and some exciting collaborations in the pipeline with some other inspiring artists. As always with this unique talent, it’s quality, not quantity. Each of his releases is met with a swell of anticipation, and for once in this often over-hyped world, it’s fully justified.
Read MoreGrowing up, he was immersed in Israel’s dance music culture, and a burgeoning scene that is known the world over for its epic parties. From its own Love Parade to major clubs and radio shows, the country has long been a bastion for underground electronic culture. “If you looked for it, it was right there” he recalls. But while the country was chiefly known as the world’s chief exporter of psy trance, Guy and his contemporaries have spearheaded an acclaimed new wave of Israeli house and techno music. “I’m very sensitive person, so I think what I make is what I feel at the moment I make it” he explains of the deeply emotional qualities of his music. “I started as big fan of trance and progressive, and got exposed later on to techno and house\deep house. I’m trying to put all this together in my music; a bit of everything.”
Guy started producing at the age of 14, amassing a wealth of equipment and experience and dedicating his life to learning the craft (“my friends called my room ‘the cave’”). His first release came at the age of 21, but it was his 2007’s gem Save Me that proved to be his real launchpad. John Digweed snapped up the glistening, dramatic slice of deeper house music up for his legendary Bedrock Records, setting in motion a chain of events that would change his life forever. “It was like a dream coming true. I never knew it would lead me to having two albums on a label that I really grew up with.”
Its sublime Depeche Mode-esque synth work pointed to a talent that surprised considering his short time releasing records, and his ascent from hereon was steady and rapid. His debut album Esperanza gained plaudits in 2008 with its classy, ethereal blend of progressive house, techno, electro and electronica, while the follow-up 1000 Words went deeper still over two discs of expansive soundscapes and intricate dancefloor explorations. “I always wanted to make an artist album and to give another aspect of my music” he says. “What is magic for me in house music is that you can hear "real" music and also dance to it. There are so many emotions involved in it, but it’s ultimately there to create a good vibe, and to make you dance. But to make an artist album is a way for me to deliver pure music.” It’s this balance of the organic and the electronic, the visceral and the mental, that make his music so captivating and wide in its appeal.
Never one to be pigeonholed, his portfolio is a diverse beast, with releases finding their way onto Tiga’s increasingly eclectic Turbo imprint amongst others. To feature on two labels that are essentially synonymous with two very different scenes is testament to his versatility, and above all, the quality and conviction of his productions. “I don't see myself as producer of one genre only; I believe in exploring and trying different stuff when you have all the tools you need to create” he clarifies. “To be signed to Turbo... it’s also amazing as it a big label that has its own crowd of people who listen to a certain type of music, and to be part of it is great.”
2012 sees Guy kick off an exciting new project with his close colleagues and friends at Bedrock: his very own imprint “Lost & Found”, a sub-label for John Digweed’s long running mothership where he’ll release music by himself and his favourite producers. Then there’s the small matter of a release on Cocoon, one of the most highly regarded labels in techno and beyond, and some exciting collaborations in the pipeline with some other inspiring artists. As always with this unique talent, it’s quality, not quantity. Each of his releases is met with a swell of anticipation, and for once in this often over-hyped world, it’s fully justified.
Electronica
Melodic House
Electronic
Progressive House
Tech House
Follow artist