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Julius Rodriguez
Stowe Performing Arts
1250 Waterbury Rd
Stowe, VT 05672
Aug 14, 2022
7:00 PM EDT
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About this concert
“She has a miraculous voice, musical ability, and technique, as well as an innate gift for entertaining a crowd.”
–Wall Street Journal (March 16, 2021)
With a repertoire running the gamut from swing to bebop to the Great American Songbook, Veronica Swift is a young but fully fledged star on the international jazz scene. Boasting a clear and lilting tone and radiant stage presence, she is also a master of rigorous vocal techniques like vocalese and scat. In the Wall Street Journal’s words: “[Swift] might be the best scat singer since Ella Fitzgerald, Anita O’Day, Sarah Vaughan and Mel Tormé.”
Having first gained widespread attention in high-profile collaborations with the likes of Wynton Marsalis and Chris Botti, she has developed a devoted following among audiences. On stage, Veronica will be performing selections from her 2021 album, This Bitter Earth, along with additional jazz standards, rock classics, and more.
As Swift remarked recently, “This show in the Trapp Family Lodge concert meadow is not only a comeback after a long hiatus of no gigs, but it is a rebirth…. The songs I’ve picked for this show encompass some of This Bitter Earth’s message, but also we have included new songs that mix classical with rock and roll and funk as well as jazz. I now know, my purpose as an artist is to break down these genre barriers and fully immerse the audience in what to me is just simply: music.”
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Julius Rodriguez Biography
No matter where, Julius Rodriguez, the New York-born and Los Angeles-based multi-instrumentalist, composer, and producer electrifies any lane. By doing so, he also transcends perceived boundaries between genres and styles, redefining the music to mirror his own fluid creative inclinations and delivering a sound that’s solely his alone.
Following widespread applause from The New York Times, Vanity Fair, The FADER, and more, collaborations with everyone from Wynton Marsalis to A$AP Rocky, and tens of millions of streams, he grows in as many directions as possible on his second full-length offering, EVERGREEN [Verve Records].
“An ‘EVERGREEN’ is a plant whose foliage remains functional for all seasons. That’s similar to how I like to be; I want to be myself no matter the genre I’m playing or what’s going on around me. There are a lot of styles on this record, but it’s recognizably my voice.”
By breaking boundaries with EVERGREEN, Julius has lived up to the true spirit of jazz by ushering it towards the future freely. “I hope you hear this and forget about the whole genre labeling thing,” he leaves off. “This is just music you can dance to, feel to, and think to. It’s not about categorizing; it’s about enjoying something for what it is. EVERGREEN goes through a whole bunch of genres, but this is the world I’m seeing and hearing. This is the feeling I’m invoking. I made a statement and said, ‘The genre is just me’.”
Sharp instincts for space and phrasing, and reverence for melody elevate Julius’ expression from virtuoso to true artist. In a few short years, he has garnered peer attention and critical praise from such institutional outlets as JAZZIZ magazine, The New York Times, Paste and Vanity Fair, and has earned opportunities to perform alongside some of the music’s most distinctive artists, including Wynton Marsalis, Keyon Harrold, Victoria Canal, Ben Williams, A$AP Rocky, Meshell Ndegeocello, Macy Gray, Braxton Cook, Laurin Talese and the late and legendary Roy Hargrove.
Read MoreFollowing widespread applause from The New York Times, Vanity Fair, The FADER, and more, collaborations with everyone from Wynton Marsalis to A$AP Rocky, and tens of millions of streams, he grows in as many directions as possible on his second full-length offering, EVERGREEN [Verve Records].
“An ‘EVERGREEN’ is a plant whose foliage remains functional for all seasons. That’s similar to how I like to be; I want to be myself no matter the genre I’m playing or what’s going on around me. There are a lot of styles on this record, but it’s recognizably my voice.”
By breaking boundaries with EVERGREEN, Julius has lived up to the true spirit of jazz by ushering it towards the future freely. “I hope you hear this and forget about the whole genre labeling thing,” he leaves off. “This is just music you can dance to, feel to, and think to. It’s not about categorizing; it’s about enjoying something for what it is. EVERGREEN goes through a whole bunch of genres, but this is the world I’m seeing and hearing. This is the feeling I’m invoking. I made a statement and said, ‘The genre is just me’.”
Sharp instincts for space and phrasing, and reverence for melody elevate Julius’ expression from virtuoso to true artist. In a few short years, he has garnered peer attention and critical praise from such institutional outlets as JAZZIZ magazine, The New York Times, Paste and Vanity Fair, and has earned opportunities to perform alongside some of the music’s most distinctive artists, including Wynton Marsalis, Keyon Harrold, Victoria Canal, Ben Williams, A$AP Rocky, Meshell Ndegeocello, Macy Gray, Braxton Cook, Laurin Talese and the late and legendary Roy Hargrove.
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